Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.
Organ SKU: BR.EB-8574 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8574
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
152 pages. Breitkopf and
Haertel #EB 8574.
Published by Breitkopf
and Haertel (BR.EB-8574).
ISBN 9790004178614. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Organ SKU: BR.EB-8573 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8573
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
160 pages. Breitkopf and
Haertel #EB 8573.
Published by Breitkopf
and Haertel (BR.EB-8573).
ISBN 9790004178607. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Organ SKU: BR.EB-8809 New Edition in 10 Volumes - Urtext. Composed...(+)
Organ
SKU:
BR.EB-8809
New
Edition in 10 Volumes -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Werner Breig.
Solo instruments;
Softbound. Edition
Breitkopf.
You will
find supplementary
material online
Baroque period. Score.
184 pages. Breitkopf and
Haertel #EB 8809.
Published by Breitkopf
and Haertel (BR.EB-8809).
ISBN 9790004183786.
12.5 x 10
inches.
The
now-published volumes 9
and 10 have presented a
special challenge, for
particularly in the field
of the chorale
arrangements the
transmissions are more
complex than in any other
group of works. This ties
in with the crucial
question of Bach's
authorship, which has
been the subject of much
controversy in the past.
There were heated
discussions about it even
just prior to our
edition, and editors and
publisher are aware that
the present selection is
a thoroughly debatable
snapshot. More on this in
the volumes' text
sections. The situation
of the chorale partitas
is not quite so dramatic,
whereby these holdings
also had to be subdivided
for reasons of
transmission into main
section, appendix, and
online presentation. The
so called
,,Neumeister-Chorale are
incorporated in the group
of the separately
transmitted chorale
settings in alphabetical
order, because the
compilation of the pieces
does not follow any
collection idea of Bach
(such as, for example,
his larger late
collections). The
indication
,,Neumeister-Sammlung
should facilitate the
attribution. Those works
requiring further
research, besides of some
versions, are presented
online, since their
profile reveals less
evidence of the true
author. Breitkopf has
given the world a
splendid edition of the
organ works of Bach.
These final two volumes
offer a wealth of
chorale-based music
benefiting from the very
latest research. Aside
from the edition's
obvious scholarly merit,
a practicing church
organist will love the
convenience and variety
of these volumes.
Recommended without
hesitation.(Jonathan B.
Hall, The American
Organist).
Organ SKU: BR.EB-8572 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8572
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
156 pages. Breitkopf and
Haertel #EB 8572.
Published by Breitkopf
and Haertel (BR.EB-8572).
ISBN 9790004178591. 12
x 9 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Composed by Louis Vierne (1870-1937). Edited by Helga Schauerte-Maubouet. This e...(+)
Composed by Louis Vierne
(1870-1937). Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Paperback. Louis
Vierne. Complete Organ
Works 10 | BARENREITER
URTEXT. Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA9238).
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio
Electronic Keyboard;
Keyboards; Organ
SKU:
HL.302741
E-Z Play
Today Book A. E-Z
Play Today. Instruction,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
(HL.302741).
ISBN
9781540065261. UPC:
888680967468.
9.0x12.0x0.182
inches.
Introducing
the E-Z way to reading
music notes, chords, and
learning musical terms!
Keyboards are among the
most versatile of all
musical instruments, and
many electronic keyboards
today have special
automatic features and
automatic rhythms. These
features make making
music even more fun and
versatile! If you've
always wanted to learn
how to play the keyboard,
this book is your first
step to success!
Beginnings Book A
provides
easy-to-understand
instructions with popular
songs and favorite tunes
so you can start playing
music you know and love
while learning to play!
In practically no time,
you'll be performing some
of your favorite
standards, including:
Aura Lee • Danny
Boy • He's Got the
Whole World in His Hands
• Kumbaya •
Lullaby (Cradle Song)
• On Top of Old
Smoky • Simple
Gifts • When the
Saints Go Marching In
• Yankee Doodle
• and more. This
book also includes access
to online recordings of
demonstration and backing
tracks, so you can listen
to the demos to hear how
the piece should sound,
then play along with the
backing tracks to sound
like a pro! Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Organ SKU: BR.EB-8810 New Edition in 10 Volumes - Urtext. Composed...(+)
Organ
SKU:
BR.EB-8810
New
Edition in 10 Volumes -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Werner Breig.
Solo instruments;
Softbound. Edition
Breitkopf.
You will
find supplementary
material online
ISBN 9790004183793.
12.5 x 10
inches.
The
now-published volumes 9
and 10 have presented a
special challenge, for
particularly in the field
of the chorale
arrangements the
transmissions are more
complex than in any other
group of works. This ties
in with the crucial
question of Bach's
authorship, which has
been the subject of much
controversy in the past.
There were heated
discussions about it even
just prior to our
edition, and editors and
publisher are aware that
the present selection is
a thoroughly debatable
snapshot. More on this in
the volumes' text
sections. The so called
,,Neumeister-Chorale are
incorporated in the group
of the separately
transmitted chorale
settings in alphabetical
order, because the
compilation of the pieces
does not follow any
collection idea of Bach
(such as, for example,
his larger late
collections). The
indication
,,Neumeister-Sammlung
should facilitate the
attribution. Those works
requiring further
research, besides of some
versions, are presented
online, since their
profile reveals less
evidence of the true
author. Breitkopf has
given the world a
splendid edition of the
organ works of Bach.
These final two volumes
offer a wealth of
chorale-based music
benefiting from the very
latest research. Aside
from the edition's
obvious scholarly merit,
a practicing church
organist will love the
convenience and variety
of these volumes.
Recommended without
hesitation.(Jonathan B.
Hall, The American
Organist).
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Organ - advanced to difficult SKU: HL.49033297 Organ. Composed by ...(+)
Organ - advanced to
difficult
SKU:
HL.49033297
Organ. Composed by
Jean Guillou. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1974.
Op. 28. 40 pages.
Duration 16'. Schott
Music #ED 9799. Published
by Schott Music
(HL.49033297).
ISBN
9790001137751. UPC:
884088070496.
9.0x12.0x0.158
inches.
Though the
work bearing this title
is a portrait of
childhood, it is a
childhood quite different
from the purely
gameplaying and dreamlike
childhood that is
customarily represented.
The childhood described
here is carrying the
seed, in all its purity,
of all positive and
negative qualities to be
found the fully-grown
men: a childhood both
angelic and diabolical,
and indeed very close to
Henry James' The Turn of
the Screw which was the
direct inspiration for
this monodrama.Its growth
follows the innumerable
sudden changes, turns and
contrasts of the
unsophisticated spirit.
There is hardly any
development at all, as
each idea gives birth to
the next or rejects the
previons one, being
object to every impulse,
every tempest, every
flux, every fear and
delight. After a
dreamlike introduction,
in which two simple
melodies stand out, comes
a sudden awakening,
Allegro, stamped all over
with lavish and forever
regenerating dynamism. A
sudden halt leads a kind
of outburst from the most
simple folklore is
singing, in regular,
repeated notes. Again the
question mark leads us to
another melody,
Tranquillo, of a sweet
tempo, but brilliantly
decorated with
counter-point, its
cursive traits leading
this time to a kind of
roguish march
(Vigoroso).Yet soon there
emerges a melancholic
chant, Largo, in the
Cromorne's timbre, and
then, in the highest
register of the Trumpet
there reappears like a
metamorphosed memory, the
theme of the second
movement. Passing other
episodes, we come to
Tempo giusto, insistent
and glorious, interrupted
by other passionate
figures, cut off by
unsettling silent moments
and taken up again in
always accelerating
volleys.
Organ SKU: BR.BHM-367 Verzeichnis cantus-firmus-gebundener Orgelmusik<...(+)
Organ
SKU:
BR.BHM-367
Verzeichnis
cantus-firmus-gebundener
Orgelmusik. Composed
by Martin Bieri. Solo
instruments. Breitkopf
New Media. The Sherlock
Holmes of the Organ Gets
a Makeover. Music
pedagogy. New Media.
Breitkopf and Haertel
#BHM 367. Published by
Breitkopf and Haertel
(BR.BHM-367).
ISBN
9783765103674. 9 x 12
inches.
Seek
(ricercare) and you will
find! The little angel on
the cover of the book
shows the organist the
way to the music he's
looking for! In an
incredibly time-consuming
endeavor, Martin Bieri
has compiled all
currently available
chorale-based organ
works, cataloguing about
15,600 works. The bulk of
the work is devoted to
(chorale) melodies that
can be found in the major
German-language hymnals.
The Ricercare Book offers
concise information along
with indexes of
arrangements, composers,
editions and publishers.
Nach acht Jahren Laufzeit
war es soweit: Ricercare
der Sherlock Holmes des
Organisten brauchte
dringend eine
Frischzellenkur d. h.
neue Informationen und
technische Updates. Das
Lifting hat der CD-ROM
gut getan. Ricercare
saust nunmehr mit neuer
Kraft (neuen
Informationen)
prestissimo durch die
weite Datenwelt von uber
20.000
cantus-firmus-gebundenen
Orgelwerken und gibt
umfassend Auskunft uber
Melodien Komponisten
Ausgaben Bearbeitungen
Verlage u. a. m.
After eight years on the
beat it was finally time
for Ricercare the
Sherlock Holmes of the
Organ to get a badly
needed makeover i.e. to
be supplied with new
information and technical
updates. The makeover did
a world of good to the
CD-ROM. Loaded with new
info Ricercare now zips
along prestissimo through
the vast data world of
more than 20 000
cantus-firmus-related
organ works and provides
comprehensive information
on melodies composers
editions arrangements
publishers and much
more.
The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first editions. Die
vorliegende Ausgabe folgt
dem Notentext der von
Clara Schumann in
Zusammenarbeit mit
Johannes Brahms u. a.
zwischen 1879 und 1893
herausgegebenen
Gesamtausgabe von Robert
Schumanns Werken. Diese
Edition ist von
willkurlichen
Veranderungen des Textes
weitgehend frei. Einige
offensichtliche Irrtumer
und nicht zu
rechtfertigende Eingriffe
in den Notentext wurden
nach Vergleich mit der
Erstausgabe und dem
Autograph beseitigt. The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first edition and the
autograph.
Organ SKU: CA.1817900 Composed by Charles Marie Widor. Edited by Georg Ko...(+)
Organ
SKU:
CA.1817900
Composed
by Charles Marie Widor.
Edited by Georg Koch.
Free organ music. Full
score. Op. 42,1. 80
pages. Duration 35
minutes. Carus Verlag #CV
18.179/00. Published by
Carus Verlag
(CA.1817900).
ISBN
9790007188979. Language:
all languages.
It
is no coincidence that
the Toccata from Widor's
Vth Organ Symphony is his
best-known composition.
Who can resist its
thrilling verve? Not only
this, but also the other
movements of this unique
work of the organ
repertoire win you over
immediately - the first
with its march-like,
majestic, much-varied
theme; the second with
its wonderfully elegiac
oboe melody, flowing
along over staccato
sixteenth notes; and the
two slow movements, of
which the melancholy,
almost static Adagio
forms the greatest
contrast imaginable to
the following triumphal
Toccata. The Carus Urtext
edition is based on the
Paris edition of 1928/29,
the last one to be
published during Widor's
lifetime. The corrections
which the composer made
after the publication of
this edition have also
been taken into
consideration. As well as
this, earlier editions
have been consulted for
comparison to clarify
individual variant
readings. Editorial
suggestions on the
performance of individual
passages complete the new
edition. Great organ
works: Series A: -
Symphony II op. 13 no. 2
- Symphony IV op. 13 no.
4 - Symphony V op. 42 no.
1 - Symphony VI op. 42
no. 2 - Symphony Romane
op. 73 in preparation
Subscription offer for
Series A: 20% discount
off the retail price.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
Organ - intermediate SKU: ST.H449 Composed by John Norris. Arranged by Jo...(+)
Organ - intermediate
SKU: ST.H449
Composed by John Norris.
Arranged by John Norris.
Organ music. Sixteen
celebrated pieces for a
perfect wedding. Selected
and arranged for organ by
John Norris.. Score.
Stainer & Bell Ltd.
#H449. Published by
Stainer & Bell Ltd.
(ST.H449).
ISBN
9790220221286.
A
well-known teacher and
compiler of Stainer &
Bell's Opera Gala series,
John Norris has created
Wedding Gala with an ear
to giving church
organists a mix of
favourites and exciting
discoveries to brighten
the routine of music for
the service of holy
matrimony.
No
album would be complete
without the traditional
wedding music of
Mendelssohn and Wagner,
and it can be found here
in this collection
alongside other classics
of the wedding repertoire
by Jeremiah Clarke, Bach
and Handel. But there's
also a thoroughly
contemporary leavening,
with arrangements of
Sydney Carter's One More
Step and Lord of the
Dance, both firm
favourites, plus
Musorgsky's Pictures at
an Exhibition and
Charpentier's Prelude,
adding a note of
splendour.
But
the real bonus is for
lovers of English music,
with Elgar's Chanson de
Matin and 'The Call' from
the Five Mystical Songs
by Ralph Vaughan
Williams, seldom found in
comparable collections.
And there's also a rare
new discovery: the
ravishing Chosen Tune by
Herbert Howells,
transcribed from his
Three Pieces for violin
and piano, Op. 28, and
available as an organ
piece for the first
time.
Each piece
is comprehensively
registered by the
arranger, and the
collection as a whole
will be welcomed by all
organists of intermediate
standard as a source of
new material not only for
liturgical use but also
for recitals.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500).
ISBN
9790007095604. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.