Organ SKU: SU.80101403 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101403
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101403.
Published by Zimbel Press
(SU.80101403).
Symphony for
Organ (2013) is cast as a
dramatic progression from
darkness into light. The
first movement, Masque,
is extremely violent and
bleak. The title is used
with a touch of
irony--for this is not a
masque of courtly
diversion, but rather a
furious struggle against
the darkness, played out
in a series of dramatic
episodes following a
Tudor-era formal design.
The ending builds to a
dramatic peak, and leaves
us in shell-shocked
silence. The second
movement, Sarabande,
begins quietly and
mournfully, and gradually
gains in fervency. A
faster middle section is
a spinning dance before
the return of the opening
music. In the coda, the
light gradually
approaches. The third
movement, Chorale, evokes
the colors of a new dawn.
The music of the first
movement's struggle
gradually becomes washed
in the blaze of morning.
Instrumentation: Organ
Duration: 21' Composed:
2013 Published by: Zimbel
Press.
Organ SKU: BR.EB-8511 Urtext based on the Reger Complete Edition. ...(+)
Organ
SKU:
BR.EB-8511
Urtext
based on the Reger
Complete Edition.
Composed by Max Reger.
Edited by Hans Haselbock
and Hans Klotz. Solo
instruments; Softcover.
Edition Breitkopf.
Breitkopf Urtext on
the basis of the Reger
Complete Edition ed. by
Hans Klotz, critically
examined by Martin Weyer
with an introduction by
Hans Haselbock
Romantic; Late-romantic.
Score. 24 pages. Duration
12'. Breitkopf and
Haertel #EB 8511.
Published by Breitkopf
and Haertel (BR.EB-8511).
ISBN 9790004178041. 9
x 12 inches.
A key
work in Reger's organ
production from the time
of its first publication
in 1902 up to today, the
famous F-minor
Passacaglia from Op. 63
has cast its spell on
generations of organ
lovers. The dark bass
strides quietly through
the depths, persistently
and secretly like time
itself; a ghostly breath
murmurs about the heights
and rustles through light
leaves; and from within
emerges a voice which
rises and falls in a
seemingly aimless manner,
and which speaks more
than it sings...
(Gustav-Robert Tornow on
the 8th variation of the
Passacaglia in his 1907
introduction to the
work).
