Composed by Mary Beth Bennett; Ludwig Diehn. Non Hymn-Based, Organ Recital Music, Preludes, Partita/Variations, Postludes. Secular, 21st century. Published by E.C. Schirmer Publishing

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS160F

From Three Short Pieces for Organ. Composed by Samuel Coleridge-Taylor. Arranged by Robert Debbaut. Cas. Full score. Duration 3 minutes. Carl Fischer Music #CAS160F. Published by Carl Fischer Music (CF.CAS160F).

ISBN 9781491165454. UPC: 680160924363. Key: C major.

The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World” Symphony.

Organ - Intermediate

SKU: MN.10-470

Composed by Nicholas Schmelter. Advent, Christmas. MorningStar Music Publishers #10-470. Published by MorningStar Music Publishers (MN.10-470).

UPC: 688670104701.

These variations are based on the familiar European melody given many names: O du fröhliche; O Sanctissima; and The Sicilian [Mariners] Hymn. Inspired by the compositional flavor of Robert Hebble and Leo Sowerby, “Variations on O du fröhliche” provides listenable, fun-to-play perspectives among a modern-day polyphonic treatment.

Organ - Level 4

SKU: BA.BA11093

Composed by Martin Herchenroder. Stapled. Performance score. Composed 2008/2013. 19 pages. Duration 12 hours. Baerenreiter Verlag #BA11093_00. Published by Baerenreiter Verlag (BA.BA11093).

ISBN 9790006565269. 30 x 23 cm inches. Preface: Herchenroder, Martin.

“Tocc ata and Lament” was composed on commission in 2008 to inaugurate the large new organ in the Christ Church Cathedral, Rochester, NY, USA. This instrument is a detailed reconstruction of a late Baroque organ of 1776 from Vilnius in Lithuania. The point of departure – a clash of contrasting eras and musical cultures on two continents – already bodes excitement. Martin Herchenröder, a composer and professor of music theory, has incorporated these contrasts in his roughly eight-minute composition. The result is a musical idiom of rare distinction, universal in its musical resources and alternating between tonal triads and extremely dissonant clusters. The heart of the piece is a dirge which, using the Baroque doctrine of the affections, relates to Eastern European cultural history in and around Vilnius, a history marked by the predations of 20th-Century war.

Organ - advanced

SKU: HL.49018082

Von Ewigkeit zu Ewigkeit. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Die Orgelsinfonie Nr. 7 'Von Ewigkeit zu Ewigkeit ist vom kompositorischen Rohstoff Zeit bestimmt. Stilistisch basiert die Komposition auf Elementen der Minimal Music, die Schneider mit der Tradition der europaischen Orgelkomposition verbindet. Composed 2009. 52 pages. Duration 24'. Schott Music #ED20668. Published by Schott Music (HL.49018082).

ISBN 9790001168809. UPC: 884088535094. 9.0x12.0x0.2 inches.

Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in ancient beginnings ('In principio' - 1st movement) and periodic to the intellectually incomprehensible revolving ('Zeit der Sterne' - 2nd movement). After the third movement ('Zeit des Menschen'), a valse triste, infused by an almost humorous hectic atmosphere, the symphony ends with a kind of 'Amen!' in the fourth movement. Schneider sums it up: 'It is good as it is, we do not understand the course of time anyway.' With regard to style, his composition is based on elements of minimal music which he combines with the tradition of the European organ composition; it is at the same time a testimony to the composer's flexibility and versatility.

By Michel. For organ. General. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

Organ

SKU: FZ.50529

Vocal Ensemble Ad Limina. Composed by Gaspard Corrette. Edited by Regis Allard. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50529).

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.

Organ

SKU: CA.1820400

Composed by Various. Edited by Richard Mailander. Editions for the new German catholic songbook Gotteslob; Hymns by Martin Luther: Gott sei gelobet und gebenedeiet. Choralvorspiele Fur Orgel Zum Gotteslob Band 3. Organ music based on hymns. Collection. 112 pages. Carus Verlag #CV 18.204/00. Published by Carus Verlag (CA.1820400).

ISBN 9790007166816.

Our series of chorale settings for organ continues with a volume of 35 compositions based on hymns which are used throughout the church year. The main feasts and themes represented in this collection include the celebration of Mass, the Holy Spirit, Trinity, Jesus Christ, Praise and Thanks, as well as trust and consolation. Distinguished composers from various European countries have contributed to the volume. Some works which are less well-known, from the Baroque to the 20th century, are also included. The collection contains several exciting new discoveries which will be useful in the liturgy of the Mass, in other services and in concerts. This third volume in the series follows on from the editions already published devoted to Christmas and Easter.

Organ

SKU: BA.BA11045

Composed by Dominik Susteck. Edited by Zsigmond Szathmary. Stapled. Organova, Volume 10. Performance score. Composed 2011. 14 pages. Duration 10 minutes. Baerenreiter Verlag #BA11045_00. Published by Baerenreiter Verlag (BA.BA11045).

ISBN 9790006543243. 30 x 23 cm inches. Language: German/English. Preface: Dominik Susteck.

Thoughts on the composition “Zwischenklänge� �€ with regard to the subject of “home and abroad”:
- Music that never rests, that is in constant motion and mutation, its tones almost trembling, on the run, in constant tension.
- Music that unfolds its beauty in the “in between”, in the appoggiatura, in the flash-like emergence and disappearance of harmonic colors.
- Music as an evolvement of time, waiting, bustling, erupting, or withdrawing.

The composition “Zwischenklänge� �€ was awarded tje 11th Composition Prize of Contemporary Sacred Music of the European Church Music Festival Schwäbisch Gmünd. – The premiere was given on 27 August 2012 by Roman Summereder (Vienna).

Listen to “Zwischenklänge� �€ on Youtube

Composed by Kevin Waters. For organ. New settings of familiar tunes. General, Marian. Published by CanticaNOVA Publications

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 300. Published by Ut Orpheus

Organ - Level 3

SKU: BA.BA11230

Composed by Joan Cabanilles. Edited by Gerhard Doderer and Miguel Bernal Ripoll. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume III. Performance score, anthology. Baerenreiter Verlag #BA11230_00. Published by Baerenreiter Verlag (BA.BA11230).

ISBN 9790006561049. 24 x 30.5 cm inches. Preface: Ripoll, Miguel Bernal / Doderer, Gerhard.

Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language, rooted in the traditional sounds of Spain, has not managed to reach a large audience outside the Iberian peninsula, although he is often called “a musician of European stature”.

The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end, all available sources in the libraries of Astorga, Barcelona, San Lorenzo de el Escoreal, Felanitx/Mallorca, Jaca and Montserrat have been examined and newly evaluated.

If Cabanilles’s oeuvre consists primarily of tientos, organ hymns and versets, the third and final volume contains three versos, three pasacalles, two galliards, two toccatas and such special forms as Paseos de tercer tono, Diferencias de Folías and a Jácara.


â� ��žThis is an excellent resource for organists interested in exploring this satisfying repertoire.“
(Brian E. Harlow, Journal of the Association of Anglican Musicians 1/2018)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Clavichord; harpsichord; keyboard; piano

SKU: HH.HH240-SOL

Composed by H.O.C. Zinck. Edited by Christopher Hogwood. Clavichord; Harpsichord; Keyboard; Piano. Playing score. Edition HH Music Publishers #HH240-SOL. Published by Edition HH Music Publishers (HH.HH240-SOL).

ISBN 9790708059738.

When Zinck's sonatas first appeared in print in 1783, the publication was greeted as exceptional by the best European critics: Their interesting melodic style, highly developed turns of phrase, great diversity of musical ideas unified into one great sonata style far removed from the routine, and finally, very descriptive tone painting, elevate them and make them worthy of the approval of connoisseurs.

Organ - Moderately Easy

SKU: LO.30-1111L

Composed by Malcolm C. Wilson. Advent, Christmas, Sacred. Organ score. Lorenz Publishing Company #30/1111L. Published by Lorenz Publishing Company (LO.30-1111L).

UPC: 000308025415.

A playful dialogue of organ and bells characterize this well crafted medley of three European carols. Incorporating NOEL NOUVELET, PERSONENT HODIE and II EST DE LE DIVIN ENFANT, the work uses martellato, martellato lift, shakes, and mallets. For worship or concert, a unique expression of Christmas joy!

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 299. Published by Ut Orpheus

This edition: paperback. Book. 135 pages pages. Published by Kevin Mayhew Publishers (KV.1400519).

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 301. Published by Ut Orpheus