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Organ Works, Vol.4
32.20
Organ Works, Vol.4
Orgue
[Partition]
Barenreiter
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closel...
(+)
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
38.60
Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
Orgue
[Partition + CD]
Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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Little Organ Book Bwv 599-644
32.50
Little Organ Book Bwv 599-644
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Wiener Urtext
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des p...
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Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des préludes chorals, doit son titre à l'application de J.S. Bach pour le poste de Cantor à l'église Saint-Thomas de Leipzig. N'ayant pas un diplôme universitaire, Bach voulait démontrer ses qualités comme enseignant à travers ses compositions - y compris ses Inventions, Sinfonias et le ' bien tempérée Klavier '. Cela aussi amené à ajouter un titre trompeur au projet plus ambitieux de son temps à Weimar : il a appelé de cette collection de pièces de chorale preludes - initialement destinés à numéro 164 pièces - pour un ' organiste aspirant '. En fait les 44 terminé les compositions de la ' petit livre d'orgue 'exigent des chefs-d'oeuvre qui donnent un impressionnant étalage de la gamme complète de la soi-disant court chorale prelude. Cette nouvelle édition critique renvoie au format des principales sources datant de l'époque de Bach, pour la première fois que la plupart des pièces est reproduite sur les deux systèmes, plutôt que de trois. / Orgue / Partition
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Chorale Fantasias II (REGER MAX)
23.20
Chorale Fantasias II (REGER MAX)
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Peters
Par REGER MAX. The seven chorale fantasias by Max Reger are among the most impor...
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Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue
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Organ Works, Vol.9 (BACH JOHANN SEBASTIAN)
36.00
Organ Works, Vol.9 (BACH JOHANN SEBASTIAN)
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Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 470...
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Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue
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Chorale Fantasias I (REGER MAX)
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Chorale Fantasias I (REGER MAX)
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Peters
Par REGER MAX. The seven chorale fantasias by Max Reger are among the most impor...
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Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue
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Luthermania
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Luthermania
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Schott
This frenetic assortment of familiar chorale melodies by Martin Luther was compo...
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This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther's music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. The 2012 setting for organ duet has been arranged as a virtuoso work for organ solo in 2015. An organ with three manuals is required. / Orgue
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10 Choral Preludes op. 70a-k (SENFTER JOHANNA)
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10 Choral Preludes op. 70a-k (SENFTER JOHANNA)
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Schott
Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interestin...
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Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895–1903 and thereafter in Leipzig with Max Reger 1908/9. Her most significant legacy is her organ music, which takes up the contrapuntal, highly chromatic composition techniques used by her teacher. These ten chorale preludes Op. 73 were written in 1930 and are suitable for concert or liturgical performance./ Répertoire / Orgue
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4 Chorale Preludes
17.60
4 Chorale Preludes
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Schott
Préludes de chorals de Hakim Quatre paramètres sont assez simples des mélodie...
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Préludes de chorals de Hakim Quatre paramètres sont assez simples des mélodies suivantes utilisées dans chorales de Bach de Leipzig Chorals: n o 1 Komm, Heiliger Geist, Herre Gott, mélodie au soprano, avec un accompagnement staccato léger, figuration de l'Esprit Saint. N o 2 Un Babylones Wasserflüssen, la méditation expressive avec la mélodie chorale à la pédale. N o 3 Schmücke dich, o liebe Seele, canon entre soprano et basse. Allein Gott n o 4 in der Höh 'sei Ehr '- une mélodie ornée d'une danse et un caractère joyeux. Les préludes de chorals sont dédiés à la mémoire de l'américain spécialiste de Bach Leahy Anne (1961-2007). / Orgue
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Organ Works, Vol.1 (BACH JOHANN SEBASTIAN)
36.55
Organ Works, Vol.1 (BACH JOHANN SEBASTIAN)
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Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / ...
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Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue
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Organ Works, Vol.6
36.00
Organ Works, Vol.6
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This present volume is an updated edition of Series IV, Volume 6, of the New Bac...
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This present volume is an updated edition of Series IV, Volume 6, of the New Bach Edition (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the Fantasia in C minor (BWV 1121), the Fantasia in G major (BWV 571), the Fugue in G major (BWV 577) and the C major version of the Toccata and Fugue in E major (BWV 566). On the other hand, the Prelude in G major (BWV 568) as well as the alternative versions of the Fugue in C minor (BWV 574a) and the Prelude in A major (BWV 536a) have been discarded as presumably spurious. In collaboration with the Bach Archive Leipzig and its 'Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. / Orgue
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Dritter Theil Der Clavier Übung (Catechismus)
51.20
Dritter Theil Der Clavier Übung (Catechismus)
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Anne Fuzeau Productions
Dritter Theil des Clavier Übung bestehend in verschiedenen Vorspielen über die...
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Dritter Theil des Clavier Übung bestehend in verschiedenen Vorspielen über die Catechismus -und andere Gesaenge, vor die Orgel. Clavier Übung IIIAux dépends de l'auteur (1739)Présentation de Philippe Lescat : Historique de l'édition - Répartition des préfaces de Bach - Le culte à Leipzig - Texte et musique des chorals. / Orgue / 112 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
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Le Tombeau De Georges Rouault
25.40
Le Tombeau De Georges Rouault
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Boosey and Hawkes
Dans la tradition de la musique écrite en hommage à un artiste mort, cette oeu...
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Dans la tradition de la musique écrite en hommage à un artiste mort, cette oeuvre a été composée pour Thomas Trotter en commémoration du peintre français Georges Rouault (1871-1958). Une figure marquante de la Renaissance artistique et intellectuelle de la vie catholique française dans la première moitié du XXe siècle, les travaux de Rouault était sombre, subtil et émouvant dans son observation de la fragilité de la vie humaine. Il a peint les juges, les clowns, les prostituées, les pauvres et le Christ. Les archétypes et capturés dans son travail de caractères ont été l'inspiration subliminale derrière une grande partie de la matière dans la musique. Cette pièce considérant éblouissante est coulée dans une travée unique comprenant plusieurs sections contrastées, et il invite toute la gamme des capacités techniques, expressives et registrationnelle d'instrument et de joueur. La première a été donnée par Thomas Trotter sur l'instrument Klais Symphony Hall, Birmingham en mars 2004, suivie des représentations au Royal Albert Hall de Londres, Philharmonie de Cologne et Gewandha de Leipzig... / Orgue
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Silberklänge Für Die Silbermann-Orgel (SZATHMARY ZSIGMOND)
27.70
Silberklänge Für Die Silbermann-Orgel (SZATHMARY ZSIGMOND)
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In Der St. Georgenkirche Rötha. Par SZATHMARY ZSIGMOND. The composition 'Silber...
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In Der St. Georgenkirche Rötha. Par SZATHMARY ZSIGMOND. The composition 'Silberklänge” was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig. The composer noted: 'During my first visit to the Georgenkirche in Rötha, I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721), the endless variety of possible timbre combinations, the stellar acoustics of the church, and the historic atmosphere, which shaped and tamed my musical thoughts, transporting me into my very own 'baroque' world.” This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with different registration possibilities will open up a new spectrum of possible timbres./ Répertoire / Orgue
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Bach J.s. - Organ Works Vol.6 - Preludes, Toccatas, Fantasias and Fugues
30.10
Bach J.s. - Organ Works Vol.6 - Preludes, Toccatas, Fantasias and Fugues
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Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...
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Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
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Leipziger Orgelmusik D. 19.Jh.
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Leipziger Orgelmusik D. 19.Jh.
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Breitkopf & Härtel
Editeur(s) d'origine: Gurgel, Anne Marlene/ Recueil / Orgue
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Leipzig Chorales
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Kevin Mayhew
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Choralvorspiele, Band III
46.60
Choralvorspiele, Band III
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Choralvorspiele, Band IV
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Choralvorspiele, Band IV
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