Organ solo SKU: CA.1805000 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1805000
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Organ music based on
hymns, free organ music.
German title: Praeludien
Und Fugen Fur Orgel.
Organ music based on
hymns, Free organ music.
Collection. 114 pages.
Carus Verlag #CV
18.050/00. Published by
Carus Verlag
(CA.1805000).
Organ SKU: KU.OCT-10302_ORG Composed by Franz Joseph Haydn. Edited by Fri...(+)
Organ
SKU:
KU.OCT-10302_ORG
Composed by Franz Joseph
Haydn. Edited by
Friedrich Hägele and
Mario Schwarz. Arranged
by Johannes Hämmerle.
DIN-A4. Staple Bound.
Part. 43 pages. Edition
Kunzelmann
#OCT-10302_ORG. Published
by Edition Kunzelmann
(KU.OCT-10302_ORG).
Organ SKU: BR.EB-6612 Composed by Henry Purcell. Edited by Friedrich Hogn...(+)
Organ
SKU:
BR.EB-6612
Composed
by Henry Purcell. Edited
by Friedrich Hogner. Solo
instruments; Softcover.
Edition Breitkopf. Suite;
Renaissance/early
Baroque; Baroque. Score.
16 pages. Breitkopf and
Haertel #EB 6612.
Published by Breitkopf
and Haertel (BR.EB-6612).
ISBN 9790004168325. 12
x 9 inches.
Die
vorliegende Suite fur die
Orgel ist eine freie
Bearbeitung von
Kompositionen, die Henry
Purcell (1659-1695) -
1679 Organist an der
Westminster Abbey in
London, 1682 einer der
Organisten an der Chapel
Royal - fur das Cembalo
komponiert hat. Die hier
zusammengestellten Stucke
wurden den
Cembalokompositionen
entnommen, die William
Barclay Squire 1895 im
Rahmen der Gesamtausgabe
der Werke Purcells
(London 1878-1928)
herausgegeben hat.
Vorangestellt wurde der
Auswahl eine vom
Herausgeber nach Motiven
Purcells geschriebene
Introduktion. Von einigen
der in dieser Suite
enthaltenen Satze gibt es
bereits Bearbeitungen fur
die Orgel. Abgesehen von
der andersartigen
Zusammenstellung der
Satze und ihrer
Einleitung durch eine
Introduktion nach Motiven
Purcells unterscheidet
sich die vorliegende
Ausgabe durch eine
grossere Freiheit des
Tonsatzes gegenuber dem
Original. Diese hat der
Herausgeber ganz bewusst
gewahlt, weil er der
Meinung ist, dass in
diesem Fall eine enge
Anlehnung an das Original
dem Wesen und den
Eigenarten des
Instrumentes, fur das die
Bearbeitung erfolgt,
nicht gerecht zu werden
vermag. Da bei den
deutschen Orgeln die
Funktion der Manuale
unterschiedlich ist, moge
man die angegebene
Manualverteilung nicht
starr, sondern sinngemass
anwenden. Die
Pralltriller sollen in
der Regel mit der
diatonischen Obersekunde
beginnen; die Mordente
dagegen sind stets mit
der kleinen Untersekunde
auszufuhren. Friedrich
Hogner, Munchen, im
Fruhjahr 1970.
Soprano voice solo, tenor
voice solo, mixed choir,
organ
SKU:
BR.EB-8058
Movements III and
IV. Composed by Felix
Bartholdy Mendelssohn.
Arranged by Thorsten
Sterzik. Symphony.
Edition Breitkopf. With
regard to the anniversary
of the Reformation in
2017, this version for
solos, choir and organ by
Torsten Sterzik
originated to pave the
Reformation Symphony's
way into the church as
well, restoring the text
to Luther's chorale in
the fourth movement.
Symphony; Romantic. Organ
score. 36 pages. Duration
30'. Breitkopf and
Haertel #EB 8058.
Published by Breitkopf
and Haertel (BR.EB-8058).
ISBN 9790004183700. 9
x 12 inches.
The
Reformation Symphony was
composed in 1830 for the
300th anniversary of the
Confessio Augustana, the
founding of the Lutheran
confession of faith. In
the fourth movement,
Mendelssohn quotes,
elaborates and varies
artfully the
Luther-chorale Ein feste
Burg ist unser Gott [God
is our fortress],
erecting a musical
monument to the reformer
Martin Luther. After an
initial confl icting
reception, the
Reformation Symphony
meanwhile is established
fi rmly in the concert
repertoire. EB 8058 is
intended for performances
with organ. It can also
be used for the
preparation of the chorus
and soloists for
performances with
orchestra.
With
regard to the anniversary
of the Reformation in
2017, this version for
solos, choir and organ by
Torsten Sterzik
originated to pave the
Reformation Symphony's
way into the church as
well, restoring the text
to Luther's chorale in
the fourth movement and
additionally including
the third movement, its
arioso solos being sung
by a soprano and a tenor
solo.
By Johann Sebastian Bach. Edited by Smend, Friedrich; Thomas, Kurt. For Basso Co...(+)
By Johann Sebastian Bach.
Edited by Smend,
Friedrich; Thomas, Kurt.
For Basso Continuo/Organ.
Single Part (paperbound).
BWV 232. Published by
Baerenreiter-Ausgaben
(German import). (BA5102
67)
By Friedrich Reimerdes. Organ Music (hymns); Use during church year: Lent and Pa...(+)
By Friedrich Reimerdes.
Organ Music (hymns); Use
during church year: Lent
and Passiontide.
Collection. 36 pages.
Published by Carus Verlag
(German import).
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
(Volume 1: Independent Organ Works). Composed by Johann Ludwig Krebs (1713-1780)...(+)
(Volume 1: Independent
Organ Works). Composed by
Johann Ludwig Krebs
(1713-1780). Edited by
Felix Friedrich. For
Organ. Schott. Softcover.
108 pages. Schott Music
#ED21151. Published by
Schott Music
Organ SKU: BR.EB-6310 In G minor, G major, B major, B minor, A minor, ...(+)
Organ
SKU:
BR.EB-6310
In G
minor, G major, B major,
B minor, A minor, C
minor. Composed by
George Frideric Handel.
Edited by Diethard
Hellmann. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 36
pages. Breitkopf and
Haertel #EB 6310.
Published by Breitkopf
and Haertel (BR.EB-6310).
ISBN 9790004166444. 12
x 9 inches.
Im
Gegensatz zu seinem
Zeitgenossen Joh. Seb.
Bach hinterliess Georg
Friedrich Handel kaum
Werke fur die Orgel.
Ausser den bekannten
Konzerten fur Orgel und
Orchester schrieb er 6
Fugen, die diese Ausgabe
der Praxis erschliessen
mochte. Der Grund, dass
Handel sich in seinem
kompositorischen Schaffen
in so geringem Masse der
Orgel zuwandte, ist nicht
in erster Linie in seinem
kunstlerischen
Aufgabenkreis zu suchen,
sondern liegt wohl
hauptsachlich an der
primitiven Beschaffenheit
der englischen Orgeln
seiner Zeit. Weithin fand
man das Pedal entbehrlich
und liess es weg. Fr.
Chrysander berichtet:
(,,G. Fr. Handel III, S.
218) ,,Handel, dessen Ohr
an die deutschen
Orgelbasse gewohnt war,
nahm zu einem Stuck Blei
Zuflucht, um einen tiefen
Ton fortklingen zu lassen
und beide Hande frei zu
haben..
Orgelkompositionen von acht nordamerikanischen Komponisten des 18. Bis 20. Jahrh...(+)
Orgelkompositionen von
acht nordamerikanischen
Komponisten des 18. Bis
20. Jahrhunderts. Edited
by Bonn, Juergen. For
Organ. Collection.
Published by
Baerenreiter-Ausgaben
(German import).