Organ solo SKU: CA.1804900 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1804900
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Festliche
Orgelchorale 10. Organ
music based on hymns,
Wedding, Baptism,
Mourning, death.
Collection. 64 pages.
Carus Verlag #CV
18.049/00. Published by
Carus Verlag
(CA.1804900).
Trumpet and organ - intermediate to advanced SKU: HL.49018470 Toccata ...(+)
Trumpet and organ -
intermediate to advanced
SKU: HL.49018470
Toccata & Melisma for
trumpet (Bb or C) and
organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Composed
2009. 52 pages. Duration
12'. Schott Music
#ED20783. Published by
Schott Music
(HL.49018470).
ISBN
9790001170932. UPC:
841886014930.
9.0x12.0x0.16
inches.
'YinYang'
is the union of polar
opposites in Taoism. It
is the same in the
present work for trumpet
and organ in which the
two movements form a pair
of opposites: 'Toccata'
is a powerful, solid
music piece that is rough
around the edges, with
staccato as essential
form; 'Melisma' is a
sweeping, light and round
structure with legato as
essential form. This
polarity is as elementary
as 'male and female'.
This is why it is
characteristic of the
yin-yang symbol that the
curved, melismatic line
unites contrapuntally
with the toccata-like
rhythm so that a jubilant
praise of wholeness -
whether in the Christian
or Taoist sense - can be
heard. (Enjott
Schneider).
Organ SKU: LM.29293 Composed by Thomas Lacote. Classical: 20th Century (C...(+)
Organ
SKU:
LM.29293
Composed by
Thomas Lacote. Classical:
20th Century
(Contemporary). Score.
Editions Henry Lemoine
#29293. Published by
Editions Henry Lemoine
(LM.29293).
ISBN
9790230992930.
I.
The Fifth hammer (a
quatre mains) (11') - II.
Quilisma (10') - III.
Etude de transparence (a
quatre mains) (5').
Organ Solo. By Johann Sebastian Bach. Arranged by Charles-Marie Widor, Albert Sc...(+)
Organ Solo. By Johann
Sebastian Bach. Arranged
by Charles-Marie Widor,
Albert Schweitzer. Organ
Collection. Size 9x12
inches. Published by G.
Schirmer, Inc.
Organ SKU: M7.DOHR-18954 On the Name of G-r-a-u-p-n-e-r. Composed ...(+)
Organ
SKU:
M7.DOHR-18954
On
the Name of
G-r-a-u-p-n-e-r.
Composed by Lothar Graap.
Sheet music. 4 pages. MDS
(Music Distribution
Services) #DOHR 18954.
Published by MDS (Music
Distribution Services)
(M7.DOHR-18954).
ISBN
9790202039540.
Die
Aphorismen über den
Namen G-r-a-u-p-n-e-r
entstanden für ein
Konzert mit Werken von
Christoph Graupner und
mir und sollten dabei im
Programm als Brücke
zwischen den beiden
Komponisten fungieren.
Die Uraufführung fand
am 17. März 2016 in
der Holy Trinity Lutheran
Church in New York statt
. (Lothar Graap).
Organ SKU: GI.G-003089 Composed by Lynn M. Trapp. Sacred. GIA Publication...(+)
Organ
SKU:
GI.G-003089
Composed
by Lynn M. Trapp. Sacred.
GIA Publications #003089.
Published by GIA
Publications
(GI.G-003089).
A companion
piece to Lynn Trapp's
Images of the Exsultet
(003078), this
contemporary and
accessible piece builds
on the Alleluia used for
dismissal at Mass on
Easter Sunday through the
Second Sunday of
Easter.
Organ SKU: HL.14010406 From Rococo To Romanticism 1. By Robin Lang...(+)
Organ
SKU:
HL.14010406
From
Rococo To Romanticism
1. By Robin Langley.
Edited by Robin Langley.
Music Sales America.
Classical. Book
[Softcover]. 82 pages.
Music Sales #NOV010199.
Published by Music Sales
(HL.14010406).
8.5x11.75x0.256
inches.
An
anthology from four
centuries in ten volumes.
Edited by Robin
Langley.
Primary Colours Orgue [Conducteur] - Intermédiaire Jackman Music Corporation
Organ - Intermediate SKU: JK.02065 Ten Organ Settings of Beloved Child...(+)
Organ - Intermediate
SKU: JK.02065
Ten Organ Settings of
Beloved Children's
Songs. Composed by
Various. Arranged by Clay
Christiansen. Christian,
Children, Children's
Musicals, Contemporary
Christian, Gospel,
Inspirational. Score.
Jackman Music Corporation
#02065. Published by
Jackman Music Corporation
(JK.02065).
UPC:
093285020658.
These
ten colourful organ
settings of beloved
primary songs combine
the bright joy
of primary
children with the
refined dignity of Clay
Christiansen's
compositions.
The acclaimed
tabernacle organist
brings you a volume
of accessible arran
gements that will
be beautifully suit
ed for prelude,
postlude, and special
musical numbers. This
volume may be considered
for ward/stake meet
ings, baptisms, and
primary
programs.
Contents
: Families Can Be
Together Forever He
Sent His Son I Think
When I Read That Sweet
Story I Will Follow
God’s
Plan Jesus Once Was a
Little Child Keep the
Commandments My
Heavenly Father Loves
Me Teach Me to Walk in
the Light Tell Me the
Stories of Jesus When
We’re Helping.
Organ SKU: SU.80101364 For Organ. Composed by Michael Canales. Key...(+)
Organ
SKU:
SU.80101364
For
Organ. Composed by
Michael Canales.
Keyboard, Organ. Score.
Zimbel Press #80101364.
Published by Zimbel Press
(SU.80101364).
The composer
writes: This three
movement sonata da chiesa
for organ strives to
combine elements of
traditionalism,
expressionism, and
Spanish nationalism in
order to provide
organists with a warm
blooded, romantic
expression of God's
glory. It is meant to be
suitable for both concert
organists and church
music programs.
Instrumentation: Organ.
Composed: 2014 Published
by: Zimbel Press.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Viola 1. 8 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/13. Published by
Carus Verlag
(CA.4066113).
ISBN
9790007076290. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Christe eleison. Sacred
vocal music, Mass
sections. Full score. ZWV
29. 12 pages. Duration 8
minutes. Carus Verlag #CV
40.761/00. Published by
Carus Verlag
(CA.4076100).
ISBN
9790007077082. Key: E
minor. Language:
Latin.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. German title:
Christe eleison. Sacred
vocal music, Mass
sections. Single Part,
Cello/Double Bass. ZWV
29. 4 pages. Duration 8
minutes. Carus Verlag #CV
40.761/14. Published by
Carus Verlag
(CA.4076114).
ISBN
9790007077129. Key: E
minor. Language:
Latin.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Cello/Double Bass. 12
pages. Duration 32
minutes. Carus Verlag #CV
40.661/15. Published by
Carus Verlag
(CA.4066115).
ISBN
9790007076313. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. 1x
40.661/21 flute, 1x
40.661/22 oboe 1, 1x
40.661/23 oboe 2, 1x
40.661/31 trumpet. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Set of Orchestra
Parts. 26 pages. Duration
32 minutes. Carus Verlag
#CV 40.661/09. Published
by Carus Verlag
(CA.4066109).
ISBN
9790007076269. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
parts available
separately - see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 1. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/11. Published by
Carus Verlag
(CA.4066111).
ISBN
9790007076276. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Viola 2. 8 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/14. Published by
Carus Verlag
(CA.4066114).
ISBN
9790007076306. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. Complete
orchestral parts. Sacred
vocal music, Mass
sections. Set of
Orchestra Parts. ZWV 29.
Duration 8 minutes. Carus
Verlag #CV 40.761/19.
Published by Carus Verlag
(CA.4076119).
ISBN
9790007220839. Key: E
minor. Language:
Latin.
Score and
parts available
separately - see item
CA.4076100.
(For Organ). By Mcneil Robinson. For Organ. Classical. Performance score. Standa...(+)
(For Organ). By Mcneil
Robinson. For Organ.
Classical. Performance
score. Standard notation.
24 pages. Duration 13
minutes. Published by
Theodore Presser Company
performance score
classical
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. German title:
Christe eleison. Sacred
vocal music, Mass
sections. Single Part,
Viola. ZWV 29. 2 pages.
Duration 8 minutes. Carus
Verlag #CV 40.761/13.
Published by Carus Verlag
(CA.4076113).
ISBN
9790007077112. Key: E
minor. Language:
Latin.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. German title:
Christe eleison. Sacred
vocal music, Mass
sections. Single Part,
Violin 1. ZWV 29. 4
pages. Duration 8
minutes. Carus Verlag #CV
40.761/11. Published by
Carus Verlag
(CA.4076111).
ISBN
9790007077099. Key: E
minor. Language:
Latin.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Choral Score. 24
pages. Duration 32
minutes. Carus Verlag #CV
40.661/05. Published by
Carus Verlag
(CA.4066105).
ISBN
9790007076252. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score
available separately -
see item CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 2. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/12. Published by
Carus Verlag
(CA.4066112).
ISBN
9790007076283. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Organ SKU: HL.48182909 Composed by Olivier Messiaen. Leduc. Classical. So...(+)
Organ
SKU:
HL.48182909
Composed
by Olivier Messiaen.
Leduc. Classical.
Softcover. 89 pages.
Alphonse Leduc #AL24656.
Published by Alphonse
Leduc (HL.48182909).
UPC: 888680862145.
0.298
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, Meditations on
the Mystery of the Holy
Trinity is no exception
to the composer's
popular, distinctive
style. Composed in 1969,
Meditations on the
Mystery of the Holy
Trinity is an example of
Messiaen's use of
Serialism. The composer
first used what he called
his musical alphabet in
Meditations on the
Mystery of the Holy
Trinity, where the
alphabet includes motifs
for the concepts, 'to
have', 'to be' and 'God'.
Furthermore, 'sentences'
depict the writings of
St. Thomas Aquinas.
Messiaen's musical
alphabet, which he also
described as communicable
language is explained as
a preface to the
composition Meditations
on the Mystery of the
Holy Trinity. Divided
into nine sections
('meditations'), a
typical performance lasts
about 74 minutes.
Messiaen's Meditations on
the Mystery of the Holy
Trinity is essential to
all advanced, virtuoso
and contemporary
organists seeking to
expand and vary their
repertoire..
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
Organ SKU: M7.DOHR-20486 Composed by Louis Vierne. Edited by Otto Depenhe...(+)
Organ
SKU:
M7.DOHR-20486
Composed by Louis Vierne.
Edited by Otto
Depenheuer. Arranged by
Thomas Schmoegner. Sheet
music. Édition
bon(n)orgue Vol. 86. Op.
24. 72 pages. MDS (Music
Distribution Services)
#DOHR 20486. Published by
MDS (Music Distribution
Services)
(M7.DOHR-20486).
ISBN
9790202044865.
Loui
s Vierne komponierte
seine Orchestersymphonie
im Sommer 1907 in
Juziers. Wie kaum ein
zweites Werk zeugt sie
von den
Schicksalsschlägen des
Komponisten: Von Geburt
an fast blind musste
Vierne nicht nur die
Trennung von seiner Frau,
sondern auch die Folgen
eines schweren
Verkehrsunfalles
verarbeiten. Der erste
Satz zählt mit seinen
600 Takten zu den
längsten
Sonatenhauptsatzformen,
die Vierne jemals
schrieb. Das Lamento ist
eine der berührendsten
musikalischen
Äußerungen des
Komponisten. Das Scherzo
- ein wenig an den
Zauberlehrling von Paul
Dukas erinnernd -
präsentiert sich am
Schluss als poesievolles
Fugato mit Anklängen
an das Hauptthema des
Finales. Das Finale wirkt
in seinem Optimismus wie
ein neuerliches Hinwenden
zum Leben - trotz allem.
(Thomas
Schmögner).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.