Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio
Electronic Keyboard;
Keyboards; Organ
SKU:
HL.302741
E-Z Play
Today Book A. E-Z
Play Today. Instruction,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
(HL.302741).
ISBN
9781540065261. UPC:
888680967468.
9.0x12.0x0.182
inches.
Introducing
the E-Z way to reading
music notes, chords, and
learning musical terms!
Keyboards are among the
most versatile of all
musical instruments, and
many electronic keyboards
today have special
automatic features and
automatic rhythms. These
features make making
music even more fun and
versatile! If you've
always wanted to learn
how to play the keyboard,
this book is your first
step to success!
Beginnings Book A
provides
easy-to-understand
instructions with popular
songs and favorite tunes
so you can start playing
music you know and love
while learning to play!
In practically no time,
you'll be performing some
of your favorite
standards, including:
Aura Lee • Danny
Boy • He's Got the
Whole World in His Hands
• Kumbaya •
Lullaby (Cradle Song)
• On Top of Old
Smoky • Simple
Gifts • When the
Saints Go Marching In
• Yankee Doodle
• and more. This
book also includes access
to online recordings of
demonstration and backing
tracks, so you can listen
to the demos to hear how
the piece should sound,
then play along with the
backing tracks to sound
like a pro! Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Suite Orgue - Intermédiaire MorningStar Music Publishers
Composed by Clay Christiansen. Non Hymn- Based, Recital Music, Suite. 21st Cen...(+)
Composed by Clay
Christiansen. Non Hymn-
Based, Recital Music,
Suite.
21st Century. MorningStar
Music Publishers #10-498.
Published by MorningStar
Music Publishers
Composed by Various. Arranged by Brent Jorgensen. Difficulty Medium, Organ Chain...(+)
Composed by Various.
Arranged by Brent
Jorgensen. Difficulty
Medium, Organ Chains,
Organ Postludes, Organ
Preludes, Organ Solos,
Seasonal Music Christmas,
Christmas. Christmas.
Jackman Music Corporation
#01176. Published by
Jackman Music Corporation
Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Par...(+)
Keyboard and Organ Works
from Copied Sources
Partitas and Partita
Movements, Part 2. By
Froberger, Johann Jacob.
Edited by Rampe,
Siegbert. For Organ,
Piano, Harpsichord.
Johann Jacob Froberger:
Neue Ausgabe samtlicher
Werke,Bd.4.1. Playing
Score; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006488360.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 1. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/14. Published by
Carus Verlag
(CA.2731114).
ISBN
9790007201562. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 1. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/12. Published by
Carus Verlag
(CA.2731112).
ISBN
9790007201548. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 2. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/15. Published by
Carus Verlag
(CA.2731115).
ISBN
9790007201579. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116).
ISBN
9790007201586. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Choral Score.
Composed 1901. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.311/05. Published by
Carus Verlag
(CA.2731105).
ISBN
9790007132255. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113).
ISBN
9790007201555. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Organ. Composed 1901. 20
pages. Duration 35
minutes. Carus Verlag #CV
27.311/49. Published by
Carus Verlag
(CA.2731149).
ISBN
9790007201593. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Organ solo SKU: CA.1804300 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1804300
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
War Gott nicht mit uns
diese Zeit. German title:
Festliche Orgelchorale 7.
Organ music based on
hymns, Easter and
Eastertide. Collection.
Composed 1960. 56 pages.
Carus Verlag #CV
18.043/00. Published by
Carus Verlag
(CA.1804300).
Organ solo SKU: FZ.5690 Paris, 1531. Composed by Pierre Attaingnan...(+)
Organ solo
SKU:
FZ.5690
Paris,
1531. Composed by
Pierre Attaingnant.
Edited by Marcel
Degrutere. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5690).
ISBN
9790230656900. 12.50 x
17.50 cm
inches.
This Pierre
Attaignant's original
publication is in
facsimile on Dominantes
collection. Tablature
pour le jeu dorgues
spinet and manicordion
sur le plain-chant de
Cunctipotens et Kyrie
fonsEdition : Paris,
1531. Presentation of
Marcel Degrutere :
Principles of notation
remarks on the notation
summary utilisation
documents annexed: plain
chant. The earliest
surviving organ mass with
plain chant alternation
published in France.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Bayerische
Staatsbibliothek of
Munich (Germany).
(Italy 1517-1599). Edited by James Dalton. For Organ. Book; Masterworks; Organ -...(+)
(Italy 1517-1599). Edited
by James Dalton. For
Organ. Book; Masterworks;
Organ - Method or
Collection. Faber
Edition: Early Organ
Series. Masterwork.
Published by Faber Music
(Italy 1600-1635). Edited by James Dalton. For Organ. Book; Masterworks; Organ -...(+)
(Italy 1600-1635). Edited
by James Dalton. For
Organ. Book; Masterworks;
Organ - Method or
Collection. Faber
Edition: Early Organ
Series. Masterwork.
Published by Faber Music
(Spain 1650-1710). Edited by James Dalton. For Organ. Book; Masterworks; Organ -...(+)
(Spain 1650-1710). Edited
by James Dalton. For
Organ. Book; Masterworks;
Organ - Method or
Collection. Faber
Edition: Early Organ
Series. Masterwork.
Published by Faber Music
(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750)....(+)
(Dritter Teil der
Clavier-Ubung). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Manfred Tessmer /
Christoph Wolff. For
organ solo. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach.
Orgelwerke 4. Level 4.
Performance score(s),
anthology. Published by
Baerenreiter Verlag
Organ SKU: AP.12-0571507719 Volume 1. England 1510-1590. Ed...(+)
Organ
SKU:
AP.12-0571507719
Volume 1.
England 1510-1590.
Edited by James Dalton.
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork.
Book. Faber Music
#12-0571507719. Published
by Faber Music
(AP.12-0571507719).
ISBN 9780571507719.
English.
The Faber
Early Organ Series is
among the most
comprehensive anthologies
of early organ music ever
published. In 18 volumes
it spans two centuries
and six geographical
regions, presenting a
broad and balanced view
of the main forms, styles
and composers. Within
each geographical region
the pieces, most of which
are for manuals only, are
arranged by date of
composition or
publication. The
presentation is both
scholarly and practical;
all of the music has been
newly edited from the
earliest surviving
sources according to a
systematic editorial
method that preserves as
many features of the
original notation as
possible while making it
fully accessible to
modern players. In every
volume, an informative
Introduction sets the
music in historical
context. There are also
helpful sections on
Ornamentation and
Registration, and a
Critical Commentary
giving detailed
information on the
sources.
Organ solo SKU: HH.HH304-SOL Composed by Timothy Raymond. Organ Solo. Pla...(+)
Organ solo
SKU:
HH.HH304-SOL
Composed
by Timothy Raymond. Organ
Solo. Playing score.
Duration 14 minutes.
Edition HH Music
Publishers #HH304-SOL.
Published by Edition HH
Music Publishers
(HH.HH304-SOL).
ISBN
9790708092537.
Tim
Raymond's dramatic and
inventive organ piece was
composed for the
instrument in St Bavo's
Cathedral in Ghent,
Belgium, and was inspired
by a plainchant melody
found in a manuscript
compiled there in 1481.
Atmospheric, mysterious
and fluid textures
alternate with energetic,
toccata like passages,
reflecting and
transforming the pitch
structures and temporal
proportions of the chant
a meditation on the
Trinity. A further
dimension connects and
resonates with the
colourful pantheism and
cosmic symbolism of the
Van Eyck brothers' famous
fifteenth century
altarpiece, The Adoration
of the Sacred Lamb,
created for, and housed
in, St Bavo's.
By Louis Marchand (1669-1732). Edited by Jean Saint-Arroman, Philippe Lescat. Or...(+)
By Louis Marchand
(1669-1732). Edited by
Jean Saint-Arroman,
Philippe Lescat. Organ
solo. For Organ.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 112
pages