Alto Saxophone & Organ SKU: AP.1-ADV7062 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7062
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7062. Published by
Advance Music
(AP.1-ADV7062).
UPC:
805095070620. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Sometimes I
Feel Like a Motherless
Child, has been extended
by composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Tenor Saxophone & Organ SKU: AP.1-ADV7067 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7067
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7067. Published by
Advance Music
(AP.1-ADV7067).
UPC:
805095070675. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Sometimes I
Feel Like a Motherless
Child, has been extended
by composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
By Max Reger (1873-1916). Edited by H. Klotz / M. Weyer / Haselbock. For organ. ...(+)
By Max Reger (1873-1916).
Edited by H. Klotz / M.
Weyer / Haselbock. For
organ. This edition:
Urtext, paperback.
Edition Breitkopf. 60
pages. Published by
Breitkopf and Haertel
By Robert Fuchs (1847-1927). For organ. This edition: paperbound. Works for Orga...(+)
By Robert Fuchs
(1847-1927). For organ.
This edition: paperbound.
Works for Organ and
Choir. Score. Language:
all languages. Composed
1911. 91. 16 pages.
Published by Carus Verlag
Arranged by Mark L. Williams. For Organ. FJH Classical Organ Library. Contents: ...(+)
Arranged by Mark L.
Williams. For Organ. FJH
Classical Organ Library.
Contents: Arioso from
Contata No. 156 (Bach);
Air from Water Music
Suite (Handel); Andantino
from Rosamunde
(Schubert); Nocturne from
A Midsummer Night's Dream
(Mendelssohn); O Perfect
Love; Bist du bei Mir
(Bach); Canon in D
(Pachelbel); Largo from
Xerxes (Handel); Where'er
You Walk (Handel); A
Nuptual Blessing;
Pastoral Symphony from
Messiah (Handel); Jesu,
Joy of Man's Desiring
(Bach); He Shall Feed His
Flock From Messiah
(Handel); Bridal Chorus
from Lohengrin (Wagner);
Trumpet Voluntary;
Wedding March from A
Midsummer Night's Dream
(Mendelssohn); Trumpet
Tune; Allegro Maestoso
from Water Music Suite
(Handel); March from
Richard the First
(Handel); Rondeau from
Sinfonies de Fanfares
(Mouret); Prelude to Te
Deum
Organ: 2-staff - Moderately Easy SKU: LO.70-2427L Composed by Mark Hayes....(+)
Organ: 2-staff -
Moderately Easy
SKU:
LO.70-2427L
Composed
by Mark Hayes. Arranged
by Marvin Gaspard.
Sacred, Advent,
Christmas. Lorenz
Publishing Company
#70/2427L. Published by
Lorenz Publishing Company
(LO.70-2427L).
ISBN
9780787778101.
The
distinctive artistry of
Mark Hayes continues to
be enjoyed by pianists
and organists alike. This
organ collection draws
from Hayes’s piano
volume of
“Christmas
Miniaturesâ€â€”
short pieces of primarily
two minutes or less in
duration. Marvin Gaspard
has re-imagined a
selection of the piano
originals for organ. Most
are based on familiar
Christmas carols, while
three are freely-composed
seasonal works.
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas,
Fantasias and Fugues II /
Early Versions and
Variants to I (Volume 5)
and II (Volume 6).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dietrich Kilian / Peter
Wollny. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach. Organ
Works 6 | BARENREITER
URTEXT. Preludes,
Toccatas, Fantasias and
Fugues II / Early
Versions and Variants to
I (Volume 5) and II
(Volume 6). Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA5266).
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Organ - advanced to difficult SKU: HL.49033297 Organ. Composed by ...(+)
Organ - advanced to
difficult
SKU:
HL.49033297
Organ. Composed by
Jean Guillou. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1974.
Op. 28. 40 pages.
Duration 16'. Schott
Music #ED 9799. Published
by Schott Music
(HL.49033297).
ISBN
9790001137751. UPC:
884088070496.
9.0x12.0x0.158
inches.
Though the
work bearing this title
is a portrait of
childhood, it is a
childhood quite different
from the purely
gameplaying and dreamlike
childhood that is
customarily represented.
The childhood described
here is carrying the
seed, in all its purity,
of all positive and
negative qualities to be
found the fully-grown
men: a childhood both
angelic and diabolical,
and indeed very close to
Henry James' The Turn of
the Screw which was the
direct inspiration for
this monodrama.Its growth
follows the innumerable
sudden changes, turns and
contrasts of the
unsophisticated spirit.
There is hardly any
development at all, as
each idea gives birth to
the next or rejects the
previons one, being
object to every impulse,
every tempest, every
flux, every fear and
delight. After a
dreamlike introduction,
in which two simple
melodies stand out, comes
a sudden awakening,
Allegro, stamped all over
with lavish and forever
regenerating dynamism. A
sudden halt leads a kind
of outburst from the most
simple folklore is
singing, in regular,
repeated notes. Again the
question mark leads us to
another melody,
Tranquillo, of a sweet
tempo, but brilliantly
decorated with
counter-point, its
cursive traits leading
this time to a kind of
roguish march
(Vigoroso).Yet soon there
emerges a melancholic
chant, Largo, in the
Cromorne's timbre, and
then, in the highest
register of the Trumpet
there reappears like a
metamorphosed memory, the
theme of the second
movement. Passing other
episodes, we come to
Tempo giusto, insistent
and glorious, interrupted
by other passionate
figures, cut off by
unsettling silent moments
and taken up again in
always accelerating
volleys.
Organ SKU: SU.80101396 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101396
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101396.
Published by Zimbel Press
(SU.80101396).
Trilogy on
B-A-C-H (2017) uses as
its musical material a
familiar four-note theme:
the letters B-A-C-H (the
last name of Johann
Sebastian Bach) treated
as a musical motive:
B-flat, A, C, B-natural
(H in German note
naming). Starting with
Bach himself, this theme
has been used by a truly
enormous number of
composers over the
centuries. Most B-A-C-H
themed works (at least
those for organ), tend to
be extremely
contrapuntal, likely
taking their cue from
much of Bach's own organ
music. This piece
explicitly goes in the
other direction and use
the theme primarily
motivically/melodically
and as a generating force
for the kind of mixed
modality that is typical
of Cooman's music. The
first movement is an
energetic march. The
second movement is a
lyric meditation
containing both an arioso
and a short
quasi-passacaglia, in
which the B-A-C-H motive
repeats slowly in the
pedals. The last movement
is a free fantasia: the
motive appears both in
chorale-like long notes
and as a fast, turning
figure. Instrumentation:
Organ Duration: 12'
Composed: 2017 Published
by: Zimbel Press.
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Organ SKU: CA.1817900 Composed by Charles Marie Widor. Edited by Georg Ko...(+)
Organ
SKU:
CA.1817900
Composed
by Charles Marie Widor.
Edited by Georg Koch.
Free organ music. Full
score. Op. 42,1. 80
pages. Duration 35
minutes. Carus Verlag #CV
18.179/00. Published by
Carus Verlag
(CA.1817900).
ISBN
9790007188979. Language:
all languages.
It
is no coincidence that
the Toccata from Widor's
Vth Organ Symphony is his
best-known composition.
Who can resist its
thrilling verve? Not only
this, but also the other
movements of this unique
work of the organ
repertoire win you over
immediately - the first
with its march-like,
majestic, much-varied
theme; the second with
its wonderfully elegiac
oboe melody, flowing
along over staccato
sixteenth notes; and the
two slow movements, of
which the melancholy,
almost static Adagio
forms the greatest
contrast imaginable to
the following triumphal
Toccata. The Carus Urtext
edition is based on the
Paris edition of 1928/29,
the last one to be
published during Widor's
lifetime. The corrections
which the composer made
after the publication of
this edition have also
been taken into
consideration. As well as
this, earlier editions
have been consulted for
comparison to clarify
individual variant
readings. Editorial
suggestions on the
performance of individual
passages complete the new
edition. Great organ
works: Series A: -
Symphony II op. 13 no. 2
- Symphony IV op. 13 no.
4 - Symphony V op. 42 no.
1 - Symphony VI op. 42
no. 2 - Symphony Romane
op. 73 in preparation
Subscription offer for
Series A: 20% discount
off the retail price.
Confluence Orgue - Avancé MorningStar Music Publishers
Organ - Advanced SKU: MN.12-121 Composed by Joseph Willcox Jenkins. Non H...(+)
Organ - Advanced
SKU:
MN.12-121
Composed by
Joseph Willcox Jenkins.
Non Hymn-Based, Recital
Music. MorningStar Music
Publishers #12-121.
Published by MorningStar
Music Publishers
(MN.12-121).
UPC:
688670121210.
Confl
uence was commissioned by
the Organ Artist Series
of Pittsburgh in
celebration of its
twentieth anniversary in
1999. Christa Rakich gave
the premier at the
closing concert of the
season at Calvary
Episcopal Church by in
April of 1999. It has
been performed frequently
since that time. The
title was given to honor
the joining together or
confluence of the three
rivers of Pittsburgh: the
Allegheny, the
Monongalela, and the
Ohio. Confluence is a
curious hybrid related to
both the sonata and rondo
forms. It is of the ABABA
design with the final A
quite extended by
polyphonic games and a
very noisy and triumphant
epilogue. The first idea
is driving, rhythmic,
nervous and agitated. The
second is quiet, gentle
and pastoral, that slowly
moves in its mysterious
ways, closing with a
plaintive row of a dozen
different pitches. The
composer delights in the
challenge of making tone
rows as approachable and
sing-able as possible.
Both ideas make slightly
varied restatements. At
the end, fugal
exploitation of the first
idea is followed by that
row, entering with
stentorian grandeur in
full pedal, heralding the
triumphant close. This
row, like the month of
March is referred to
frequently as coming in
like a Iamb, going out
like a lion.
Organ SKU: BA.BA09352 Composed by Thomas Daniel Schlee. Stapled. Performa...(+)
Organ
SKU:
BA.BA09352
Composed
by Thomas Daniel Schlee.
Stapled. Performance
score. Composed
2004/2010. Opus 74. 22
pages. Duration 7
minutes. Baerenreiter
Verlag #BA09352_00.
Published by Baerenreiter
Verlag (BA.BA09352).
ISBN 9790006499830. 21
x 29.5 cm inches.
Language: German.
Preface: Thomas Daniel
Schlee.
The first
piece “Sicut ros
Hermon†(Psalm 133)
meditates on the path
God’s mercy takes,
whereby the initial slow
descending harmonic
sequences develop into an
emphatic song followed by
a tender chorale-like
coda.
“Si
sumpsero pennas
aurorae†(Psalm
139) relates to a highly
poetic, consolatory but
also admonishing image of
the psalm: As far as our
wings may carry us,
God’s hand will
take hold of us. We
cannot escape his mercy
or his judgement. At the
end of this striking
movement the music
conveys almost haptic
moments; one can sense
the mighty
‘hand’ by
means of the tutti sound.
Finally the music becomes
as calm as at the start
of this piece, though
dialogue-like figurations
convey repercussions of
what was experienced and
acknowledged.
Lift Your Hearts Orgue - Intermédiaire Lorenz Publishing Company
Organ: 3-staff - Intermediate SKU: LO.70-2143L Composed by Ralph Vaughan ...(+)
Organ: 3-staff -
Intermediate
SKU:
LO.70-2143L
Composed
by Ralph Vaughan
Williams. Arranged by
Douglas E. Wagner.
Sacred. Lorenz Publishing
Company #70/2143L.
Published by Lorenz
Publishing Company
(LO.70-2143L).
ISBN
9780787763930.
As
musical editor of the
1906 edition of The
English Hymnal, the
British composer Ralph
Vaughan Williams forever
changed hymnody both with
his stunning original
hymn tunes, which are
some of the most beloved
of the twentieth century
and with his arrangements
of folk tunes and earlier
sacred melodies into
hymns. This collection by
Douglas E. Wagner
celebrates Ralph Vaughan
Williams's tremendous
contribution to sacred
song with a variety of
pieces: some based on his
original hymn tunes (like
SINE NOMINE or DOWN
AMPNEY) and some based on
tunes that his
arrangements made popular
(like HYFRYDOL or BRYN
CALFARIA).
Organ (Organ) SKU: HL.48180057 [Concert Variations for Organ]. Com...(+)
Organ (Organ)
SKU:
HL.48180057
[Concert Variations
for Organ]. Composed
by Joseph Bonnet. Leduc.
Classical. Softcover. 11
pages. Alphonse Leduc
#AL14123. Published by
Alphonse Leduc
(HL.48180057).
UPC:
888680795702.
9.0x12.0x0.075
inches.
Composer
and organist, Joseph
Bonnet (1884-1944) is
considered one of the
most major French pipe
organ players. It is no
surprise, therefore, that
his Concert Variations
for Organ are very well
informed. Following his
studies at the Paris
Conservatoire, Bonnet
took over as concert
organist at the
institution. Concert
Variations for Organ was
compiled in 1906, soon
after his graduation. The
work begins with a
helpful index of the
organ registrations and
performance directions.
Concert Variations begins
with a virtuosic,
cadenza-like theme in E
minor. Following this,
four variations are
heard, all containing
contrast in organ sound,
tonality and exploited
melody and rhythm. For
all advanced, aspiring
organists, Bonnet's
Concert Variations is an
essential addition to the
repertoire.
Organ SKU: CA.1817800 Composed by Charles Marie Widor. Edited by Georg Ko...(+)
Organ
SKU:
CA.1817800
Composed
by Charles Marie Widor.
Edited by Georg Koch.
Free organ music. Full
score. Op. 13,2. 64
pages. Duration 35
minutes. Carus Verlag #CV
18.178/00. Published by
Carus Verlag
(CA.1817800).
ISBN
9790007187217. Language:
all
languages.
Widor's
early organ symphonies
op. 13 have a quite
special character because
of their suite-like
structure. The
six-movement Symphony II
also combines different
types of movement in an
unusual way; for example,
it includes a Praeludium
Circulare, which explores
all the twelve keys, a
Salve Regina based on the
Gregorian antiphon of the
same name, and a grand
Toccata as the Finale, an
interesting precursor of
the famous Toccata from
the 5th Symphony. The
Carus edition is based on
the Paris edition of
1928/29, the last one to
be published during
Widor's lifetime. The
corrections which the
composer made after the
publication of the
1928-29 edition have also
been taken into
consideration. As well as
this, earlier editions
have been consulted for
comparison to clarify
individual variant
readings. Editorial
suggestions on the
performance of individual
passages complete the new
edition. Great organ
works: Series A: -
Symphony II op. 13 no. 2
- Symphony IV op. 13 no.
4 - Symphony V op. 42 no.
1 - Symphony VI op. 42
no. 2 - Symphony Romane
op. 73 in preparation
Subscription offer for
Series A:20% discount off
the retail price.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512).
ISBN
9790007201708. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511).
ISBN
9790007201692. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500).
ISBN
9790007095604. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press.