Organ

SKU: BR.EB-9110

Composed by Adriana Holszky. Solo instruments; stapled. Edition Breitkopf.

World premiere: Nuremberg, July 5, 1997Commissioned by Internationale Orgelwoche Nurnberg

Music post-1945. Score. Composed 1997. 20 pages. Duration 12'. Breitkopf and Haertel #EB 9110. Published by Breitkopf and Haertel (BR.EB-9110).

ISBN 9790004181676. 12.5 x 10 inches.

Der Titel bezieht sich auf ein Fragment aus der Apokalypse nach Johannes.Die Aufmerksamkeit des Horers wird in diesem Orgelwerk auf die ruhelos changierenden Klangraume gelenkt. Die Unendlichkeit dieser Raume lassen Farben entstehen wie Wellen eines allen durchflutenden Ozeans.Von Augenblick zu Augenblick wechseln gewaltige Bilder von Licht und Farbe mit geheimnisvollen, ruhenden Momenten, die wie Spaltoffnungen zu anderen Dimensionen sich verhalten.Durch Friedemann Herz hat dieses Werk den ersten idealen Interpreten gefunden.(Adriana Holszky)CD:Dominik Susteck (organ)CD WERGO WER 6789 2Bibliography:Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 97-110.

World premiere: Nuremberg, July 5, 1997, Commissioned by Internationale Orgelwoche Nurnberg.

Organ

SKU: BR.BG-1312

Composed by Hans Ulrich Lehmann. This edition: paperback. Solo instruments; Softcover. Edition Gerig. World premiere Kassel, July 13, 1977. Music post-1945. Score. Composed 1976. 8 pages. Duration 6-8'. Breitkopf and Haertel #BG 1312. Published by Breitkopf and Haertel (BR.BG-1312).

ISBN 9790004122648. 0 x 0 inches.

World premiere: Kassel, July 13, 1977.

Choir Sacred choir and organ

SKU: PE.EP71163

For Choir and Organ. Composed by Judith Bingham. Contemporary Choral Music. Edition Peters. Choral Octavo. 16 pages. Duration 00:03:30. Edition Peters #98-EP71163. Published by Edition Peters (PE.EP71163).

ISBN 9790577003382. English.

Words by Vesta Pierce Crawford

First performed on July 19, 2002, by the girls of Winchester and Salisbury Cathedrals, conducted by David Hill, at Winchester Cathedral

Organ

SKU: FG.55011-575-0

Composed by Olli Kortekangas. Fennica Gehrman #55011-575-0. Published by Fennica Gehrman (FG.55011-575-0).

Olli Kortekangas (b. 1955) spent some time looking for a suitable chorale or theme after receiving a commission from Tomi Satomaa to compose a variation work for organ. It was foundsurprisingly close at hand, on his very own desk: The Partita is based on a chorale melody Kortekangas composed some years ago. The Partita has six movements performed without a break. The first presents the chorale melody itself, and the other five could be described as character pieces each based on some part of it or characteristic. The work was premiered at the Turku Organ Festival in July 2019.

Organ. Composed by James Macmillan. BH Piano. Classical. Softcover. 16 pages. Boosey & Hawkes #M060136719. Published by Boosey & Hawkes

SATB Choir and Organ

SKU: BT.MUSSRO100172

Composed by Rachel Portman. Classical. Choral Score. 16 pages. St. Rose Music #MUSSRO100172. Published by St. Rose Music (BT.MUSSRO100172).

English.

Rachel Portman's Magnificat And Nunc Dimittis  for SATB choir and Organ accompaniment. Born in west Sussex, England, Rachel Portman began composing at age 14 and read music at Oxford University. She gained experience writing music for drama in BBC and Channel 4 films including Mike Leigh's Four Days In July and Jim Henson's Storyteller series. Her extensive film work includes scores for Never Let me Go, The Joy Luck Club, Benny and June, and the Manchurian Candidate. She won an Academy award for her score for Emma and Academy nominations for Chocolat and The Cider House Rules. She has written a musical of Little House on the Prairie as well as an opera of Saint Exupery'sThe Little Prince for Houston Grand Opera and The Water Diviner, a dramatic choral symphony commissioned for the BBC Proms concerts. She was appointed Officer of the Order of the British Empire (OBE) in the 2010 New Year Honours.

Organ

SKU: SU.80101361

For Organ. Composed by Lothar Bandermann. Keyboard, Organ. Score. Zimbel Press #80101361. Published by Zimbel Press (SU.80101361).

This is a patriotic piece especially suited for Memorial Day, Veteran's Day or the 4th of July. It is series of short (~1 min. each) vignettes portraying an American characteristic which impressed me as an immigrant to this country. The piece is dedicated to the great American writer John Steinbeck, whose novel The Grapes of Wrath had its 75th anniversary in 2014. Instrumentation: Organ. Composed: 1977/2012 Published by: Zimbel Press.

Organ - Advanced

SKU: MN.12-128

Composed by Harold Stover. Non Hymn-Based, Recital Music. General. Instrumental part. MorningStar Music Publishers #12-128. Published by MorningStar Music Publishers (MN.12-128).

UPC: 688670121289.

The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.