By Johann Sebastian Bach. Edited by Alfred Durr; Max Schneider. For Choir 1, Cho...(+)
By Johann Sebastian Bach.
Edited by Alfred Durr;
Max Schneider. For Choir
1, Choir 2, Organ. Single
Part (paperbound). BWV
244. Published by
Baerenreiter-Ausgaben
(German import). (BA5038
67)
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Basso continuo. Sacred
vocal music. Single Part,
basso continuo. Composed
1625. 4 pages. Carus
Verlag #CV 20.443/11.
Published by Carus Verlag
(CA.2044311).
Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score and part
available separately -
see item CA.2044300.
Solo organ - Easy to Moderately Difficult SKU: OU.9780193532410 Composed ...(+)
Solo organ - Easy to
Moderately Difficult
SKU:
OU.9780193532410
Composed by Whitbourn.
Organ (Solo). The Oxford
Organ Library. 16 pages.
Duration 7'. Oxford
University Press
#9780193532410. Published
by Oxford University
Press (OU.9780193532410).
ISBN 9780193532410. 12
x 9 inches.
James
Whitbourn's Apollo tells
the story of the first
manned flight to the Moon
(the year before the
first lunar landing). A
wealth of imaginative
textures depicts such
dramatic events as
countdown, ignition, and
the first sight of
earthrise, leading to a
fantasia on an ancient
Greek melody, and a final
triumphant Paean.
SSTBar choir, organ - Level 2 SKU: CA.2044305 Osterdialog. Compose...(+)
SSTBar choir, organ -
Level 2
SKU:
CA.2044305
Osterdialog.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Osterdialog Weib,
Was Weinest Du. Sacred
vocal music, Easter and
Eastertide. Choral Score.
Composed 1625 (terminus
post quem). SWV 443. 12
pages. Carus Verlag #CV
20.443/05. Published by
Carus Verlag
(CA.2044305).
ISBN
9790007036416. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Sacred vocal music.
Choral Score. Composed
1625. 8 pages. Carus
Verlag #CV 20.443/06.
Published by Carus Verlag
(CA.2044306).
ISBN
9790007188672. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
