Organ solo SKU: CA.1805220 Composed by Various. Edited by Helmut Volkl. T...(+)
Organ solo
SKU:
CA.1805220
Composed
by Various. Edited by
Helmut Volkl. This
edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Vorspiele
+Begleitsatze. Organ
music based on hymns,
Advent, End of the church
year, Epiphany, Lent and
Passiontide, Ascension,
Easter and Eastertide,
Whitsun, Trinity,
Christmas, Eucharist,
Communion, Wedding,
Confirmation, Morning,
midday, evening.
Collection. 160 pages.
Carus Verlag #CV
18.052/20. Published by
Carus Verlag
(CA.1805220).
ISBN
9790007100223.
Scor
e available separately -
see item CA.1805200.
Organ solo SKU: CA.1805200 Composed by Various. Edited by Helmut Volkl. T...(+)
Organ solo
SKU:
CA.1805200
Composed
by Various. Edited by
Helmut Volkl. This
edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Intonationen +
Begleitsatze. Organ music
based on hymns, Whole
church year / Omni
tempore. Collection. 440
pages. Carus Verlag #CV
18.052/00. Published by
Carus Verlag
(CA.1805200).
By Various. Edited by Volkl, Helmut. This edition: paperbound. Organ Music (hymn...(+)
By Various. Edited by
Volkl, Helmut. This
edition: paperbound.
Organ Music (hymns);
Occasions: Eucharist,
Peace and Justice,
Wedding, Confirmation,
Praise and thanks,
Morning, Midday, Evening,
Psalms, Baptism,
Mourning, Death, Our
Father, Advent, End of
the church year,
Epiphany, Lent and
Passion, Ascension, New
Year. Collection. 96
pages
Organ solo SKU: CA.1810000 Composed by Various. Edited by Bernhard Reich....(+)
Organ solo
SKU:
CA.1810000
Composed
by Various. Edited by
Bernhard Reich. This
edition: Paperbound.
Wurttembergisches
Orgelbuch (Buch Mit Cd).
Organ music based on
hymns, Hymn settings,
Advent, End of the church
year, Epiphany, Lent and
Passiontide, Ascension,
New year, Easter and
Eastertide, Whitsun,
Trinity, Christmas,
Eucharist, Communion,
Wedding, Praise and
thanks, Morning, midday,
evening,. Package. Carus
Verlag #CV 18.100/00.
Published by Carus Verlag
(CA.1810000).
Organ solo SKU: CA.1952700 Composed by Various. Edited by Joachim Schwarz...(+)
Organ solo
SKU:
CA.1952700
Composed
by Various. Edited by
Joachim Schwarz. This
edition: Paperbound.
Choral collections.
German title:
Orgel-Begleitsatze.
Collection. 176 pages.
Carus Verlag #CV
19.527/00. Published by
Carus Verlag
(CA.1952700).
By Helmut Michael Brand / Ingo Bredenbach / Martin Hagner. This edition: paperbo...(+)
By Helmut Michael Brand /
Ingo Bredenbach / Martin
Hagner. This edition:
paperbound. Organ Music
(hymns). Collection. 120
pages. Published by Carus
Verlag
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Organ solo SKU: CA.1952500 Composed by Various. This edition: Paperbound....(+)
Organ solo
SKU:
CA.1952500
Composed
by Various. This edition:
Paperbound. German title:
Orgel-Begleitsatze.
Instrumental music based
on hymns, Peace and
justice, Praise and
thanks. Collection. 72
pages. Carus Verlag #CV
19.525/00. Published by
Carus Verlag
(CA.1952500).
By Annegret / Stier Stier. Organ Music (hymns); Occasions: Praise and thanks, Ps...(+)
By Annegret / Stier
Stier. Organ Music
(hymns); Occasions:
Praise and thanks,
Psalms; Use during church
year: Advent, Epiphany,
Holy Week, Easter and
Eastertide, Pentecost,
Christmas. Collection. 80
pages. Published by Carus
Verlag (German import).
Organ solo SKU: CA.1951100 Composed by Various. This edition: Paperbound....(+)
Organ solo
SKU:
CA.1951100
Composed
by Various. This edition:
Paperbound. Choral
collections for Coro SAM.
German title:
Orgel-Begleitsatze.
Collection. 48 pages.
Carus Verlag #CV
19.511/00. Published by
Carus Verlag
(CA.1951100).
Organ SKU: CA.1804800 Composed by Friedrich Reimerdes. This edition: Pape...(+)
Organ
SKU:
CA.1804800
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Festliche
Orgelchorale 9. Organ
music based on hymns,
Easter and Eastertide.
Collection. 88 pages.
Carus Verlag #CV
18.048/00. Published by
Carus Verlag
(CA.1804800).
Organ solo SKU: CA.1804100 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1804100
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
German title: Festliche
Orgelchorale 6. Organ
music based on hymns,
Morning, midday, evening.
Collection. 40 pages.
Carus Verlag #CV
18.041/00. Published by
Carus Verlag
(CA.1804100).
Organ solo SKU: CA.1951400 Composed by Various. Edited by Joachim Schwarz...(+)
Organ solo
SKU:
CA.1951400
Composed
by Various. Edited by
Joachim Schwarz. This
edition: Paperbound.
Choral collections for
Coro SAM. German title:
Orgel-Begleitsatze.
Collection. Composed
1964. 80 pages. Carus
Verlag #CV 19.514/00.
Published by Carus Verlag
(CA.1951400).
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512).
ISBN
9790007201708. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511).
ISBN
9790007201692. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514).
ISBN
9790007201722. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549).
ISBN
9790007201746. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Organ solo SKU: CA.1804900 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1804900
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Festliche
Orgelchorale 10. Organ
music based on hymns,
Wedding, Baptism,
Mourning, death.
Collection. 64 pages.
Carus Verlag #CV
18.049/00. Published by
Carus Verlag
(CA.1804900).
Organ solo SKU: CA.1804300 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1804300
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
War Gott nicht mit uns
diese Zeit. German title:
Festliche Orgelchorale 7.
Organ music based on
hymns, Easter and
Eastertide. Collection.
Composed 1960. 56 pages.
Carus Verlag #CV
18.043/00. Published by
Carus Verlag
(CA.1804300).
By Moritz Brosig. Edited by Rudolf Walter. This edition: paperbound. Organ Music...(+)
By Moritz Brosig. Edited
by Rudolf Walter. This
edition: paperbound.
Organ Music (hymns); Use
during chuch year: Easter
and Eastertide,
Pentecost. Collection. 68
pages
(Easy Organ Music for Grand Occasions) Edited by Martin Bartsch. For organ. Form...(+)
(Easy Organ Music for
Grand Occasions) Edited
by Martin Bartsch. For
organ. Format: organ solo
book. With organ notation
and introductory text.
Wedding. 82 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben