Composed by Alan Hommerding (1956-). Sacred. World Library Publications #003087. Published by World Library Publications

Organ

SKU: BR.EB-8042

Fantasia grande in sette stazioni. Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf.

World premiere Dusseldorf, September 26, 1978

Music post-1945. Score. Composed 1977. 32 pages. Duration 8'. Breitkopf and Haertel #EB 8042. Published by Breitkopf and Haertel (BR.EB-8042).

ISBN 9790004174418. 9 x 12 inches.

Diese weitausgesponnene, vielteilige Fantasie folgt den Spuren eines der eigenwilligsten Spatrenaissancemeister, der durch ungewohnliche chromatische Fortschreitungen und kuhne Harmonik den Stil und den Ausdruck jener Zeit zu Ende gepragt hat. Die sieben Stationen in dieser Komposition sind charakteristische Zitate aus Madrigalen Don Carlo Gesualos, des Principe de Venosa (um 1560 - 1613). Aus den vertonbaren Buchstaben seines Namens (g-e-es-a-d) entsteht eine pragnante Intervallfolge, die als Leitmotiv in. variierter Gestalt haufig wiederkehrt. Das letzte Zitat ist identisch mit dem ersten; so schliesst sich die Folge der Stationen zu einem Ring. Der Text des Kernzitats lautet: Moro lasso al mio duolo (Ich sterbe, ach an meiner Qual), Die sieben Stationen gliedern als formale und inhaltliche Schwer- und Ruhepunkte den Verlauf des gesamten Stucks; der Beginn eines jeden neuen Zitats wird durch eine vorangehende Pause oder eine Klangfermate verdeutlicht. Dagegen bilden die sechs Intermezzi (die eigentlichen Meditationen) in ihrem verschiedenartigen Bewegungsablauf wirksame Kontrastflachen, die sich entweder aus den ruhigen Stationen unmerklich entwickeln (z. B.: A, B und E) oder in schroffem Gegensatz zu dem vorhergehenden oder nachfolgenden Abschnitt stehen. Eine Introduzione (Entwicklung des Leitmotivs) und eine Reduzione umrahmen das Werk. Anstelle eines Ausklangs im Pianissimo kann der Interpret eine jah auffahrende Schlusswendung im Fortissimo wahlen. Alte und neue Ausdrucksmittel sollen in dieser Meditation als These und Antithese gegenubergestellt und zur Synthese gefuhrt werden. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography : Abels , Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31. Voigt , Michael: Man steht in einer Tradition, die man fortsetzt: Zum Orgelwerk von Jurg Baur, in: Forum Kirchenmusik 61 (2010), Heft 3, p. 35.

World premiere: Dusseldorf, September 26, 1978.

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 32 pages. Alfred Music #00- 47152. Published by Alfred Music

Organ

SKU: HL.48180249

Composed by Marcel Dupre. Leduc. Classical. CD only. 41 pages. Alphonse Leduc #AL16921. Published by Alphonse Leduc (HL.48180249).

UPC: 888680794811. 9x12 inches.

French organist and composer, Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. However, his prominence within the organ repertoire remains absolute with sublime works, including his Passion Symphony. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for piano, organ and fugue, as well as the Grand Prix de Rome. He was a famous organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré's Op. 23, the Passion Symphony for Organ is made up of four movements depicting the life of Christ; 1) The World awaiting the Saviour, 2) Nativity, 3) Crucifixion, and 4) Resurrection. All of the movements display a high degree of virtuosic technique and musical integrity. Dupré's compositions and didactic works remain important to organists today and his Passion Symphony is no exception.

Composed by Beck. For organ/keyboard. General. Easy. Published by Concordia Publishing House

Organ: 3-staff - Moderately Advanced

SKU: LO.70-2310L

Sacred. Lorenz Publishing Company #70/2310L. Published by Lorenz Publishing Company (LO.70-2310L).

ISBN 9780787772956.

The Getty creative team (represented here with the work of Keith Getty, Kristin Getty, and Stuart Townend) has made a tremendous impact in the world of church music. Many of their songs have entered the repertoire of churches as modern hymns for the present era. Taking inspiration from the powerful words and stirring tunes, Jason D. Payne has crafted worshipful organ arrangements of seven of their best known hymns that are by turns thrilling and poignant.

Organ. Arranged by J. Stuart Archer. Music Sales America. Folk. Book Only. 4 pages. Novello and Co Ltd. #MUSNOV963007. Published by Novello and Co Ltd.

Composed by Louis Vierne (1870-1937). Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Paperback. Louis Vierne. Complete Organ Works 10 | BARENREITER URTEXT. Performance score, anthology. Published by Baerenreiter Verlag (BA.BA9238).

Arranged by Frederick Swann. Organ Solo. H.T. Fitzsimons Co. H.T. FitzSimons Company #F0664. Published by H.T. FitzSimons Company

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Organ solo

SKU: CA.2440900

Composed by Anonymous. Edited by Michael Gerhard Kaufmann, Klaus Konrad Weigele. Free organ music. Ochsenhauser Orgelbuch Faksimile. Free organ music. Facsimile. 88 pages. Carus Verlag #CV 24.409/00. Published by Carus Verlag (CA.2440900).

ISBN 9790007068967.

Facs imile edition of the Ochsenhauser Orgelbuch, with critical first edition. Almost 270 years following its completion, for the first time the Ochsenhauser Orgelbuch, a unique collection of organ music from southern Germany, will be published and thus made accessible to the music world. In honor of the completion of the restoration of the Gabler organ in Ochsenhausen this important, with its wonderful color illustrations, has been published in a high-quality limited two-volume edition.

Arr. Fred Bock. By Fred Bock. Fred Bock Publications. Size 9x12 inches. Published by Fred Bock Music Company.

Organ

SKU: HL.14024513

Composed by Percy E. Fletcher. Music Sales America. Post-1900. Book [Softcover]. 12 pages. Music Sales #NOV590043. Published by Music Sales (HL.14024513).

UPC: 884088488635. 9.0x12.0x0.049 inches.

The Fountain Reverie features soft, rippling arpeggios with a contrasting middle section. As with the Festival Toccata, published at the same time, the brilliance of Fountain Reverie disguises the fact that one does not need to be a virtuoso to play it well and effectively, and it plays well on many different Organs.Percy Fletcher was an English composer, conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres, including His Majesty's Theatre for the last seventeen years of his life. He was the Orchestrator and conductorfor the big budget spectacular theatre piece Chu Chin Chow which ran for five years, a record that remained unbroken for forty years. In addition to his myriad works of light music, Fletcher also wrote a serious church cantata, The Passion of Christ, as well as the delightful children's work, The Walrus and the Carpenter.

Organ Solo. By Peteris Vasks. Schott. Size 9x12 inches. 24 pages. Published by Schott.

Organ. By Fred Bock. Fred Bock Music Company. Size 9.3x12 inches. Published by Fred Bock Music Company. tophit

Composed by Various. Sacred. Lorenz Publishing Company #70/2060L. Published by Lorenz Publishing Company (LO.70-2060L).

For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.

Soprano voice solo, 2 oboes (2 flutes), 2 horns, 2 violins, viola, cello/bassoon/contrabass, organ

SKU: CA.4076704

Solomotette zum Dreifaltigkeitsfest oder zu Weihnachten. Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Hochstein. This edition: urtext. Stuttgart Urtext Edition: Mozart. Exsultate, Jubilate Rev.2000. Sacred vocal music, Trinity, Christmas, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Reduction for organ. Composed 1773. KV 165 (158a). 16 pages. Duration 17 minutes. Carus Verlag #CV 40.767/04. Published by Carus Verlag (CA.4076704).

ISBN 9790007084998. Key: F major. Language: Latin.

A good six years following its first performance in Milan (1773) a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This Salzburg version, which was discovered in 1978, differs from the Milan version primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart's autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the Biblioteka Jagiellonska in Krakow for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. Score available separately - see item CA.4076700.