Organ

SKU: HL.14016607

Composed by Sir John Stainer. Music Sales America. Classical. Book [Softcover]. 44 pages. Music Sales #NOV951478. Published by Music Sales (HL.14016607).

8.5x11.75x0.125 inches.

Choir; guitar; organ

SKU: HP.C5643R

Arranged by Joel Raney. Spirituals & Gospel, Hymntune, General Worship, Sacred. Rhythm Parts. Hope Publishing Company #C5643R. Published by Hope Publishing Company (HP.C5643R).

UPC: 763628256432. Psalms 40:30, Revelation 15:3, Revelation 21:21, Ephesians 1:7, 1 John 1:1-9, 1 John 2:1-2, Philippians 3:4-14.

Medley of old gospel hymns Everyone loves to sing the old, gospel hymns that remind us of our faith journey and of those who have gone on to sing with the saints in glory. This exuberant Joel Raney medley combines many favorites in a variety of musical textures and styles, including: I Will Sing the Wondrous Story, When We All Get to Heaven, He Keeps Me Singing, Sweet By and By, and I Will Sing of My Redeemer. The addition of rhythm enhances this toe-tapping nostalgic journey. The Rhythm packet contains parts for: Electric Guitar, Bass, B3 Organ (Synth) & Drums.

SATB choir, SATB, SATB, organ

SKU: CA.739300

Composed by Kay Johannsen. Sacred vocal music. Full score. Composed 2015. 12 pages. Carus Verlag #CV 07.393/00. Published by Carus Verlag (CA.739300).

ISBN 9790007172268. Text language: Latin.

Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.

SSTBar choir, organ - Level 2

SKU: CA.2044305

Osterdialog. Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Osterdialog Weib, Was Weinest Du. Sacred vocal music, Easter and Eastertide. Choral Score. Composed 1625 (terminus post quem). SWV 443. 12 pages. Carus Verlag #CV 20.443/05. Published by Carus Verlag (CA.2044305).

ISBN 9790007036416. Key: D dorian. Language: German.

Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score available separately - see item CA.2044300.