(for Organ). By Cesar Auguste Franck (1822-1890). Edited by Freidemann Winklhofer. This edition: HN845. Organ. Henle Music Folios. Urtext edition (Paper-bound). 51 pages

Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications

For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Post-1900, Sacred, Classical. Softcover. 11 pages. Alphonse Leduc #AL19271. Published by Alphonse Leduc

By Joey Defrancesco. Piano. Instructional and Jazz. Softcover Audio Online. 96 pages. Published by Hal Leonard

The Grand Fantasia (The Storm) uses the drama of a physical storm to represent an emotional one. The opening ominous chords lead to thundering chords and a programmatic representation of a storm that could fill every corner of a cathedral with reverberation. The storm is quelled by a Chorale section entitled 'Prayer', followed by a swelling finale of grandeur and peace.Jaak Nikolaas [Jacques Nicolas] Lemmens was a Belgian Organist and composer of the 19th century. He was widely acknowledged to be the best Organist of his time, with particularly beautiful legato and pedal technique, some of which can be discerned from his compositions for his work Organ School. He wasinstrumental in bringing the works of Bach to France and Belgium, and was influential as an educator

For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Post-1900, Sacred. Softcover. 20 pages. Alphonse Leduc #AL19269. Published by Alphonse Leduc

By Louis Marchand (1669-1732). Edited by Jean Saint-Arroman, Philippe Lescat. Organ solo. For Organ. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 112 pages

Orchestra Soli STB, SATB Choir, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, organ

SKU: CA.2709505

Composed by Charles Francois Gounod. Edited by Frank Hondgen. Messe Solennelle De Ste. Cecile. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral Score. Composed 1855. CG 56. 28 pages. Duration 45 minutes. Carus Verlag #CV 27.095/05. Published by Carus Verlag (CA.2709505).

ISBN 9790007186883. Language: Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score available separately - see item CA.2709500.

Orchestra Soli STB, SATB Choir, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, organ

SKU: CA.2709500

Composed by Charles Francois Gounod. Edited by Frank Hondgen. Messe Solennelle De Ste. Cecile. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Full score. Composed 1855. CG 56. 176 pages. Duration 45 minutes. Carus Verlag #CV 27.095/00. Published by Carus Verlag (CA.2709500).

ISBN 9790007186418. Language: Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality.

Orchestra Soli STB, SATB Choir, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, organ

SKU: CA.2709509

Composed by Charles Francois Gounod. Edited by Frank Hondgen. 1x 27.095/21 piccolo, 1x 27.095/22 flute 1, 1x 27.095/23 flute 2, 1x 27.095/24 oboe 1, 1x 27.095/25 oboe 2, 1x 27.095/26 clarinet 1, 1x 27.095/27 clarinet 2, 2x 27.095/28 Bassoon 1 and 3, 2x 27.095/29 Bassoon 2 and 4, 1x 27.095/31 horn 1, 1x 27.095/32 hor. Messe Solennelle De Ste. Cecile. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1855. CG 56. Duration 45 minutes. Carus Verlag #CV 27.095/09. Published by Carus Verlag (CA.2709509).

ISBN 9790007200220. Language: Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score and parts available separately - see item CA.2709500.

Orchestra Soli STB, SATB Choir, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, organ

SKU: CA.2709519

Composed by Charles Francois Gounod. Edited by Frank Hondgen. Messe Solennelle De Ste. Cecile. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1855. CG 56. Duration 45 minutes. Carus Verlag #CV 27.095/19. Published by Carus Verlag (CA.2709519).

ISBN 9790007200282. Language: Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score and parts available separately - see item CA.2709500.

By Pierre Attaingnant (1494-1552). Edited by Marcel Degrutere. For Harpsichord, Organ. This edition: Facsimile. Collection Dominantes. Score. 124 pages. Published by Anne Fuzeau Productions - France

For Organ. Organ - Method or Collection. Kalmus Edition. Masterwork. Level: Late Intermediate. Book. 68 pages. Published by Alfred Publishing.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Organ or harmonium

SKU: BO.BA0055

Composed by Francesc Civil. Published by Editorial de Musica Boileau (BO.BA0055).

Organ solo

SKU: FZ.2662

Composed by Nicolas Clerambault. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Published by Anne Fuzeau Productions - France (FZ.2662).

ISBN 9790230626620. 24.00 x 33.00 cm inches.

This facsimile of an original by Nicolas Clerambault is part of our French classical music collection. Clerambault - First organ book - Organ. Edition : Paris, l'Auteur, Foucault, c. 1714. Extremely elegant and legible engraving, allowing the music to be easily read. Preface by: Philippe Lescat: Clerambault's organs,Jean Saint-Arroman: use of the organ pieces - notation - terminology - ornamentation - registrations.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France).

Organ solo, Clavichord solo

SKU: FZ.50139

Organ or clavichord. Composed by Friedrich Marpurg. This edition: Facsimile. Collection FacsiMusic. Score. Published by Anne Fuzeau Productions - France (FZ.50139).

ISBN 9790049501392. 21.00 x 29.70 cm inches.

This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Facsimusic collection. Berlin, Amsterdam, J. J. Hummel, s. d. = c. 1789. Versuch in figurierten Choralen sowohl fur die Orgel, als fur das Clavichord. 21 chorals varies for organ or clavichord, followed by an afterword.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Organ solo, Clavichord solo

SKU: FZ.50140

Organ or clavichord. Composed by Friedrich Marpurg. This edition: Facsimile. Collection FacsiMusic. Score. Published by Anne Fuzeau Productions - France (FZ.50140).

ISBN 9790049501408. 21.00 x 29.70 cm inches.

This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Facsimusic collection. Berlin, Amsterdam, J. J. Hummel, s. d. = 1793.

Zweyter Versuch in figurirten Choralen und Fugen sowohl fur die Orgel, als fur das Clavicord. 15 chorals varies et fugues for organ or clavichord. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Organ

SKU: FZ.50529

Vocal Ensemble Ad Limina. Composed by Gaspard Corrette. Edited by Regis Allard. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50529).

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.

Organ (harmonium) - intermediate

SKU: HL.49005147

Edited by Flor Peeters. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 40 pages. Schott Music #ED 4784. Published by Schott Music (HL.49005147).

ISBN 9790001055208. 8.75x12.0x0.473 inches.

The edition is part of the ABRSM syllabus (grade 4).

By Louis-Claude Daquin. Edited by Jean Saint-Arroman, Philippe Lescat. Organ solo. For Organ. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Level: Grade 0. 68 pages. Published by Editions Fuzeau Classique - France (French import).

Organ solo

SKU: FZ.50510

Composed by Michel Corrette. Edited by Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.50510).

ISBN 9790049505109. 24.00 x 33.00 cm inches.

This facsimile of an original by Michel Corrette is part of our French classical music collection. Pieces pour l'orgue dans un genre nouveau, a l'usage des Dames Religieuses et a ceux qui touchent l'orgue. Avec le melange des jeux et la maniere d'imiter le tonnerre. Edition : Paris, (s. d. = 1787). Presentation: Edition - Terminology - Registrations - Ornamentation. These organ pieces, largley written in late eighteenth century style, are technically quite easy. They are therefore ideal for young musicians studying the organ.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Organ solo

SKU: CA.6000400

Teil 2. Romantik. This edition: Paperbound. German title: Orgel Und Orgelmusik In Der Romantik. Historical Performance practice on keyboard instruments, Methods, Musicological books. Book. 352 pages. Carus Verlag #CV 60.004/00. Published by Carus Verlag (CA.6000400).

ISBN 9790007107499. Language: German.

The 2nd part of the study of historical organ performance practice continues from part 1, Orgel und Orgelschule im Barock und in der Klassik (CV 60.002). It concerns the interpretation of organ music in Germany and France in the period from 1800 to 1930.

Fantasia und Canzoni alla Francese - 12 Fantasien und 11 Canzonen. By Frescobaldi, Girolamo. Edited by Pierre Pidoux. For Organ/ Piano/ Harpsichord. Playing Score (paperbound). Published by Baerenreiter-Ausgaben (German import).

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. Outstanding Blues and Jazz Solos. Jazz. Book/digital audio. ADG Productions #ADG199. Published by ADG Productions