(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
By James Southbridge. For organ. Lent, Holy Week, Eastertide, Ascension, Palm Su...(+)
By James Southbridge. For
organ. Lent, Holy Week,
Eastertide, Ascension,
Palm Sunday. Level:
2-staff. Sacred organ.
Published by Lorenz
Publishing Company.
(70/1548L)
Composed by Simon Lesley. Arranged by Simon Lesley. For Organ. General collectio...(+)
Composed by Simon Lesley.
Arranged by Simon Lesley.
For Organ. General
collections. Sacred.
Beginning-Intermediate.
Book. Published by Kevin
Mayhew Publishers
Organ - Easy SKU: JK.01927 Composed by Various. Arranged by Brent Jorgens...(+)
Organ - Easy
SKU:
JK.01927
Composed by
Various. Arranged by
Brent Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music Corporation #01927.
Published by Jackman
Music Corporation
(JK.01927).
UPC:
093285019270.
The
Temple Organist is a
series of hymn
arrangements designed to
support the sacred
reverence found in
temples of the Church of
Jesus Christ of
Latter-day Saints. The
songs selected for the
two volumes have been
taken directly from
approved lists of hymns
appropriate for temples.
The arrangements in this
volume, like volume 1,
are arranged to include
the harmonizations from
the 1985 hymnal, with a
variation that follows in
most cases. True to the
style of Orgain Chains,
they include interludes
to connect each hymn so
they can be played
consecutively (including
modulations that bridge
different keys
beautifully). You will
enjoy serving temple
patrons as you play these
simple, contemplative
hymn
settings.
Cont
ents Include: Oh, May
My Soul Commune with
Thee Nearer, My God,
to Thee O My
Father I Need Thee
Every Hour Jesus,
Lover of My Soul More
Holiness Give Me Guide
Me to Thee Did You
Think to Pray? Sweet
Hour of Prayer How
Gentle God's
Commands Where Can I
Turn for Peace? Be
Thou Humble Dearest
Children, God Is Near
You Be Still, My
Soul Lead, Kindly
Light Sweet Is the
Peace the Gospel
Brings O Love That
Glorifies the Son God
Loved Us, So He Sent His
Son How Great the
Wisdom and the
Love With Humble
Heart Jesus, Once of
Humble Birth In
Humility, Our
Savior There Is a
Green Hill Far Away I
Stand All Amazed Sweet
Is the Work Come,
Follow Me Love One
Another Dear to the
Heart of the
Shepherd Lord, I Would
Follow Thee Composer:
VariousArranger: Brent
JorgensenDifficulty:
Easy.
For Guitar. Religious. Sheet Music. 48 pages. Published by Music Sales. Thirty...(+)
For Guitar. Religious.
Sheet Music. 48 pages.
Published by Music Sales.
Thirty-one of the best
known hymns, with
suggested registrations
for each song and a
keyboard chord chart.
(Artistic Organ Settings of Enduring Meditative Hymns). By James Southbridge. Fo...(+)
(Artistic Organ Settings
of Enduring Meditative
Hymns). By James
Southbridge. For organ:
3-staff. Sacred.
Intermediate. Published
by Lorenz Publishing
Company
Edited by Gregory P. Cohn. For organ solo. Format: piano solo songbook. With sta...(+)
Edited by Gregory P.
Cohn. For organ solo.
Format: piano solo
songbook. With standard
notation, tonal dynamic
registrations and lyrics.
Sacred. 64 pages. 9x12
inches. Published by G.
Schirmer, Inc.
Organ SKU: FG.55011-448-7 Uuno Klamin savellyksia urkusovituksina....(+)
Organ
SKU:
FG.55011-448-7
Uuno Klamin
savellyksia
urkusovituksina.
Composed by Uuno Klami.
Edited by Esa Ylonen.
Score. Fennica Gehrman
#55011-448-7. Published
by Fennica Gehrman
(FG.55011-448-7).
ISBN
9790550114487.
Uuno
Klami (1900-1961) was
born in Virolahti and
studied in Helsinki,
Paris and Vienna. While
living in the capital
city Helsinki, he always
spent his summers in the
original homestead in
Virolahti. Klami is
most known for his
colourful orchestral
works, but works for
piano frame the different
times of the composer's
life nicely. The piano
works are so joyous that
transcribing from for
organ is firmly based.
Surumarssi
(Trauermarsch) Op. 8 was
composed when Klami was
16 years old, most likely
in memory of his late
mother. Pastoral A-flat
major was composed in
December 1919; I find it
contains the feeling of
Christmas. Barcarole Op.
5 is a French-influenced
work. I often find myself
thinking of a boat
bobbing on waves, while I
play this work. I
believe these organ
transcriptions bring many
joyful moments in
concerts as well as in
other congregational use.
And not only that: they
can be used as pedagogic
material as well.
For Church Services and Concerts. Edited by Uwe- Karsten Gross, Gunther Mar...(+)
For Church Services and
Concerts. Edited by Uwe-
Karsten Gross, Gunther
Martin Gottsche. Stapled.
Performance score,
anthology. 68 pages.
Baerenreiter Verlag
#BA11210. Published by
Baerenreiter Verlag
