Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ SKU: PL.1951M Composed by Benjamin Cornelius-Bates. Score. Paraclet...(+)
Organ
SKU:
PL.1951M
Composed by
Benjamin Cornelius-Bates.
Score. Paraclete Press
#1951M. Published by
Paraclete Press
(PL.1951M).
This work is
titled for the cycle of
prayers in which the
Psalms are sung or
chanted at eight services
or Offices throughout a
day and night. Each
movement attempts to
capture his vision of
each Office, beginning
with Matins sung in the
darkness of early
morning, continuing
through each service
during the daytime and
closing with Compline
before a night of
rest.
TTBB vocal soli/choir, organ SKU: CA.4083300 Composed by Johann Christian...(+)
TTBB vocal soli/choir,
organ
SKU:
CA.4083300
Composed
by Johann Christian
Heinrich Rinck. Edited by
Johannes Tusch. This
edition: Paperbound.
Requiem Fur Mannerchor.
Sacred vocal music,
Requiem, Mourning, death.
Full score. 40 pages.
Duration 25 minutes.
Carus Verlag #CV
40.833/00. Published by
Carus Verlag
(CA.4083300).
ISBN
9790007135522. Language:
Latin.
Among the
numerous Requiem settings
of the 19th century, only
very few are scored for
male voices. Although
several compositions (by,
amongst others, Max Reger
and Peter Cornelius) are
designated 'Requiem',
these are usually only
single-movement works,
not settings of the
entire text of the
ordinary. To date, only
four complete settings
for male choir - by Luigi
Cherubini, Franz Liszt,
Hugo Kaun and Lorenzo
Perosare - are known.
With the first edition of
the Requiem by Johann
Christian Heinrich Rinck
for solo voices, male
choir and organ, a
further work is being
made available for
performance. Rinck,
celebrated as the Rhenish
Bach and as a worldwide
famous composer, wrote it
in 1836.
Organ SKU: PL.1950M Composed by Benjamin Cornelius-Bates. Score. Paraclet...(+)
Organ
SKU:
PL.1950M
Composed by
Benjamin Cornelius-Bates.
Score. Paraclete Press
#1950M. Published by
Paraclete Press
(PL.1950M).
This work
contains 24 pieces in the
24 keys of various
difficulty levels, many
on the easier side. None
of the movements require
pedals and the
registrations are mostly
left to the performer and
their instrument. These
flexible works make ideal
preludes or
postludes.