SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ SKU: CA.4004019...(+)
SATB choir, 2 violins,
viola,
cello/bassoon/contrabass,
organ
SKU:
CA.4004019
Offertorium.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert Munster. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Misericordias Domini
Rev.2000. Sacred vocal
music, Psalms, Latin,
Lent and Passiontide,
Easter and Eastertide,
Praise and thanks. Set of
Orchestra Parts. Composed
1775. KV 222 (205a).
Duration 7 minutes. Carus
Verlag #CV 40.040/19.
Published by Carus Verlag
(CA.4004019).
ISBN
9790007137625. Key: D
minor. Language:
Latin.
Since the
two verifiable autographs
of the offertory
Misericordias Domini have
been lost, for the
present new critical
edition Robert Munster
was able to rely for the
first time on the
manuscript parts from the
music of the Court of
Munich which he
discovered. These can be
traced back to the
material used for the
first performance of the
work in Munich in 1775
and hence they can also
be traced back to the
Munich autograph. Score
and parts available
separately - see item
CA.4004000.
SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ SKU: CA.4004005...(+)
SATB choir, 2 violins,
viola,
cello/bassoon/contrabass,
organ
SKU:
CA.4004005
Offertorium.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert Munster. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Misericordias
Domini Rev.2000. Sacred
vocal music, Psalms,
Latin, Lent and
Passiontide, Easter and
Eastertide, Praise and
thanks. Choral Score.
Composed 1775. KV 222
(205a). Duration 7
minutes. Carus Verlag #CV
40.040/05. Published by
Carus Verlag
(CA.4004005).
ISBN
9790007058265. Key: D
minor. Language:
Latin.
Since the
two verifiable autographs
of the offertory
Misericordias Domini have
been lost, for the
present new critical
edition Robert Munster
was able to rely for the
first time on the
manuscript parts from the
music of the Court of
Munich which he
discovered. These can be
traced back to the
material used for the
first performance of the
work in Munich in 1775
and hence they can also
be traced back to the
Munich autograph. Score
available separately -
see item CA.4004000.