Organ

SKU: CA.1802600

Composed by Various. Edited by Konrad Kuster. This edition: Paperbound. Norddeutsche Orgelmusik 1780-1860. 3 Bande. Organ music based on hymns, Free organ music. Collection. Carus Verlag #CV 18.026/00. Published by Carus Verlag (CA.1802600).

ISBN 9790007093150.

For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, more recent organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use.

Organ

SKU: BT.EMBZ14775

Composed by Ernst Von Dohnanyi. Book Only. Composed 2012. 12 pages. Editio Musica Budapest #EMBZ14775. Published by Editio Musica Budapest (BT.EMBZ14775).

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen.This work, which is appearing in print now for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written while he was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammar school student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie wasprepared for publication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen. This work, now appearing in print for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written whilehe was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammarschool student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie was prepared forpublication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877-1960) komponierte die Fantasie in c-Moll 1892 im Alter von fünfzehn Jahren. Das Werk, welches nun erstmalig in Druck erscheint, ist ein echtes Kuriosum: Abgesehen von ein paar wenigen polyphonen Stilübungen aus der Musikakademie ist es das einzige Orgelwerk des Komponisten. Dieser erinnerte sich später folgendermaßen an das Kennenlernen des Instruments: Meine erste Begegnung mit dem Orgel reicht bis zur dritten Klasse im Gymnasium zurück. Ab dieser Klasse nahm ich sonntags die Funktion des Kantors in der Kirche der Schule ein. Das war mein erstes Geld, was ich mit Musik verdiente. Die Fantasie wurde von der bekannten Dohnányi-Forscherin Deborah Kiszelynach dem Originalmanuskript herausgegeben.

Organ solo

SKU: CA.5280700

Composed by Max Reger. Edited by Alexander Becker, Christopher Grafschmidt, Stefan Konig, and Stefanie Steiner-Grage. This edition: clothbound. Max Reger - Hybrid Edition of works. With DVD. Free organ music. Full score (complete edition / selected edition). 240 pages. Carus Verlag #CV 52.807/00. Published by Carus Verlag (CA.5280700).

ISBN 9790007164164.

Sinc e January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.

Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Complete Mass, Pentecost, Trinity, Communion. Medium. Published by Aureole Editions

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. Baroque. Full score. With Standard notation. 112 pages. Wiener Urtext/Vienna Urtext #UT50147. Published by Wiener Urtext/Vienna Urtext

Organ

SKU: CA.5280400

Composed by Max Reger. Edited by Alexander Becker, Christopher Grafschmidt, Stefan Konig, and Stefanie Steiner-Grage. This edition: Complete edition. Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern; Complete editions / Selected works: Max Reger. Hybrid Edition of works. With DVD. Organ music based on hymns. Full score (complete edition / selected edition). 224 pages. Carus Verlag #CV 52.804/00. Published by Carus Verlag (CA.5280400).

ISBN 9790007139384.

The fourth volume of the section of the Reger Edition devoted to his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, and Meiningen. The composition of chorale preludes accompanied Reger throughout his entire career, even though they were composed primarily in the years from 1900 to 1902 and 1914 (Opus 135a). As almost no other composer at the turn of the century, he dedicated himself to the chorale prelude, composing around 100 works in this genre. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.

Composed by Johann Sebastian Bach (1685-1750). For organ. Published by Wayne Leupold Editions

SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ

SKU: CA.3207619

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wohl dem, der den Herren furchtet. Sacred vocal music. Set of Orchestra Parts. Composed 1752. BR-WFB F 19. Duration 15 minutes. Carus Verlag #CV 32.076/19. Published by Carus Verlag (CA.3207619).

ISBN 9790007138974. Language: German.

The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bach composed during the eighteen years which he spent as organist and director of music at the Marktkirche in Halle (1746-1764). This cantata, published here for the first time in more than 250 years, was written to introduce the autumn sermons in 1752. A musically and technically demanding composition, it consists of two substantial choral movements, partly concertante and partly polyphonic, based on two biblical utterances. They surround a sensitive, while at the same time strictly contrapuntal, duet for soprano and alto with basso continuo in which God's sweet teaching for the soul is described as the true manna of the faithful, forming a link with the sermons which are to follow. In the compactness of the musical construction and its intensity of expression W. F. Bach was clearly following in the footsteps of his father in this work. Score and parts available separately - see item CA.3207600.

Urtext. Composed by Camillo Schumann (1872-1976). Edited by Antje Wissemann. Breitkopf and Haertel #EB 8979. Published by Breitkopf and Haertel

Organ - easy to intermediate

SKU: HL.49017948

Choral Preludes. Composed by Hermann Schroeder. Edited by Peter Alexander Stadtmueller and Raimund Keusen. This edition: Saddle stitching. Sheet music. Organ Collection. Hermann Schroeder (1904-84) is one of the most important German composers of 20th-century Catholic church and organ music. This volume for the first time contains the most important chorale arrangements for the organ. Composed 1948. 68 pages. Duration 15'. Schott Music #ED20183. Published by Schott Music (HL.49017948).

ISBN 9790001147439. UPC: 884088585631. 9.0x12.0x0.314 inches.

Hermann Schroeder's abundant oeuvre in the field of chorale-bound organ music is much less known among organists than his free - especially the concertante - organ works, although Hermann Schroeder as an organist felt particularly bound to liturgy and liturgical singing. And according to him, any liturgical organ music should always bear a direct relation to singing. The purpose of the present anthology is to provide the player a representative selection of Schroeder's chorale arrangements. Most of these chorales are relatively short and of medium difficulty at most. The chorale melody can be heard well most of the time so that the pieces are ideal for being used in church services. In the alphabetical index, the beginnings of song titles are accompanied by the corresponding number from Gotteslob (GL) or the Protestant Hymnal for better orientation.

By Andrew D. Gordon. For piano/keyboards/organ. Blues, Jazz. Level: intermediate. Book with CD. 77 pages. Published by ADG productions.

Organ

SKU: SU.80101410

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101410. Published by Zimbel Press (SU.80101410).

Fantasy-Variati ons on Two Themes (2017) for organ was written for Heinrich Christensen in celebration of his significant 2017 birthday. The musical material for the work comprises two different themes. The first is a short melody by the Danish composer Carl Nielsen (1865-1931). (It was a sketch originally intended for inclusion in, but ultimately left out of, Nielsen's late organ work 29 Little Preludes.) This theme represents Heinrich's native Denmark. The second theme is the American folk-gospel hymn Angel Band. This theme represents Heinrich's adopted American homeland. It serves also as a remembrance of our dear mutual friend Harry Lyn Huff (1952-2016), for whom the tune was a particular favorite. Both these themes are developed freely in a set of alternating fantasy-variations. The opening variation begins with a dramatic pedal solo before quoting both themes. The second variation is a lyric setting based on the Nielsen melody. The third is a jubilant hornpipe on Angel Band. The fourth is an aria on a transformation of the Nielsen melody. The fifth is a gigue-toccata on Angel Band. The sixth is an atmospheric contemplation: lush chords in the manuals move slowly and hint at Angel Band while the Nielsen melody is heard for the first time in its complete original form on a high pedal stop. The seventh and final variation begins with a brief evocation of the harmonies of the late Daniel Pinkham (a mentor to both Heinrich and me) before going on to return dramatically and jubilantly to the opening music, bringing together both themes again in a bold conclusion. Instrumentation: Organ Duration: 15' Composed: 2017 Published by: Zimbel Press.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731515

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Double Bass. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/15. Published by Carus Verlag (CA.2731515).

ISBN 9790007201739. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731509

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. 1x 27.315/21 flute 1, 1x 27.315/22 flute 2, 1x 27.315/23 oboe 1, 1x 27.315/24 oboe 2, 1x 27.315/25 clarinet 1, 1x 27.315/26 clarinet 2, 1x 27.315/27 bassoon 1, 2x 27.315/28 bassoon 2, 1x 27.315/31 horn 1, 1x 27.315/32 horn 2, 1x 27.315/33 horn 3, 1x 27.31. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. 104 pages. Duration 35 minutes. Carus Verlag #CV 27.315/09. Published by Carus Verlag (CA.2731509).

ISBN 9790007201685. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731513

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Viola. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/13. Published by Carus Verlag (CA.2731513).

ISBN 9790007201715. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Organ solo

SKU: CA.2440900

Composed by Anonymous. Edited by Michael Gerhard Kaufmann, Klaus Konrad Weigele. Free organ music. Ochsenhauser Orgelbuch Faksimile. Free organ music. Facsimile. 88 pages. Carus Verlag #CV 24.409/00. Published by Carus Verlag (CA.2440900).

ISBN 9790007068967.

Facs imile edition of the Ochsenhauser Orgelbuch, with critical first edition. Almost 270 years following its completion, for the first time the Ochsenhauser Orgelbuch, a unique collection of organ music from southern Germany, will be published and thus made accessible to the music world. In honor of the completion of the restoration of the Gabler organ in Ochsenhausen this important, with its wonderful color illustrations, has been published in a high-quality limited two-volume edition.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731519

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. Duration 35 minutes. Carus Verlag #CV 27.315/19. Published by Carus Verlag (CA.2731519).

ISBN 9790007137366. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ

SKU: CA.4004019

Offertorium. Composed by Wolfgang Amadeus Mozart. Edited by Robert Munster. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Misericordias Domini Rev.2000. Sacred vocal music, Psalms, Latin, Lent and Passiontide, Easter and Eastertide, Praise and thanks. Set of Orchestra Parts. Composed 1775. KV 222 (205a). Duration 7 minutes. Carus Verlag #CV 40.040/19. Published by Carus Verlag (CA.4004019).

ISBN 9790007137625. Key: D minor. Language: Latin.

Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Munster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. Score and parts available separately - see item CA.4004000.

SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ

SKU: CA.4004005

Offertorium. Composed by Wolfgang Amadeus Mozart. Edited by Robert Munster. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Misericordias Domini Rev.2000. Sacred vocal music, Psalms, Latin, Lent and Passiontide, Easter and Eastertide, Praise and thanks. Choral Score. Composed 1775. KV 222 (205a). Duration 7 minutes. Carus Verlag #CV 40.040/05. Published by Carus Verlag (CA.4004005).

ISBN 9790007058265. Key: D minor. Language: Latin.

Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Munster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. Score available separately - see item CA.4004000.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731512

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/12. Published by Carus Verlag (CA.2731512).

ISBN 9790007201708. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731511

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/11. Published by Carus Verlag (CA.2731511).

ISBN 9790007201692. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731500

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Full score. CG op. Posth. 136 pages. Duration 35 minutes. Carus Verlag #CV 27.315/00. Published by Carus Verlag (CA.2731500).

ISBN 9790007095604. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731514

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Cello. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/14. Published by Carus Verlag (CA.2731514).

ISBN 9790007201722. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731549

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Organ. CG op. Posth. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.315/49. Published by Carus Verlag (CA.2731549).

ISBN 9790007201746. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731114

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Cello 1. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/14. Published by Carus Verlag (CA.2731114).

ISBN 9790007201562. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Organ - easy to intermediate

SKU: HL.49045622

Organ. Composed by Joseph Haas. Edited by Gerhard Weinberger. This edition: Saddle stitching. Sheet music. Organ Collection. Classical. Softcover. 48 pages. Schott Music #ED22407. Published by Schott Music (HL.49045622).

ISBN 9790001159425. UPC: 841886027701. 9.0x12.0x0.183 inches.

These preludes and fughettas are rare gems for organ players: Not listed in the catalog of works, these works were discovered among the documents left by Joseph Haas (1879-1960) and are now published for the first time. The pieces were probably written between 1904 and 1909 when Haas studied with Max Reger. Contents: - Präludium III G-Dur - Fughetta III G-Dur - Präludium IV F-Dur - Fughetta IV F-Dur - Präludium V D-Dur - Präludium VI B-Dur - Präludium VII F-Dur - Fughetta VIII Es-Dur - Präludium IX h-Moll - Fughetta IX h-Moll.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731112

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Viola 1. Composed 1901. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.311/12. Published by Carus Verlag (CA.2731112).

ISBN 9790007201548. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731115

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Cello 2. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/15. Published by Carus Verlag (CA.2731115).

ISBN 9790007201579. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.