Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01965. Published by Jackman Music Corporation

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01964. Published by Jackman Music Corporation

Composed by Mark Siebert. For organ. Chant hymns are the basis of these creative preludes. General. Published by CanticaNOVA Publications

Composed by Mark Siebert. For organ. Preludes on the common Sequences. Eastertide, General. Published by CanticaNOVA Publications

Composed by Adam Taylor. Fantasia using two chant melodies. Marian, General. Published by CanticaNOVA Publications (C5.6140).

Neue Ausgabe samtlicher Orgelwerke III. By Hugo Distler. Edited by Armin Schoof. For organ. This edition: Centennial Jubilee Edition (Jubiliaumsedition zum 100. Geburtstag). Playing Score. Published by Baerenreiter Verlag (German import).

Organ

SKU: BA.BA05290-02

Composed by Johann Sebastian Bach. Edited by Reinmar Emans. This edition: complete edition, urtext edition. Half-leather binding. New Bach Edition (NBA) IV/10. Complete edition, Performance score, anthology. Baerenreiter Verlag #BA05290_02. Published by Baerenreiter Verlag (BA.BA05290-02).

ISBN 9790006545339. 32.8 x 24.5 cm inches.

This volume includes organ works based on chorales surviving in various sources. Some of these works were not previously included in theNew Bach Editioneither for reasons of doubtful authenticity or because they were unknown until now. Two pieces from this repertoire - the two arrangements ofWie schon leuchtet der MorgensternBWV 739 and 764 - stem from one of Bach's autograph manuscripts. They had been omitted until recently because of doubts of authenticity.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Organ

SKU: HL.14032441

Composed by Eric H. Thiman. Music Sales America. Post-1900. Book [Softcover]. 16 pages. Music Sales #NOV570002. Published by Music Sales (HL.14032441).

8.0x12.0x0.094 inches.

Three Pieces for Organ was published in 1955. It contains three of Thiman's finer works for the instrument: Meditation on the Irish Tune 'Slane' - Pavane - Postlude Alla Marcia.

Eric Thiman (1900-1975) was a British composer and organist. He taught at the Royal Academy of Music and at the University of London, and was organist at the City Temple in London for many years. He wrote over a thousand works, of which several hundred were published during his lifetime, mostly anthems, chorales and chamber works. About half of his Organ music was based on British hymn tunes.

Organ

SKU: CA.1808700

Composed by Kay Johannsen. Free organ music. Full score. Composed 2016. 8 pages. Duration 5 minutes. Carus Verlag #CV 18.087/00. Published by Carus Verlag (CA.1808700).

ISBN 9790007171360. Language: all languages.

Song of Hope, composed by Kay Johannsen the Kantor of the Stiftskirche in Stuttgart in 2016, is a Fantasia in G minor based on a six-measure melody. It is improvisatory in style and has a melancholy basic character. Over the course of the work, the melodic idea is varied rhythmically several times, and is heard in the treble, tenor and bass registers. Against a quiet basic pulse, the accompanying harmonies appear in the manuals and pedals mostly in subtly matching rhythms, reminiscent of a saxophone soloist with a discreet supporting jazz band. The dynamic of the piece grows from piano to a fundamental forte, and for the conclusion a fine pianissimo is required. Song of Hope is composed for two-manual organ, with a duration of four-and-a-half minutes. The expressive harmonies and the hidden swing of the music communicate directly with audiences, including those with less musical experience.

Composed by Johann Sebastian Bach (1685-1750). For organ. Published by Wayne Leupold Editions

Organ: 2-staff - Moderately Easy

SKU: LO.70-2486L

Composed by Karen Beaumont. Sacred. Lorenz Publishing Company #70/2486L. Published by Lorenz Publishing Company (LO.70-2486L).

ISBN 9780787789695.

Kare n Beaumont brings us this highly flexible collection in response to the growing demand for shorter worship service voluntaries. Each of the seven postludes are less than a minute and a half in length and contain interludes that can serve as shorter works or transitions between multiple postludes. The pieces are thoughtfully arranged to flow seamlessly from one to the next. While each composition can be played with a single manual, suggestions for incorporating pedal or multiple manuals are also provided. Additionally, these pieces are adaptable for use on a piano or other keyboard instrument.

By Gerard Bunk. Edited by Jan Boecker. For organ. Paperback. Complete Organ Works. Anthology. Text: English, German. Published by Baerenreiter Verlag

Organ

SKU: HL.49004968

Organ. Composed by Hermann Schroeder. Edited by Rainer Mohrs. This edition: Saddle stitching. Sheet music. Edition Schott. Die Beschrankung auf die kleine Form half Schroeder offensichtlich bei der Loslosung von der Romantik; Klarheit, und formale Pragnanz treten an die Stelle der monumentalen Grossform. Geeignet fur Konzert und Liturgie. Classical. Composed 1954. 24 pages. Duration 12'. Schott Music #ED 4539. Published by Schott Music (HL.49004968).

ISBN 9790001053273. UPC: 073999678697. 9.0x12.0x0.095 inches.

Hermann Schroeder (1904-1984) studied with Heinrich Lemacher and Walter Braunfels and became Professor of Composition and Music Theory at the Academy of Music in Cologne. From the end of the 1920s he made an important contribution to the new stylistic developments in organ music His smaller-scale compositions in particular, such as the Preambles and Interludes (1954) or the Little Preludes and Intermezzos (1932, ED 2221) point in new directions: the constraints of form have evidently been helpful in the process of breaking away from Romanticism; clarity and formal precision take the place of monumental grandeur of form. Suitable for concert or liturgical performance.

Composed by John Ignatowski. For organ. Great preludes on two very popular British hymn tunes. General. Published by CanticaNOVA Publications

Organ - Medium

SKU: PL.0618

Composed by Robert Lind. Chant, Eucharist, Lent. Sheet music. Paraclete Press #0618. Published by Paraclete Press (PL.0618).

* based on the chant, this work begins simply with flutes and mutations in duet * detailed registrations, appropriate for small or large instruments, as well as manual indications make the execution of this work very direct * registration indications and harmonic colors increase as the piece gradually builds * final section with octave chords and strong pedal foundation carries the piece to a dynamic climax * tempo slows by increments in the final measures, leading to the final modal cadence * a passionate instrumental expression of the text: printing the text of this hymn in a program or bulletin

Musically, this is a rather interesting piece with harmonic language that is more advanced than one might normally use in services, but here one can allways follow the hymn tune. The registration is highly colorful, using at 16' Quintaton played an octave higher, or substituting an 8' and 2 2/3'. As in the chorale preludes mentioned earlier, this work, too, creates a continuing crescendo to the end. Harmonically, this work makes use of some interesting ideas-mirroring short sections of the hymn tune as a motivic device, short canonic imitation, etc. Technically, it is fairly easy reading until about halfway, when close attention must be paid to accidentals. The last page will require some working of fingering in the right hand to maintain the legato sense of the phrase. - The Journal of the Association of Anglican Musicians March 2006.