By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Edited by Jane Holstein. For organ. Collection. Hymntune, General. Organ Book. Published by Hope Publishing Company

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01964. Published by Jackman Music Corporation

By Js Bach/Clark/Peterson. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Willan/Gerike. For organ. General, sacred. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

By Dan Miller. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Medium.

(Voluntaries (without Pedal)). Edited by Alexander Schreiner. For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 184 pages. Published by Alfred Music Publishing

Best of Wedding for Organ and Vocal with CD composed by Various. Arranged by Craig Stevens. For organ, voice. This edition: Paperback. Collection. Wedding. Book and CD. Text Language: English. 128 pages. Published by Santorella Publications

Composed by John Ignatowski. For organ. Great preludes on two very popular British hymn tunes. General. Published by CanticaNOVA Publications

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Composed by Beck. For organ/keyboard. General. Easy. Published by Concordia Publishing House

Late intermediate

SKU: GI.G-9823

Arranged by Marilyn Biery. Tune Name: Blest Are They, Castlewood, Coena Domini, Dundee, Dunedin, Dunstan, Romans 8, Sharpthorne, Sojourner, Yadkinville. Sacred. 52 pages. GIA Publications #9823. Published by GIA Publications (GI.G-9823).

UPC: 785147982364.

From prelude to interlude to moments of quiet meditation, these ten arrangements of classic and modern hymn tunes emulate the style of many master composers. They are great for use during the liturgical year, during worship services, or as concert repertoire. Contents: BLEST ARE THEY � CASTLEWOOD Choral Variations on Come to Us, Creative Spirit � COENA DOMINI Draw Near and Take the Body of the Lord � DUNDEE � DUNEDIN The Church of Christ, in Every Age � DUNSTAN Come to Me, O Weary Traveler � ROMANS 8 Shall Tribulation or Distress � SHARPTHORNE What Does the Lord Require � SOJOURNER I Want Jesus to Walk with Me � YADKINVILLE Air and Variations on Be Thou My Vision.

Organ (Organ)

SKU: HL.48184877

Composed by Thierry Escaich. Leduc. Classical. Softcover. Alphonse Leduc #AL28196. Published by Alphonse Leduc (HL.48184877).

Born in 1965, Thierry Escaich studied in Paris where he obtained eight first prizes for Organ and Composition. His performances and works during his professional career have also received various distinctions, Three Sketches for Organ being no exception. Composed in 1991, Three Sketches is very modern, exploiting tonality, rhythm, harmony, and many other elements to a virtuosic level. Esciach's is a great improvisation expert and Three Sketches reflects aspects of this through use of complex rhythms and developed melodies. With a typical performance lasting around 11 minutes, the Three Sketches are called, 1) Tournament, 2) Ritual, and 3) Variations on a Memory. For all advanced organists seeking to vary and expand their contemporary repertoire, Esciach's Three Sketches is an exciting addition to the repertoire..

By Dale Wood. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press.

Organ Solo. By Johann Sebastian Bach. Arranged by Anthony Newman. Organ Large Works. Size 9x12 inches. Published by G. Schirmer, Inc.

Organ

SKU: ST.H493

Composed by Joe Marsh. Organ music. Victory Parade. New Victoria. Score. Stainer & Bell Ltd. #H493. Published by Stainer & Bell Ltd. (ST.H493).

ISBN 9790220224935.

This matching pair of stirring marches is the latest addition to Stainer & Bell's popular 'Light Organ' series. Joe Marsh writes with a particular flair for rhythmic heft and swing, and his work shows the great British tradition of martial music for the instrument alive and thriving in the hands of one of its most noted practitioners, who is also President of the Sunderland Theatre Organ Preservation Society.

Organ

SKU: CA.1801000

Arranged for organ by Thierry Hirsch. Composed by Claude Debussy. Edited by Thierry Hirsch. Arranged by Thierry Hirsch. Danse (Tarantella Styrienne). Free organ music. Full score. 20 pages. Duration 7 minutes. Carus Verlag #CV 18.010/00. Published by Carus Verlag (CA.1801000).

ISBN 9790007186548. Language: all languages.

Debussy' s Danse (Tarantelle styrienne), originally for piano and orchestrated by Ravel, is also extremely well suited to performance on the organ. This is shown in this arrangement which has been successfully performed in concerts in several countries by renowned organists. It is now being published in time for the Debussy anniversary year in 2018. The arrangement shows this powerful and spirited Danse, with its typical syncopated rhythms, to its best advantage. The great range of colors offers performers plenty of opportunity for artistic display. The registration markings are intended as suggestions and can easily be adapted to suit different instruments.

By Peter Lehman. For organ. 2-staff. Sacred organ. Published by Lorenz Publishing Company

Tunes, Tones, and Techniques for Drawbar Keyboards. Berklee Guide. Instruction. Softcover Audio Online. 136 pages. Published by Berklee Press

(Festive Music of Praise for Organ). By Michael Shea. For organ: 2-staff. Sacred. Moderately easy. Published by Lorenz Publishing Company

Composed by Simon Lesley. Arranged by Simon Lesley. For Organ. General collections. Sacred. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

Arranged by Various. For organ. Christmas, Easter, Lent, Devotion, Classics, Hymntune, Patriotic, Wedding, Sacred. Organ Collection. 187 pages

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

Organ

SKU: FZ.508

Edited by Jean Christophe Tosi. Instruments Historiques: Monographies d'Instruments, Facteurs et Luthiers. Book and CD. Published by Anne Fuzeau Productions - France (FZ.508).

ISBN 9782841690183. 21.00 x 21.00 cm inches.

Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from ans aesthetic point of view. We have tried to make this collection thoroughly pratical one, deliberately limiting the format, and providing texts in four language ( French, English, German and Japenese ) aiming for maximum clarity. These individual studies should be helpful to musicians, musicologists, historians, instrument makers and enthusiasts. The history. Description. Tuning and temperament. Aesthetic consideration. The builders. Bibliography. Archives. Delve into the memory of music with the Old instruments monographies collection from Anne Fuzeau Classique.

Organ

SKU: HL.14043072

Composed by John Tavener. Music Sales America. Sacred. Softcover. 26 pages. Chester Music #CH82302. Published by Chester Music (HL.14043072).

9.0x12.0x0.105 inches.

Mand lion Was Commissioned For The 1982 Dublin International Organ Festival By Rhm Foods. It Was First Performed On The 27Th June 1982 By Pete Sweeney, At St. Patrick'S Cathedral In Dublin. The Piece Takes Its Name From The Greek Word For 'Handkerchief', A Word That Is Also Used In Iconography To Refer To An Ikon 'Not Made By Hands', Which Is Equivalent To The Idea Of The Shroud. Mand lion Is A Meditation Upon Ikons, And Upon The Changing Image Of The Face Of Christ. Tavener Recommends That This Piece Should Be Played Freely And With Great 'Sweep'.

(40 Classic Hymn Tune Settings for Organ). By Dale Wood. For organ: 3-staff. Sacred. Moderately difficult. Published by Lorenz Publishing Company

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01965. Published by Jackman Music Corporation

Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808549

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Single Part, Organ. Composed 2014. 24 pages. Duration 18 minutes. Carus Verlag #CV 18.085/49. Published by Carus Verlag (CA.1808549).

Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch. Score and part available separately - see item CA.1808500.