Composed by Gabriel Faure (1845-1924). Arranged by Martin Setchell. For Organ. G...(+)
Composed by Gabriel Faure
(1845-1924). Arranged by
Martin Setchell. For
Organ. General
collections. Classic.
Intermediate. Book.
Published by Kevin Mayhew
Publishers
Organ - Level 3 SKU: BA.BA05897-67 Chorale Setting. Composed by Ge...(+)
Organ - Level 3
SKU:
BA.BA05897-67
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 13 pages. Baerenreiter
Verlag #BA05897_67.
Published by Baerenreiter
Verlag (BA.BA05897-67).
ISBN 9790006563104.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ solo SKU: FZ.5690 Paris, 1531. Composed by Pierre Attaingnan...(+)
Organ solo
SKU:
FZ.5690
Paris,
1531. Composed by
Pierre Attaingnant.
Edited by Marcel
Degrutere. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5690).
ISBN
9790230656900. 12.50 x
17.50 cm
inches.
This Pierre
Attaignant's original
publication is in
facsimile on Dominantes
collection. Tablature
pour le jeu dorgues
spinet and manicordion
sur le plain-chant de
Cunctipotens et Kyrie
fonsEdition : Paris,
1531. Presentation of
Marcel Degrutere :
Principles of notation
remarks on the notation
summary utilisation
documents annexed: plain
chant. The earliest
surviving organ mass with
plain chant alternation
published in France.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Bayerische
Staatsbibliothek of
Munich (Germany).
Organ SKU: SU.80101422 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101422
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101422.
Published by Zimbel Press
(SU.80101422).
Suite
circulaire (2018) for
organ is dedicated to
Elisa Williams Bickers.
The music takes a free,
contemporary approach to
the historical genre of
circulating (or
modulating) compositions,
where the basic material
moves through a variety
of keys before returning
home again. The goal is
not simply to play a
modulation game, but
rather to construct a
true musical discourse
where the varied keys are
an essential part of the
concept. The first
movement, Praeludium, is
bright in character.
Besides moving through
varied keys, the movement
is also animated with
various looping patterns
that provide another link
to the circulating
concept. The second
movement, Ricercare,
takes its content very
literally from the title,
which means to search
out. Instead of being a
proto-fugue, like many
ricercares from the late
Renaissance or early
Baroque, the music
searches through the keys
by means of a wandering
melody and a modulating
accompaniment. The third
movement, Toccata, is
slightly manic in
character. The syncopated
theme heard at the start
animates the movement as
it moves through both
tonal, modal, and
bitonal/modal harmonies
before reaching an
excited conclusion. (When
the suite is performed on
an organ tuned in an
unequal, circulating
temperament, there is an
additional circular
effect provided by the
quite varied key colors
that are heard as the
material moves through
them.)Organ Duration:
14’ Composed: 2018
Published by: Zimbel
Press.