Organ (Organ)

SKU: HL.48184748

Composed by Jean Langlais. Leduc. Classical. Softcover. 30 pages. Alphonse Leduc #AL27896. Published by Alphonse Leduc (HL.48184748).

UPC: 888680975548. 9.0x12.0x0.127 inches.

Homage to Frescobaldi by Jean Langlais is a set of eight pieces for Organ. Dedicated to his professor Marcel Dupre, these pieces require the use of pedals and could be practised by upper-intermediate / advanced players. The pieces are: 1. Prelude au Kyrie 2. Offertoire 3. Elevation 4. Communion 5. Fantaisie 6. Antienne 7. Theme et variations 8. Epilogue While all the pieces include keyboard and pedals, the epilogue is a pedal solo. Girolamo Frescobaldi was an Italian composer of the Renaissance and Baroque period who was also appointed St Peter?s main organist. His work was some of the most influential music of the 17th century. Jean Langlais was a French composer who contributed prolifically to the Organ repertoire..

“French organist and composer, Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. However, his prominence within the Organ repertoire remains absolute, with sublime works including his Prelude and Fugue in A flat major. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for Piano, Organ and fugue, as well as the Grand Prix de Rome. He was a famous Organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré's Op. 36, No. 2, the Prelude and Fugue in A flat major for Organ was composed in 1938. The score begins with a helpful explanation of signs and abbreviations. The work displays contrast through tonality, rhythm, timbre and harmony, amongst other aspects. Dupré's compositions and didactic works remain important to organists today and his Prelude and Fugue in A flat major, suitable for advanced organists, is no exception. ”

Organ

SKU: BT.ALHE32387

Composed by Claude Benigne Balbastre. Le Pupitre - Heugel. Classical. Score Only. Heugel & Cie #ALHE32387. Published by Heugel & Cie (BT.ALHE32387).

English.

Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, anOrganist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist.

The twenty-three pieces are:
- Fugue
- La de Caze
- La d’Héricourt
- LaSégur
- La Monmartel ou La Brunoy
- La Boullongne
- La Castelmore
- La Courteille
- La Bellaud
- La Lamarck
- La Berville
- La Lugeac
- La Suzanne
-LaGenty
- La Malesherbe
- La Berryer ou La Lamoignon
- La Laporte
- La Morisseau
- Prélude
- Fugue
- Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro
- Lad’Esclignac
- Marche des Marseillois et l’Air Ça ira

C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play theHarpsichord, the Piano and the Organ.

Organ (Organ)

SKU: HL.48188306

Composed by Claude-Bénigne Balbastre. Leduc. Classical. Softcover. 93 pages. Heugel & Cie #HE32387. Published by Heugel & Cie (HL.48188306).

UPC: 888680855970. 9.0x12.0x0.379 inches. French.

“Harp sichord, Organ and Piano pieces - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d?Héricourt - La Ségur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - La Genty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prélude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d?Esclignac - Marche des Marseillois et l?Air Ça ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ.”.

(Artistic Settings of Hymns and Classics). By Susan Caudill. For organ: 3-staff. Sacred. Moderately advanced. Published by Lillenas Publishing Company

For organ: 3-staff. Sacred. Moderately advanced. Lorenz Publishing Company #70/1959L. Published by Lorenz Publishing Company

By Wilbur Held. For Organ. Sacred. Print Music Single (Organ Book). Published by Hope Publishing Company.
Level: (Advanced).

Organ: 3-staff - Advanced

SKU: LO.70-2314S

Composed by Angela Kraft Cross. Sacred, Advent, Christmas. Sacred Music Press #70/2314S. Published by Sacred Music Press (LO.70-2314S).

ISBN 9780787772994.

Ange la Kraft Cross has written a volume of superb pieces for use in recitals or services during the Advent and Christmas season. Included are pieces that quote familiar carols/hymns and an original work inspired by the Magnificat. Kraft Cross's expressive moods and richly-varied colors and textures make for music of great impact for congregations or recital audiences.

Arranged by E. Power Biggs. For Organ. Organ - Method or Collection. Level: Advanced. Book. 96 pages. Published by Alfred Publishing.

(Organ Solo). By James Macmillan. BH Piano. Softcover. 10 pages. Boosey and Hawkes #M060123139. Published by Boosey and Hawkes

Piano/Keyboards - Beginner/Advanced

SKU: AD.ADG244

Composed by Andrew D. Gordon. The Blues Scale. Blues. Book and digital audio. ADG Productions #ADG244. Published by ADG Productions (AD.ADG244).

ISBN 9781958017333. UPC: 663389124424. 9 x 12 inches.

The Blues Scale for Organ is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Organ - intermediate to advanced

SKU: HL.49016185

Die Marianische. Composed by Enjott Schneider. This edition: Paperback/Soft Cover. Sheet music. Organ Collection. Als Gegenstuck zur Orgelsinfonie Nr.1 Pater Noster bietet die 2. Orgelsymphonie weichere und geheimnisvollere (eben marianische) Klangwelten an und skizziert Stationen aus Marias Lebensweg. Als Instrument empfiehlt sich eine Orgel mit mindestens drei Manu. Composed 2006. 55 pages. Duration 24'. Schott Music #ED 20074. Published by Schott Music (HL.49016185).

ISBN 9790001145411. UPC: 884088202507. 9.0x12.0x0.141 inches.

As a counterpart to theOrgan Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve Regina grows from the mystic source, followed by Berceuse pour Marie as a lullaby of the Christmas events. The third movement Mater Dolorosa falls back on the well-known Gregorian sequence Stabat Mater, taking Mary's pain at the cross as its central theme. The finale treats the Ave Maris Stella in a crescendo from pp to ff in a positive and solemn manner, in memory of Mary's assumption. It is advisable to use an organ with at least three manuals.

Organ (Organ)

SKU: HL.48180524

For Organ. Composed by Joseph Jongen. Leduc. Post-1900. Softcover. 22 pages. Alphonse Leduc #AL18032. Published by Alphonse Leduc (HL.48180524).

UPC: 888680795641. 9.0x12.0x0.104 inches.

Sonata Eroica, Op. 94 (1930) is a melodious piece composed by Joseph Jongen for great organ. Dedicated to Joseph Bonnet who was the organist of the St Eustache Church in Paris, this piece is quite difficult (upper intermediate/advanced level) and requires the use of different keyboard divisions and pedals. Lasting around 16 minutes, this wonderful work is quite architectural and will astonish you by its grandeur. It is the perfect piece to include in a recital. Joseph Jongen was a Belgian organist, composer and professor of harmony and counterpoint. He won the Belgian Prix de Rome and composed numerous pieces including music chamber works, symphonies, concertos and songs. His most famous piece is the Symphonie Concertante (1926).

Organ - Advanced

SKU: MN.10-960

Composed by Dennis Bergin. Non Hymn-Based. Instrumental part. Duration 20 minutes. MorningStar Music Publishers #10-960. Published by MorningStar Music Publishers (MN.10-960).

UPC: 688670109607.

This work's four movements were inspired by the four Ariel poems of T.S. Eliot. The poems are entitled Journey of the Magi, A Song for Simeon, Animula, and Marina. Colorful organ registrations, late twentieth-century musical language and references to other organ works and chant melodies are employed in this musical representation of Eliot's poetry. The poems mark, in part, Eliot's conversion experience to orthodox Christianity. The spiritual theme of T.S. Eliot Impressions is that of a journey from darkness to light and from despair to hope. A tour-de-force concert calibre work of some twenty minutes in length. Detailed notes by the composer are included in the publication and are critical to the understanding and appreciation of this extended work.

Organ (Organ)

SKU: HL.50577275

Faszination Orgel. By Gunter Kaluza. Ricordi Germany. Book Only. Composed 2012. Forberg Edition #F95045. Published by Forberg Edition (HL.50577275).

Faszination Orgel is a series especially designed for liturgical use. The first two volumes are dedicated to the parts of liturgy, whilst other volumes cover events and festivals during the church year. All volumes can be played by lesser skilled organists or sight-read by advanced musicians. This volume contains entrance and procession pieces by J. G. Walther, J.S. Bach, J. K. Kuchar, W. A. Mozart, L. Boellmann, E. Batiste, F. A. Guilmant, F. C. Th. Dubois, S. Karg-Elert, H. Schubert and G. Kaluza.

Faszina tion Orgel is a series especially designed for liturgical use. The first two volumes are dedicated to the parts of liturgy, whilst other volumes cover events and festivals during the church year. All volumes can be playedby lesser skilled organists or sight-read by advanced musicians. This volume contains entrance and procession pieces by J. G. Walther, J.S. Bach, J. K. Kuchar, W. A. Mozart, L. Boellmann, E. Batiste, F. A. Guilmant, F. C. Th.Dubois, S. Karg-Elert, H. Schubert and G. Kaluza.

Faszina tion Orgel ist eine speziell fur den Kirchengebrauch (ev. und kath.) konzipierte Reihe. Die ersten beiden Bande widmen sich den vom Organisten zu gestaltenden Teilen des Gottesdienstes, die weiteren Bande Themen und Festen des Kirchenjahres sowie jahreszeitlich nicht gebundenen Anlassen. Alle Werke sind im Schwierigkeitsgrad auch von weniger geubten Organisten machbar und fur Geubte vom Blatt zu spielen. Selbstverstandlich eignen sich die meisten Werke auch fur den Vortrag ausserhalb des Gottesdienstes. Der erste Band enthalt Werke fur Ein- und Auszug.

Composed by Pierre Francois Boely. Leduc. Classical. Softcover. 48 pages. Alphonse Leduc #AL27863. Published by Alphonse Leduc

Organ

SKU: HL.48184718

Composed by Pierre Francois Boely. Leduc. Classical. Softcover. 22 pages. Alphonse Leduc #AL27861. Published by Alphonse Leduc (HL.48184718).

UPC: 888680841225. 9x12 inches.

“Fren ch composer, organist and pianist, Alexandre Boëly (1785-1858) was born in to a family of musicians. Having received musical education from an early age, Boëly led a successful career. His Organ works remain prominent within the instrument's repertoire. The series of Boëly's Complete Works was assembled by Amédée Gastoué, Norbert Dufourcq and Brigitte François-Sappey. The third volume contains six of Boëly's most famous works. For all advanced organists, Boëly's Organ works are an essential addition to the repertoire.&rdquo.

Organ - advanced to difficult

SKU: HL.49033297

Organ. Composed by Jean Guillou. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1974. Op. 28. 40 pages. Duration 16'. Schott Music #ED 9799. Published by Schott Music (HL.49033297).

ISBN 9790001137751. UPC: 884088070496. 9.0x12.0x0.158 inches.

Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama.Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso).Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.

Organ - advanced

SKU: HL.49018423

Composed by Harald Feller. This edition: Saddle stitching. Sheet music. Edition Schott. Composed 1987/2010. 24 pages. Duration 10'. Schott Music #ED20837. Published by Schott Music (HL.49018423).

ISBN 9790001171632. UPC: 884088615178. 9.0x12.0x0.079 inches.

As professor at the Munich Academy of Music, the German organist and composer Harald Feller (*1951) not only takes care of the young generation of musicians and is in the limelight as a soloist, but also adds to the organ repertoire by writing major new works. 'Te Deum' is based on the beginning of the Gregorian melody of the Ambrosian hymn. Using polyrhythmic structures, canonic elements and ostinato rhythms, Feller turns a small cell into ecstatic music in the praise of God - 'Te Deum': a powerful symphonic organ work!

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01965. Published by Jackman Music Corporation

For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL20071. Published by Alphonse Leduc

Organ - Advanced

SKU: MN.10-927

Composed by Morgan Simmons. Non Hymn-Based, Recital Music. Instrumental part. MorningStar Music Publishers #10-927. Published by MorningStar Music Publishers (MN.10-927).

Cityscape dates from 1992 and was composed for inclusion in an organ recital of Chicago composers as part of the Fourth Presbyterian Church's annual Festival of the Arts. The theme of that year's festival was Faces of the City. This three movement work, which depicts facets of the city, is based on a three-note descending scale (C-B-A), the opening notes of the popular song, Chicago, Chicago, that Toddlin' Town. Coincidentally, this same melodic sequence marks the beginning of OLD HUNDREDTH, and a citation of that melody occurs in the third movement. The Fourth Presbyterian Church is located on the part of North Michigan Avenue which is known as The Magnificent Mile. Each of its Sunday morning services begins with the singing of OLD HUNDREDTH, sung to the text of the Doxology. The first performance of Cityscape was played by David Schrader, to whom it is dedicated.

Organ - Advanced

SKU: MN.12-121

Composed by Joseph Willcox Jenkins. Non Hymn-Based, Recital Music. MorningStar Music Publishers #12-121. Published by MorningStar Music Publishers (MN.12-121).

UPC: 688670121210.

Confl uence was commissioned by the Organ Artist Series of Pittsburgh in celebration of its twentieth anniversary in 1999. Christa Rakich gave the premier at the closing concert of the season at Calvary Episcopal Church by in April of 1999. It has been performed frequently since that time. The title was given to honor the joining together or confluence of the three rivers of Pittsburgh: the Allegheny, the Monongalela, and the Ohio. Confluence is a curious hybrid related to both the sonata and rondo forms. It is of the ABABA design with the final A quite extended by polyphonic games and a very noisy and triumphant epilogue. The first idea is driving, rhythmic, nervous and agitated. The second is quiet, gentle and pastoral, that slowly moves in its mysterious ways, closing with a plaintive row of a dozen different pitches. The composer delights in the challenge of making tone rows as approachable and sing-able as possible. Both ideas make slightly varied restatements. At the end, fugal exploitation of the first idea is followed by that row, entering with stentorian grandeur in full pedal, heralding the triumphant close. This row, like the month of March is referred to frequently as coming in like a Iamb, going out like a lion.

Organ - advanced

SKU: HL.49017947

Te Deum. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Die 6. Orgelsinfonie Te Deum ubernimmt die Funfergliederung und einige Motive aus Bruckners Te Deum, um daraus ein kompaktes von Wucht und Gotteslob erfulltes Werk zu werden. Composed 2008. 60 pages. Duration 28'. Schott Music #ED20576. Published by Schott Music (HL.49017947).

ISBN 9790001157933. 9.0x12.0x0.216 inches.

With his organ symphonies, the composer Enjott Schneider (born 1950) from Munich has been a profound sensation in recent years and seen world premieres at major European organ events. The Organ Symphony No. 6 'Te Deum' (premiered at Bruckner's St. Florian above Bruckner's tomb in 2008 and recorded there on CD) adopts the five-part structure and several motifs from Bruckner's 'Te Deum', thus becoming a forceful compact work pervaded by the Gotteslob. 1: 'Te Deum' is based on Bruckner's original figuration of fifths and eighths which is connected with the Latin Te Deum; 2: 'Te Ergo' is a 'preghiera' with pleading and praying gestures; 3: 'Aeterna fac' is an extremely virtuoso perpetuum mobile; 4: 'Salvum Fac' a basso ostinato and finally 5: 'In te, Domine speravi' a toccata which, after taking many detours, inevitably leads to the C major.

Organ - intermediate-advanced

SKU: HL.14032114

Composed by Giles Swayne. Music Sales America. Post-1900. Book [Softcover]. 32 pages. Music Sales #NOV360034. Published by Music Sales (HL.14032114).

UPC: 884088488642. 11.75x8.25x0.119 inches.

Born in 1946, Giles Swayne started composing at an early age, and in his teens was helped by the advice and encouragement of his cousin Elizabeth Maconchy, whilst studying the piano with Gordon Green. After leaving school he attended Guido Agosti's piano classes at the 1964 Accademia Chigiana summer school in Siena, and that autumn went up to Trinity College, Cambridge, where he studied the piano with Phyllis Hepburn-Lee and composition with Nicholas Maw. In 1968 he won a composition scholarship to the Royal Academy of Music.