(Concert Organ Music from four Centuries). Edited by Martin Weyer. For organ sol...(+)
(Concert Organ Music from
four Centuries). Edited
by Martin Weyer. For
organ solo. Paperback.
Originals and
Arrangements. Performance
score, anthology. Text
language: German/English.
Published by Baerenreiter
Verlag
SATB choir, SATB, SATB, organ SKU: CA.739300 Composed by Kay Johannsen. S...(+)
SATB choir, SATB, SATB,
organ
SKU:
CA.739300
Composed by
Kay Johannsen. Sacred
vocal music. Full score.
Composed 2015. 12 pages.
Carus Verlag #CV
07.393/00. Published by
Carus Verlag (CA.739300).
ISBN 9790007172268.
Text language:
Latin.
Veni was
composed by Kay Johannsen
in November 2015. Similar
to his 2010 work Et
vidimus gloriam eius for
four choral groups (SSA,
TTB, SATB, SATB) and
organ based on the
beginning of St John's
Gospel, Veni requires a
spatial separation of
three four-part choirs.
The starting point of the
composition is the 12th
century hymn Veni
redemptor gentium by St
Ambrose of Milan, which
Martin Luther used as the
basis of his 1524 hymn
Nun komm, der Heiland.
The four sections of the
cantus firmus are sung in
turn by all the basses,
altos, sopranos, and
tenors, each part at a
louder dynamic than the
other parts. For the
accompanying voices
Johannsen uses different
principles of canonic
technique and motivic
variation, with most of
the material derived from
the cantus firmus. The
organ part of this
12-part chorale
arrangement provides a
harmonic orientation, but
is completely independent
and introduces both
moments of rhythmic
accentuation and elements
of veiling. The choral
writing is also deepened
and elevated by the organ
sounds derived from the
text. Despite all the
motivic links between the
parts, the music has a
direct sensual effect as
a sound collage. The work
ends with three
increasingly distant,
homophonic invocations of
Veni: the plea Komm
occurs at the beginning
as at the end.
Organ (Organ) SKU: HL.14005770 Composed by Charles Villiers Stanford. Mus...(+)
Organ (Organ)
SKU:
HL.14005770
Composed
by Charles Villiers
Stanford. Music Sales
America. Folk British
Isles. Book [Softcover].
8 pages. Music Sales
#NOV590094. Published by
Music Sales
(HL.14005770).
9.0x12.0x0.047
inches.
Char
les Villiers
Stanford was an
Irish composer, music
teacher, and conductor.
Stanford
composed a substantial
number of concert works,
including seven
symphonies, but his
best-remembered pieces
are his choral works for
church performance,
chiefly composed in the
Anglican tradition.
Admitted to Queens
College, Cambridge with
an Organ scholarship
Stanford had
written a substantial
number of compositions,
including vocal music,
both sacred and secular,
and orchestral works
before getting involved
with the university's
Musical Society. While
still an undergraduate,
Stanford was
appointed organist of
Trinity College,
Cambridge.
Part of
the'Four Intermezzi Op.
189' Intermezzo
On An Irish Air
for Organ is based on the
melody of the well-known
'Londonderry Air'. The
traditional Irish tune
was first collected in
the mid 19th century by
Jane Ross, and is
recognised all around the
world by the Irish
Diaspora. Duration ca.
6:20.
Composed by Johann Christoph Bach. Masterworks; Organ - Method or Collection. Ka...(+)
Composed by Johann
Christoph Bach.
Masterworks; Organ -
Method or Collection.
Kalmus Edition.
Classical; Masterwork.
Book. 48 pages. Kalmus
Classic Edition
#00-K03095. Published by
Kalmus Classic Edition
For 2
organs. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Organ Collection.
Softcover. Composed 1993.
Op. 97f. 72 pages.
Duration 15'. Schott
Music #ED21268. Published
by Schott Music
(HL.49019222).
ISBN
9790001179805. UPC:
884088907372.
9.0x12.0x0.225
inches.
The pieces
are meant as a kind of
organ proper of Mass.
Chorales and chants from
the Catholic hymnbook are
used for the music of the
movements 'Halleluja',
'Offertorium' and
'Communio'. According to
the spiritual content of
the texts, there are both
meditative and lively,
virtuoso sections. The
fourth movement, a
toccata on the 'Ite missa
est', ends the work with
lavish organ sounds. The
world premiere of the
piece took place at the
Cathedral of Salzburg in
1994 in the rare and
demanding instrumentation
for two organs.
Organ (Organ) SKU: HL.48184614 Composed by Cé and sar Franck. Leduc...(+)
Organ (Organ)
SKU:
HL.48184614
Composed
by Cé and sar
Franck. Leduc. Classical.
Softcover. 38 pages.
Alphonse Leduc #AL27736.
Published by Alphonse
Leduc (HL.48184614).
UPC: 888680839840.
9.0x12.0x0.167
inches.
As a famous
contributor to classical
Organ music, Cesar
Franck's (1822-1890)
catalogue is extensive.
Moreover, being an
organist himself, his
Organ works are
significant and remain
ever-popular to this day.
When French organist,
Marcel Dupre (1886-1971)
compiled the series of
Franck's Organ Works, it
was well-received, and to
this day remains popular
with all organists. The
fourth volume includes a
favoured selection of
Franck's works, including
three of his chorales. In
addition, Dupre's
annotations in Organ
Works comprise
fingerings, rules on
technique and
instructions on
ornamentation, amongst
other aspects. This
compilation of Franck's
most loved compositions
for the Organ cannot be
missed by aspiring
performers of the
instrument..
SATB Choir, 2 Trombone [2 Vioas], Organ SKU: CA.2770505 Composed by Leopo...(+)
SATB Choir, 2 Trombone [2
Vioas], Organ
SKU:
CA.2770505
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
Music from Vienna. Sacred
vocal music, Mourning,
death. Choral Score.
Composed nach 1790. 4
pages. Duration 4
minutes. Carus Verlag #CV
27.705/05. Published by
Carus Verlag
(CA.2770505).
ISBN
9790007166595. Text
language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series. Score available
separately - see item
CA.2770500.
SATB Choir and Organ SKU: BT.MUSSRO100172 Composed by Rachel Portman. Cla...(+)
SATB Choir and Organ
SKU:
BT.MUSSRO100172
Composed by Rachel
Portman. Classical.
Choral Score. 16 pages.
St. Rose Music
#MUSSRO100172. Published
by St. Rose Music
(BT.MUSSRO100172).
English.
Rachel
Portman's Magnificat And
Nunc Dimittis for
SATB choir and Organ
accompaniment. Born in
west Sussex, England,
Rachel Portman began
composing at age 14 and
read music at Oxford
University. She gained
experience writing music
for drama in BBC and
Channel 4 films including
Mike Leigh's Four Days In
July and Jim Henson's
Storyteller series. Her
extensive film work
includes scores for Never
Let me Go, The Joy Luck
Club, Benny and June, and
the Manchurian Candidate.
She won an Academy award
for her score for Emma
and Academy nominations
for Chocolat and The
Cider House Rules. She
has written a musical of
Little House on the
Prairie as well as an
opera of Saint
Exupery'sThe Little
Prince for Houston Grand
Opera and The Water
Diviner, a dramatic
choral symphony
commissioned for the BBC
Proms concerts. She was
appointed Officer of the
Order of the British
Empire (OBE) in the 2010
New Year Honours.
SSTBar choir, organ - Level 2 SKU: CA.2044305 Osterdialog. Compose...(+)
SSTBar choir, organ -
Level 2
SKU:
CA.2044305
Osterdialog.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Osterdialog Weib,
Was Weinest Du. Sacred
vocal music, Easter and
Eastertide. Choral Score.
Composed 1625 (terminus
post quem). SWV 443. 12
pages. Carus Verlag #CV
20.443/05. Published by
Carus Verlag
(CA.2044305).
ISBN
9790007036416. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
Organ - advanced SKU: HL.49018083 In Memoriam. Composed by Enjott ...(+)
Organ - advanced
SKU:
HL.49018083
In
Memoriam. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Collection. Enjott
Schneider knupft in
seiner Orgelsinfonie Nr.
8 In Memoriam an Anton
Bruckner an, verarbeitet
variativ Themen aus
dessen Sinfonie Nr. 8 und
stellt diese aber dem
Choral Wachet auf, ruft
uns die Stimme gegenuber.
Eine spannende und
aufwuhlende Musik.
Composed 2009. 62 pages.
Duration 32'. Schott
Music #ED20669. Published
by Schott Music
(HL.49018083).
ISBN
9790001168670.
9.0x12.0x0.24
inches.
In his
Organ Symphony No. 8 'In
Memoriam', following an
idea of the cathedral
organist Silvius von
Kessel from Erfurt (and
dedicatee of the work),
Enjott Schneider carries
on where Anton Bruckner
left off, processes
themes from the latter's
Symphony No. 8
variatively and contrasts
it to 'Haus-Choral des
Erfurter Doms', 'Wachet
auf, ruft uns die
Stimme'. Bruckner's
material is used as a
starting point and
further developed by
Schneider in four
movements: typically
enough, the initial
movement is called
'Metamorphosen' before an
almost eerie atmosphere
is created in a 'Scherzo
sinistro'. The
twelve-note series (in
the third movement),
embedded in a
transcendental mood,
eventually develops into
the chorale which, now as
main theme of the finale,
amalgamates with
Bruckner's stylistic
moments and leads to a
magnificent end - an
exciting and rousing
piece of music.
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Sacred vocal music.
Choral Score. Composed
1625. 8 pages. Carus
Verlag #CV 20.443/06.
Published by Carus Verlag
(CA.2044306).
ISBN
9790007188672. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Choral Score.
Composed 1901. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.311/05. Published by
Carus Verlag
(CA.2731105).
ISBN
9790007132255. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Mixed choir (STB) and organ - intermediate SKU: HL.49017835 For mixed ...(+)
Mixed choir (STB) and
organ - intermediate
SKU: HL.49017835
For mixed choir with 3
voices (STB) and
organ. Composed by
Nino Rota. This edition:
Saddle stitching. Sheet
music. Choral. Score.
Composed 1961. 34 pages.
Duration 16'. Schott
Music #C52578. Published
by Schott Music
(HL.49017835).
ISBN
9790001148672. UPC:
884088566845.
7.5x11.0x0.108 inches.
Latin.
Rota's Mass
for choir and organ is
published in two
editions: for three-part
mixed choir and for
four-part male choir,
each with organ. The
organ part is identical
in both editions. As a
consequence, it is
possible to perform the
work with varying choir
ensembles. The mass, with
Latin text, is suitable
both for amateur choirs
and performance in small
churches or concert
halls.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 1. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/14. Published by
Carus Verlag
(CA.2731114).
ISBN
9790007201562. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 1. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/12. Published by
Carus Verlag
(CA.2731112).
ISBN
9790007201548. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 2. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/15. Published by
Carus Verlag
(CA.2731115).
ISBN
9790007201579. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116).
ISBN
9790007201586. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Soli ST, SATB Choir/SATB/SATB/SATB, organ SKU: CA.2708349 Composed by Car...(+)
Soli ST, SATB
Choir/SATB/SATB/SATB,
organ
SKU:
CA.2708349
Composed
by Carl Friedrich
Christian Fasch. Edited
by Ryan Kelly. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. FWV. 20
pages. Duration 23
minutes. Carus Verlag #CV
27.083/49. Published by
Carus Verlag
(CA.2708349).
ISBN
9790007164195. Language:
Latin.
Carl
Friedrich Christian
Fasch's Mass in 16 parts
is remarkable for more
than its unusual scoring.
Inspired by the Italian
church music style of
Orazio Benevoli, it was
composed in 1783 for the
Berliner Sing-Akademie,
and revised by Fasch
several times throughout
his life in order to
adapt the score to the
vocal capabilities of his
ensemble. The composer
destroyed all earlier
compositions, which
probably contributed to
the legendary fame which
this mass has enjoyed
since the 19th century.
The mass was, however,
only published in 1839 -
around four decades after
Fasch's death. The
present edition is based
on the version contained
in the first printed
edition. In addition to
modern music notation,
extensive performance
materials (two choral
scores, separate organ
part) facilitate the
rehearsal of this
challenging work. Score
and part available
separately - see item
CA.2708300.
Soprano voice solo (choir) and organ - Level 2 SKU: CA.5006205 Missa p...(+)
Soprano voice solo
(choir) and organ - Level
2
SKU: CA.5006205
Missa puerorum
(Kleiner und leichter
Messgesang). Composed
by Josef Gabriel
Rheinberger. Missa
Puerorum. Sacred vocal
music, Masses, Latin.
Choral Score. Composed
1871-72. Op. 62. 8 pages.
Duration 11 minutes.
Carus Verlag #CV
50.062/05. Published by
Carus Verlag
(CA.5006205).
ISBN
9790007079307. Key: F
minor. Language:
Latin.
Of Josef
Rheinberger's eighteen
masses, five are for
unaccompanied voices,
four with accompaniment
by a small instrumental
ensemble and nine with
organ. Among the last
group the leicht
ausfuhrbare (easy to
perform) works take a
special place: Considered
by their composer as
purely utility music,
they achieved great
popularity during his
lifetime and soon became
part of the standard
repertory of small church
choirs. Score available
separately - see item
CA.5006200.
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Basso continuo. Sacred
vocal music. Single Part,
basso continuo. Composed
1625. 4 pages. Carus
Verlag #CV 20.443/11.
Published by Carus Verlag
(CA.2044311).
Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score and part
available separately -
see item CA.2044300.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Choral Score. 24
pages. Duration 32
minutes. Carus Verlag #CV
40.661/05. Published by
Carus Verlag
(CA.4066105).
ISBN
9790007076252. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score
available separately -
see item CA.4066100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113).
ISBN
9790007201555. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.