By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

SATB vocal soli, SATB choir, oboe, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.1015215

Arrangiert von Johann Sebastian Bach. Composed by Reinhard Keiser. Arranged by Johann Sebastian Bach. German title: Markus-Passion. Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Cello/Double Bass. 40 pages. Duration 75 minutes. Carus Verlag #CV 10.152/15. Published by Carus Verlag (CA.1015215).

ISBN 9790007189730. Language: German/English.

Fir st version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and part available separately - see item CA.1015200.

SATB vocal soli, SATB choir, oboe, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.1015213

Arrangiert von Johann Sebastian Bach. Composed by Reinhard Keiser. Arranged by Johann Sebastian Bach. German title: Markus-Passion. Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Viola 1. 16 pages. Duration 75 minutes. Carus Verlag #CV 10.152/13. Published by Carus Verlag (CA.1015213).

ISBN 9790007189716. Language: German/English.

Fir st version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and part available separately - see item CA.1015200.

SATB vocal soli, SATB choir, oboe, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.3530419

Arrangiert von Johann Sebastian Bach. Composed by Reinhard Keiser. Edited by Hans Bergmann. Arranged by Johann Sebastian Bach. German title: Markuspassion. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Duration 75 minutes. Carus Verlag #CV 35.304/19. Published by Carus Verlag (CA.3530419).

ISBN 9790007134297. Language: German/English.

Fir st version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and parts available separately - see item CA.3530400.

Solo SATB, SATB Choir, Oboe, 2 Violins, 2 Violas, Cello/Contrabass, Organ

SKU: CA.1015212

Arrangiert von Johann Sebastian Bach. Composed by Reinhard Keiser. Arranged by Johann Sebastian Bach. Violin 2. Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Violin 2. 16 pages. Duration 75 minutes. Carus Verlag #CV 10.152/12. Published by Carus Verlag (CA.1015212).

ISBN 9790007189709. Text language: German/English.

Fir st version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and part available separately - see item CA.1015200.

SATB vocal soli, SATB choir, oboe, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.1015208

Arrangiert von Johann Sebastian Bach. Composed by Reinhard Keiser. Arranged by Johann Sebastian Bach. German title: Markus-Passion. Oratorios, Passions, Lent and Passiontide, Holy Week. Lyrics. 8 pages. Duration 75 minutes. Carus Verlag #CV 10.152/08. Published by Carus Verlag (CA.1015208).

ISBN 9790007189686. Language: German/English.

Fir st version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score available separately - see item CA.1015200.

SATB vocal soli, SATB choir, oboe, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.3530411

Arrangiert von Johann Sebastian Bach. Composed by Reinhard Keiser. Edited by Hans Bergmann. Arranged by Johann Sebastian Bach. German title: Markuspassion. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Violin 1. 12 pages. Duration 75 minutes. Carus Verlag #CV 35.304/11. Published by Carus Verlag (CA.3530411).

ISBN 9790007213121. Language: German/English.

Fir st version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and part available separately - see item CA.3530400.

Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808549

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Single Part, Organ. Composed 2014. 24 pages. Duration 18 minutes. Carus Verlag #CV 18.085/49. Published by Carus Verlag (CA.1808549).

Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch. Score and part available separately - see item CA.1808500.

Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808500

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Full score. Composed 2014. 48 pages. Duration 18 minutes. Carus Verlag #CV 18.085/00. Published by Carus Verlag (CA.1808500).

ISBN 9790007163952. Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch.