Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Organ SKU: BR.EB-3938 12 Compositions of the 15th and 16th Century...(+)
Organ
SKU:
BR.EB-3938
12
Compositions of the 15th
and 16th Century.
Composed by Arnold
Schering. Edited by
Arnold Schering. Solo
instruments; stapled.
Edition Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
40 pages. Breitkopf and
Haertel #EB 3938.
Published by Breitkopf
and Haertel (BR.EB-3938).
ISBN 9790004162057. 12
x 9 inches.
Antoine
Brumel (ca. 1460-ca.
1520) Um 1460 in den
franzosischen
Niederlanden geboren,
wirkte Antoine Brumel
1483 als Vorsanger an der
Kathedrale zu Chartres,
spater in Laon. 1498-1500
war er Chormeister an
Notre-Dame in Paris. Uber
Lyon kam er 1505 als
Nachfolger Josquins an
den Hof Alfonsos I. von
Ferrara und starb
wahrscheinlich um 1520.
Brumel gilt als einer der
bedeutendsten
,,Niederlander der
Josquin-Generation. Er
schrieb uberwiegend
Kirchenmusik: Messen
(u.a. die 12stimmige
Missa ,,Et ecce terrae
motus, die noch 1570 in
Munchen unter der Leitung
Orlando di Lassos
aufgefuhrt wurde),
Motetten,
Magnificat-Vertonungen
und Bicinien, ferner
einige Chansons. Brumel
ist ein Meister des
polyphonen Satzes;
gelegentlich treten
homophone Partien auf
(Missa ,,Dringhs). Hans
Buchner (1483-1538)
Buchner wurde am 26.
Oktober 1483 in
Ravensburg (Wurttemberg)
geboren. Bereits in
jungen Jahren kam er nach
Augsburg und Innsbruck,
wo er Schuler Paul
Hofhaimers war. In Wien
lernte er in der
kaiserlichen Hofkantorei
wahrscheinlich Heinrich
Isaac und Ludwig Senfl
kennen. 1506 wurde
Buchner Organist in
Konstanz. Er starb im
Jahre 1538. Von ihm sind
zahlreiche Kompositionen
(Orgelwerke, Motetten,
Lieder, Tanze) erhalten.
Buchners Hauptwerk ist
das ,,Fundamentum, ein
theoretisch-praktisches
Lehrbuch der
Orgelspielkunst. Es
enthalt Anweisungen zur
Improvisation, zum
Orgelspiel und zur
lntavolierung sowie 145
Orgelkompositionen.
Heinrich Finck
(1444/45-1527) Finck
stammt wahrscheinlich aus
Bamberg, wo er um 1444/45
geboren wurde. Uber sein
Leben ist wenig bekannt.
Er wirkte an der
koniglich-polnischen
Hofkapelle in Krakau und
Warschau, war aber
daneben viel auf Reisen.
1510 wurde er
Kapellmeister am Hof des
Herzogs von Wurttemberg,
wirkte spater am
erzbischoflichen Hof in
Salzburg und erhielt im
hohen Alter die Stelle
des Hofkapellmeisters
Ferdinands I. in Wien, wo
er am 9. Juni 1527 starb.
Von Heinrich Fincks
Kompositionen ist nur ein
kleiner Teil uberliefert.
An erster Stelle sind
seine deutschen Lieder zu
nennen; ausserdem schrieb
Finck Messen (Missa in
summis) und Motetten. Der
Komponist gilt als der
erste deutsche
Grossmeister der Musik.
Seine Fruhwerke zeigen
zum Teil noch eine karge
Dreistimmigkeit mit
harten Zusammenklangen;
spater wird sein Satz
vollklingender,
wahrscheinlich unter dem
Einfluss der
,,Niederlander (Isaac).
Josquin Desprez
(ca.1440-1521/24) Josquin
ist der beruhmteste
Meister seiner Epoche,
die nach ihm als
Joaquin-Zeit bezeichnet
wird. Er wurde um 1440
wahrscheinlich in der
Picardie geboren und soll
Schuler Ockeghems gewesen
sein. 1459-1472 war
Josquin Sanger der
Mailander Domkantorei,
1473-1479 Mitglied der
Kapelle am Hof der Sforza
in Mailand. 1486-1494
wird Josquin als Mitglied
der papstlichen
Sangerkapelle in Rom
genannt. Seine Tatigkeit
als Chordirektor am Dom
zu Cambrai 1495-1499 ist
urkundlich nicht
gesichert. Er komponierte
fur den Hof Konig Ludwigs
XII. von Frankreich und
fur den Hof der Este in
Ferrara. 1502 wurde
Josquin von Ercole I. als
Kapellmeister nach
Ferrara berufen, wo er
bis zum Tode des Herzogs
(1505) blieb. Sein
Nachfolger wurde Brumel.
Joaquin kehrte in seine
Heimat zuruck und wurde
zum Probst der Kirche
Notre-Dame in Conde
(Hennegau) ernannt. wo er
am 27. August 1521 starb.
Als Komponist gelangte
Josquin bereits zu
Lebzeiten zu europaischer
Beruhmtheit. Sein Stil
beeinflusste das gesamte
musikalische Schaffen in
Europa bis in die
Palestrina-Zeit. Unter
seinen Werken sind an
erster Stelle die Messen
zu nennen (darunter ,,L'
homme arme, Missa sine
nomine, sein Meisterwerk
,,La sol fa re mi, die
zart-lyrische Messe ,,Ave
maris stella, die
Reprasentationsmesse
,,Hercules Dux Ferrariae
und die Spatwerke ,,De
beata virgine, ,,Pange
lingua und ,,Da pacem);
weiterhin schrieb er
Motetten (u. a. ,,Stabat
mater, ,,Miserere mei,
,,Memor esto verbi tui,
,,De profundis, ,,In
exitu Israel, ,,Laudate
pueri Dominum) und
Chansons (die
bekanntesten sind ,,Adieu
mes amours, ,,Mille
regretz und ,,J' ay bien
cause). Josquin ist einer
der genialsten Musiker
aller Zeiten. Sein streng
polyphoner Satz fuhrt
konsequent den Stil
Ockeghems weiter. Josquin
erreicht in seinen Werken
die hochste Meisterschaft
im
konstruktiv-imitatorische
n Stil der
,,Niederlander.
Gleichzeitig uberwindet
er jedoch das nur
Artistische dieser Kunst;
sein subjektiv gefarbtes,
von individuellem
Ausdruckswillen
bestimmtes
Wort-Ton-Verhaltnis wird
zum Ideal der
Renaissancemusik.
Josquins
Kompositionslehre wurde
1552 von seinem Schuler
Adrian Petit Coclico im
,,Compendium musicae
aufgezeichnet. Heinrich
Isaac (ca. 1450-1517)
Isaac wurde kurz vor 1450
in den Niederlanden
geboren. Er war
wahrscheinlich Schuler
Squarcialupis in Florenz
und wirkte in Ferrara und
am Hof Lorenzos de'
Medici in Florenz. 1484
weilte er gleichzeitig
mit Paul Hofhaimer in
Innsbruck, war danach bis
1494 wieder in Florenz
und wurde 1496
Hofkomponist Maximilians
I. in Augsburg und Wien.
Er unternahm zahlreiche
Reisen (u.a. 1497-1500 an
den Hof Friedrichs des
Weisen nach Torgau,
1503-1505 zu Ercole I.
nach Ferrara). Spater
lebte Isaac in Konstanz,
wo er sein Motettenwerk
,,Chorale Constantinum
(1550 von seinem Schuler
Ludwig Senfl
herausgegeben) schuf; von
1514 bis zu seinem Tode
1517 lebte er wieder in
Florenz. Isaac ist einer
der vielseitigsten
Musiker seiner Zeit. Er
ist in allen
musikalischen
Nationalstilen
sattelfest. Der Bogen
seines Schaffens spannt
sich vom Konstruktivismus
der niederlandischen
Polyphonie bis zur
anmutigen Intimitat des
schlichten
Renaissance-Satzes. Isaac
schrieb Messen (u. a. die
beruhmte ,,Missa
carminum), Motetten
(,,Chorale Constantinum),
Chorlieder und Chorsatze
auf deutsche,
franzosische und
italienische Texte (sein
Satz ,,Innsbruck, ich
muss dich lassen wurde
weltberuhmt) sowie
Instrumentalsatze.
Johannes Martini
(1430/40-ca.1500) Der um
1430/40 in Flandern
geborene Komponist wirkte
1474 neben Josquin und
Compere an der Mailander
Hofkapelle. 1475 wurde er
Mitglied der Hofkapelle
zu Ferrara, wo er noch
1492 tatig war. Sein
Todesjahr ist unbekannt.
Nach 1500 wird Martini
nicht mehr in den Listen
bekannter Komponisten
gefuhrt. Von Martini sind
Messen, Motetten und
Chansons uberliefert, die
stilistisch von Dufay und
Ockeghem beeinflusst
sind. Eine gewisse
Erstarrung des Stils ist
unverkennbar. Gregor
Meyer (ca. 1510-1576)
Meyer wurde um 1510 in
Sackingen geboren und
wirkte um 1535 bis 1558
als Organist in
Solothurn, 1561 bis zu
seinem Tode 1576 am
Munster zu Basel. Auf
Veranlassung Glareans
schrieb Meyer fur dessen
,,Dodekachordon (1547)
zahlreiche
Kompositionsbeispiele;
ausserdem sind in anderen
Sammlungen einige Kanons,
Motetten, einzelne
Messsatze und kirchliche
und weltliche Lieder
erhalten. Jacob Obrecht
(1450/51-1505) Als
einziger der grossen
,,Niederlander stammt
Obrecht aus dem
nordniederlandischen
Raum; er wurde
wahrscheinlich am 22.
November 1450 in Bergen
op Zoom geboren.
1476-1478 war er
Chormeister in Utrecht,
1479-1484 in seiner
Heimatstadt. 1484/85
wirkte er als
Kapellmeister an der
Kathedrale in Cambrai und
anschliessend in Brugge.
1487/88 besuchte Obrecht
den Hof Ercoles I. von
Ferrara. 1492 finden wir
ihn als Chormeister an
Notre-Dame zu Antwerpen,
1496 in Bergen op Zoom,
1498 in Brugge. 1500
schied er
krankheitshalber aus dem
Dienst und lebte bis 1504
in Antwerpen. Auf einer
Reise nach Ferrara starb
er im Jahre 1505
(angeblich an der Pest).
Von Obrechts
Kompositionen sind etwa
25 Messen (darunter
,,Maria zart, ,,L' homme
arme, ,,Caput, ,,Je ne
demande, ,,Fortuna
desperata), Motetten und
Chansons auf
niederlandische,
franzosische und
italienische Texte
uberliefert. Obrecht
gehort mit Josquin, lsaac
und Pierre de la Rue zu
den Grossmeistern der
Josquin-Zeit. Er setzt
die Polyphonie Dufays und
Ockeghems fort, doch
spielen bei ihm die
Durchimitation wie auch
das bei Josquin stark
ausgepragte
Wort-Ton-Verhaltnis eine
geringe Rolle. Obrechts
Musik ist durch ihre
vitale Kraft,
Spontaneitat des
Ausdrucks, klare
Periodenbildung, den Hang
zum vollen harmonischen
Satz und ein neues
Tonalitatsbewusstsein
gekennzeichnet. Im
Spatwerk ist der Einfluss
des volkstumlichen
italienischen Liedes
festzustellen. Obrechte
ausgepragter Penonalstil
ist so unnachahmlich,
dass er keine Fortsetzer
fand. Nicht zu Unrecht
wird Obrecht als der
grosse ,,Aussenseiter
zwischen den Perioden
Dufay-Ockeghem und
Josquin-Isaac bezeichnet.
Marbrianus de Orto (ca.
1450-1529) Orto stammt
moglicherweise ebenfalls
aus Flandern; sein
Geburtsjahr ist nicht
bekannt. 1484-1494 war er
gleichzeitig mit Josquin
papstlicher Kapellsanger
in Rom, spater (1505) am
Hofe Philipps des Schonen
von Burgund. Orto starb
1529 in Nivelles. Von ihm
sind Messen, Motetten und
Chansons erhalten.
Vermutlich redigierte er
wahrend seines romischen
Aufenthaltes gemeinsam
mit Josquin die
Bearbeitung Duf'ayscher
Hymnen. Ortos Messen
reichen nicht an die
Spitzenleistungen seiner
Zeit (Josquin, Obrecht)
heran; bedeutender sind
seine Motetten, wie etwa
die Motette ,,Ave Maria,
die Petrucci 1501 an die
Spitze seines ,,Odhecaton
stellte, und die
Vergil-Motette ,,Dulces
exuviae.
Organ solo SKU: FZ.50510 Composed by Michel Corrette. Edited by Jean Sain...(+)
Organ solo
SKU:
FZ.50510
Composed by
Michel Corrette. Edited
by Jean Saint-Arroman.
This edition: Facsimile.
La Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.50510).
ISBN 9790049505109.
24.00 x 33.00 cm
inches.
This
facsimile of an original
by Michel Corrette is
part of our French
classical music
collection. Pieces pour
l'orgue dans un genre
nouveau, a l'usage des
Dames Religieuses et a
ceux qui touchent
l'orgue. Avec le melange
des jeux et la maniere
d'imiter le tonnerre.
Edition : Paris, (s. d. =
1787). Presentation:
Edition - Terminology -
Registrations -
Ornamentation. These
organ pieces, largley
written in late
eighteenth century style,
are technically quite
easy. They are therefore
ideal for young musicians
studying the organ.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Organ SKU: BR.EB-8703 Reprint of the Leipzig edition 1900. Compose...(+)
Organ
SKU:
BR.EB-8703
Reprint
of the Leipzig edition
1900. Composed by
Hermann J. (Hrsg.) Busch.
Edited by H. J. Busch and
Ludwig Sauer. Solo
instruments; Softbound.
Edition Breitkopf.
Reprint of the edition
Leipzig 1900. Please
note: this edition has
nothing to do with Arnold
Schoenberg! The Schonberg
in question is a town
near Kronberg in
Germany’s hilly
Taunus region. Romantic
period. Score. 132 pages.
Breitkopf and Haertel #EB
8703. Published by
Breitkopf and Haertel
(BR.EB-8703).
ISBN
9790004180686. 9 x 12
inches.
Please
note: this edition has
nothing to do with Arnold
Schonberg! The Schonberg
in question is a town
near Kronberg in
Germany's hilly Taunus
region. Around the turn
of the last century, the
organist Ludwig Sauer
(1861-1940) wanted to
have a new organ built at
his church there and came
up with a novel way to
finance it: he asked a
number of composers to
donate a musical piece.
He eventually obtained 36
(!) pieces which he
grouped together in the
Organ Album for the
Benefit of the New Organ
in Schonberg by L. Sauer
and had published in 1900
by Breitkopf & Hartel.
Deserving particular
mention is Max Reger's
popular Introduction and
Passacaglia in D minor,
which was printed for the
first time in that
collection and which no
doubt helped Sauer's
project make organ
history. The Schonberger
Orgelalbum contains both
free pieces and works
based on chorales. Thanks
to the brevity of the
pieces, the book is ideal
for use in teaching and
in the religious
service..
Organ - advanced SKU: HL.49018084 Pathetique. Composed by Enjott S...(+)
Organ - advanced
SKU:
HL.49018084
Pathetique.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Naturlich denkt man beim
Titel Orgelsinfonie Nr. 9
Pathetique von Enjott
Schneider an ein anderes
Werk mit diesem Beinamen:
an Tschaikowskys Sinfonie
Nr. 6. Und das ist kein
Zufall: Der Komponist
sieht sein Orgelwerk als
Hommage an diese grosse
Schwester. Composed 2009.
52 pages. Schott Music
#ED20670. Published by
Schott Music
(HL.49018084).
ISBN
9790001168687. UPC:
884088531089.
9.0x12.0x0.218
inches.
One of the
first things that comes
to one's mind when
reading the title of
Organ Symphony No. 9
'Pathetique' by Enjott
Schneider is another work
with this epithet:
Tchaikovsky's Symphony
No. 6. And that is no
coincidence: The composer
regards his organ work as
an homage to this 'elder
sister'. While
Tchaikovsky, in a secret
programme, made out his
own life to be a struggle
and long ordeal to the
point of his suspected
suicide, Enjott Schneider
presents those hours as
the ultimate tale of woe
in which Jesus had well
and truly become human,
fatefully bearing the
pain and misery of all
people. 'Gethsemane',
'Geiselung: Ecce homo',
'Golgatha' and
'Grablegung': Maria
Magdalena' are the names
of the stages and
movements. The Greek word
'pathos' means 'strong
emotion, feeling, passion
or suffering' - in
Schneider's Organ
Symphony No. 9, this
comes true, musically, in
his inner conflict,
struggle, wrestling with
his fate, cruelty of the
crucifixion and deathly
silence.
Organ SKU: HL.14026286 Composed by Trevor. Music Sales America. Tuition. ...(+)
Organ
SKU:
HL.14026286
Composed
by Trevor. Music Sales
America. Tuition. Book
and CD. 32 pages. Music
Sales #NOV262533.
Published by Music Sales
(HL.14026286).
ISBN
9781844496679.
9.0x12.0x0.109
inches.
Ideal
teaching material
providing students with a
selection of pieces
enabling them to gain
knowledge of many
different styles of organ
music. Grade 5 Associated
Board Standard. Edited by
C.H. Trevor.
Organ SKU: M7.DOHR-20565 Composed by Ludwig van Beethoven. Arranged by Ot...(+)
Organ
SKU:
M7.DOHR-20565
Composed by Ludwig van
Beethoven. Arranged by
Otto Depenheuer. Sheet
music. Édition
bon(n)orgue Vol. 165. Op.
67. 52 pages. MDS (Music
Distribution Services)
#DOHR 20565. Published by
MDS (Music Distribution
Services)
(M7.DOHR-20565).
Organ - intermediate SKU: HL.49017043 18 Choral Settings for Organ...(+)
Organ - intermediate
SKU: HL.49017043
18 Choral Settings for
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Collection.
Classical. Composed 2007.
60 pages. Duration 36'.
Schott Music #ED 20348.
Published by Schott Music
(HL.49017043).
ISBN
9790001151290. UPC:
841886010529.
9.0x12.0x0.209
inches.
This
collection of eighteen
choral arrangements of
melodies from the
Protestant hymnbook is
meant to be used in
services and little
concerts. Rather varied
with regard to the
compositional approach of
the individual
arrangements, the
collection, like a kind
of informative selection,
shows the different
possibilities of how to
deal delightfully with a
tonal melody in
post-modern pluralism.
The stylistic patterns
presented can be easily
abstracted and
transferred to other
chorales for the purpose
of improvisation.
Organ: 2-staff - Moderately Easy SKU: LO.70-2473L Composed by James Micha...(+)
Organ: 2-staff -
Moderately Easy
SKU:
LO.70-2473L
Composed
by James Michael Stevens.
Sacred, Christmas. Lorenz
Publishing Company
#70/2473L. Published by
Lorenz Publishing Company
(LO.70-2473L).
ISBN
9780787789442.
Jame
s Michael Stevens
presents a captivating
collection of ten
well-known Christmas
carols arranged for
organ. Featuring each
melody prominently and
with a mix of moods
across the settings,
these accessible pieces
serve as ideal choices
for preludes,
offertories, and
postludes during the
Christmas season.
Organ solo, Timpani,
Percussion, 2 Violins,
Viola, Cello, basso
continuo
SKU:
CA.1808549
Composed
by Kay Johannsen.
Concerto For Organ,
Strings And Perc. Free
organ music. Single Part,
Organ. Composed 2014. 24
pages. Duration 18
minutes. Carus Verlag #CV
18.085/49. Published by
Carus Verlag
(CA.1808549).
Language: all
languages.
The
Concerto for organ,
strings and percussion by
Kay Johannsen, Kantor of
the Stiftskirche in
Stuttgart, is a valuable
addition to the
repertoire for organ and
orchestra. It is a work
composed to appeal to
both performer and
audience alike - with
thrilling rhythmic
sections as well as
moments of great
intimacy. The organ part,
for a three manual
instrument if possible,
is shown to its best
advantage in many and
varied tonal colors,
ranging from the most
delicate solo
registrations to powerful
forte. The organ writing
is demanding, but well
within the capabilities
of experienced organists.
Precise registration
suggestions are contained
in the score. The string
orchestra (minimum
4/4/3/3/1) is scored with
sophistication, with
solos for all
instruments. The
percussion is for two
players - a part for
timpani and one for
other, readily available
percussion instruments.
By avoiding the use of
wind and brass
instruments, the work can
also be performed where
the tuning of the organ
is not ideally suited to
modern orchestral pitch.
Score and part available
separately - see item
CA.1808500.
Organ solo, Timpani,
Percussion, 2 Violins,
Viola, Cello, basso
continuo
SKU:
CA.1808500
Composed
by Kay Johannsen.
Concerto For Organ,
Strings And Perc. Free
organ music. Full score.
Composed 2014. 48 pages.
Duration 18 minutes.
Carus Verlag #CV
18.085/00. Published by
Carus Verlag
(CA.1808500).
ISBN
9790007163952. Language:
all languages.
The
Concerto for organ,
strings and percussion by
Kay Johannsen, Kantor of
the Stiftskirche in
Stuttgart, is a valuable
addition to the
repertoire for organ and
orchestra. It is a work
composed to appeal to
both performer and
audience alike - with
thrilling rhythmic
sections as well as
moments of great
intimacy. The organ part,
for a three manual
instrument if possible,
is shown to its best
advantage in many and
varied tonal colors,
ranging from the most
delicate solo
registrations to powerful
forte. The organ writing
is demanding, but well
within the capabilities
of experienced organists.
Precise registration
suggestions are contained
in the score. The string
orchestra (minimum
4/4/3/3/1) is scored with
sophistication, with
solos for all
instruments. The
percussion is for two
players - a part for
timpani and one for
other, readily available
percussion instruments.
By avoiding the use of
wind and brass
instruments, the work can
also be performed where
the tuning of the organ
is not ideally suited to
modern orchestral
pitch.
Organ SKU: HL.48180143 For Organ. Composed by Henri Mulet. Leduc. ...(+)
Organ
SKU:
HL.48180143
For
Organ. Composed by
Henri Mulet. Leduc.
General Worship,
Post-1900, Sacred.
Softcover. 60 pages.
Alphonse Leduc #AL16202.
Published by Alphonse
Leduc (HL.48180143).
UPC: 888680794804.
8.25x11.75x0.187
inches.
Esquisses
Byzantines is a set of
ten pieces of religious
music for organ. Composed
by Henri Mulet, these
pieces are considered as
difficult, ideally for
advanced players. They
all use pedals. The
beginning of the set is
dedicated to the late
Montmartre Basilique
(1914-1919) and each name
of the ten pieces
describes either a part
of the Basilique or
another religious
reference. These pieces
are: I. Nef, II. Vitrail,
III. Rosace, IV. Chapelle
des morts, V. Campanile,
VI. Procession, VII.
Chant funebre, VIII.
Noel, IX. In Paradisum,
X. Tu es petra et portae
inferi non praevalebunt
adversus te. Henri Mulet
(1878-1967) is a French
organist, cellist and
composer who was born in
Montmartre.
Organ - intermediate SKU: HL.49005319 Organ. Composed by Hermann S...(+)
Organ - intermediate
SKU: HL.49005319
Organ. Composed by
Hermann Schroeder. Edited
by Raimund Keusen. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1959.
18 pages. Duration 13'.
Schott Music #ED 4989.
Published by Schott Music
(HL.49005319).
ISBN
9790001057295. UPC:
073999804775.
9.0x12.0x0.105
inches.
Hermann
Schroeder (1904-1984)
ranks among the major
German organ composers of
the 20th century, being
an excellent organist
himself. Many of his more
than 100 organ works deal
with themes of the
Gregorian chorale. The
chorale's modal
diatonicism which is
freer and different than
the later major-minor
tonality establishes a
perfect symbiosis with
the free tonality of the
contemporary composer. In
the five-movement chorale
partita, the more than
1,000 years old
Mixolydian Whitsun
Sequence of Hrabanus
Maurus (9th century) is
used in an imaginative
and formally varied way:
as a virtuoso toccata, in
the second movement
'ostinato' as a strict
trio setting over a
seven-bar ostinato in the
pedal, as a capriciously
playful 'bicinium', and
as a meditative,
harmonically appealing
'arioso'. The fifth
movement (fantasia
ricercare) displays
brilliant full-handed
chords and virtuoso
passages as well as a
fugato in the middle
section. A rewarding
concert piece for
Whitsun, with an
excellent possibility of
virtuoso interpretation
and colourful
registration.
Organ SKU: CA.5027300 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5027300
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score.
Carus Verlag #5027300.
Published by Carus Verlag
(CA.5027300).
ISBN
9790007298456.
As
well as 20 organ sonatas
and seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and friends.
They are ideally suited
for mass and organ
lessons.
This
organ volume brings
together twelve
compositions Rheinberger
wrote for different
occasions and at various
points during his career.
Included in the
collection are seven
short pieces in different
keys that date from the
early 1860s. Rheinberger
wrote these at the
request of his teacher
Herzog and others for
several organ collections
of “easy,
performable†pieces
– and they are
rewarding pieces for
liturgical use. The works
without opus numbers (WoO
10, 37, 56, 70) can no
longer be regarded as
early works. The Fugue in
F minor WoO 10 of 1867,
with its tendency to
translate counterpoint
into expressive chordal
writing, already displays
many characteristics of
the late Rheinberger, the
Canzonetta WoO 77 is a
late work from autumn
1899, whereas the Romanze
WoO 70 is a second
version of no. 1 of the
Miscellaneen op. 174 in
the easier to play key of
C major.
Separate
edition from
Supplementary Volume 3 of
the Rheinberger Complete
Edition.
Organ SKU: BR.EB-8729 Composed by Theophil Forchhammer. Edited by Martin ...(+)
Organ
SKU:
BR.EB-8729
Composed
by Theophil Forchhammer.
Edited by Martin Weyer.
Solo instruments;
Softbound. Edition
Breitkopf. This anthology
is an engrossing
introduction to the organ
composer Theophil
Forchhammer and, with its
35 works, provides an
ideal cross-section of
his ?uvre. Romantic;
Late-romantic. Score. 64
pages. Breitkopf and
Haertel #EB 8729.
Published by Breitkopf
and Haertel (BR.EB-8729).
ISBN 9790004169490. 12
x 9 inches.
This
anthology is an
engrossing introduction
to the organ composer
Theophil Forchhammer and,
with its 35 works,
provides an ideal
cross-section of his
oeuvre. There are 18 free
pieces in which
Forchhammer, a
contemporary of Reger,
manifests his Romantic
spirit; and 17 chorale
settings which this new
edition presents in
commonly encountered keys
and which do not coincide
with Forchhammer's 11
chorale settings
contained in hier preisen
auf der Erd (EB 8628/29).
A rarity - and first
edition! - is the
Orgelweihe (Organ
Consecration) in which
Forchhammer incorporates
no fewer than 13 melodies
from Advent to
Pentecost.
Arranged by
Arnold B. Sherman.
General Worship, Sacred.
Brass Parts. Hope
Publishing Company #1762.
Published by Hope
Publishing Company
(HP.1762).
UPC:
763628117627.
Trump
et Tune Fanfare
Rhythmically easy. Ideal
for weddings or general
festive occasions.
Optional trumpet part is
on the back of each piece
of music. Brass ensemble
is two trumpets, French
horn, two trombones and
tuba.
Arranged by
Arnold B. Sherman.
General Worship, Sacred.
Director/Organ Score. 8
pages. Hope Publishing
Company #1731. Published
by Hope Publishing
Company (HP.1731).
UPC:
763628017316.
Trump
et Tune Fanfare
Rhythmically easy. Ideal
for weddings or general
festive occasions.
Optional trumpet part is
on the back of each piece
of music. Brass ensemble
is two trumpets, French
horn, two trombones and
tuba.
SATB Choir, 2 Trombone [2 Vioas], Organ SKU: CA.2770505 Composed by Leopo...(+)
SATB Choir, 2 Trombone [2
Vioas], Organ
SKU:
CA.2770505
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
Music from Vienna. Sacred
vocal music, Mourning,
death. Choral Score.
Composed nach 1790. 4
pages. Duration 4
minutes. Carus Verlag #CV
27.705/05. Published by
Carus Verlag
(CA.2770505).
ISBN
9790007166595. Text
language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series. Score available
separately - see item
CA.2770500.
SATB choir, 2 trombones [2 violas], organ SKU: CA.2770549 Composed by Leo...(+)
SATB choir, 2 trombones
[2 violas], organ
SKU:
CA.2770549
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
Music from Vienna. Organ.
Sacred vocal music,
Mourning, death. Single
Part, Organ. Composed
nach 1790. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 27.705/49.
Published by Carus Verlag
(CA.2770549).
ISBN
9790007202668. Language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series. Score and part
available separately -
see item CA.2770500.
SATB choir, 2 trombones [2 violas], organ SKU: CA.2770500 Composed by Leo...(+)
SATB choir, 2 trombones
[2 violas], organ
SKU:
CA.2770500
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
This edition: paperback.
Music from Vienna. Sacred
vocal music, Mourning,
death. Full score.
Composed nach 1790. 12
pages. Duration 4
minutes. Carus Verlag #CV
27.705/00. Published by
Carus Verlag
(CA.2770500).
ISBN
9790007166588. Language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series.
The Tide Is Nigh Orgue - Intermédiaire Lorenz Publishing Company
Organ: 3-staff - Intermediate SKU: LO.70-2480L Composed by Lynn Arthur Ko...(+)
Organ: 3-staff -
Intermediate
SKU:
LO.70-2480L
Composed
by Lynn Arthur Koch.
Sacred, Advent,
Christmas. Lorenz
Publishing Company
#70/2480L. Published by
Lorenz Publishing Company
(LO.70-2480L).
ISBN
9780787789510.
Lynn
Arthur Koch has chosen a
mix of both familiar and
lesser-known Advent and
Christmas hymns for the
settings in this book.
Several tunes are folk
melodies drawn from the
famous Oxford Book of
Carols. With a duration
of two minutes or less
per piece, they can be
seamlessly combined into
suites, providing an
ideal solution for
occasions when longer
preludes are needed.
Organ - easy to intermediate SKU: HL.49017948 Choral Preludes. Com...(+)
Organ - easy to
intermediate
SKU:
HL.49017948
Choral
Preludes. Composed by
Hermann Schroeder. Edited
by Peter Alexander
Stadtmueller and Raimund
Keusen. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Hermann Schroeder
(1904-84) is one of the
most important German
composers of 20th-century
Catholic church and organ
music. This volume for
the first time contains
the most important
chorale arrangements for
the organ. Composed 1948.
68 pages. Duration 15'.
Schott Music #ED20183.
Published by Schott Music
(HL.49017948).
ISBN
9790001147439. UPC:
884088585631.
9.0x12.0x0.314
inches.
Hermann
Schroeder's abundant
oeuvre in the field of
chorale-bound organ music
is much less known among
organists than his free -
especially the
concertante - organ
works, although Hermann
Schroeder as an organist
felt particularly bound
to liturgy and liturgical
singing. And according to
him, any liturgical organ
music should always bear
a direct relation to
singing. The purpose of
the present anthology is
to provide the player a
representative selection
of Schroeder's chorale
arrangements. Most of
these chorales are
relatively short and of
medium difficulty at
most. The chorale melody
can be heard well most of
the time so that the
pieces are ideal for
being used in church
services. In the
alphabetical index, the
beginnings of song titles
are accompanied by the
corresponding number from
Gotteslob (GL) or the
Protestant Hymnal for
better orientation.
Organ SKU: HL.253940 Composed by Jan Rybarski. PWM. Classical. Softcover....(+)
Organ
SKU:
HL.253940
Composed by
Jan Rybarski. PWM.
Classical. Softcover. 32
pages. Duration 960
seconds. Polskie
Wydawnictwo Muzyczne
#11700010. Published by
Polskie Wydawnictwo
Muzyczne (HL.253940).
12.0x9.0
inches.
Jan
Rybarskis Fantasia for
Organ is a work of a
great emotional impact.
Its romantic dramaturgy
leads the listener into
the state of deep
reflections. The work is
monumental; its structure
resembles a one-part
sonata with a fugue in
the middle fragment. The
arrangement requires
organs with minimum 16-18
voices in two manuals.
Despite fast passages and
at times complicated
harmony that require a
lot of practice, the work
is played with comfort.
The author, as an
organist-practitioner,
uses difficult technical
elements that he controls
in a perfect manner. The
proportion of the
traditional and modern
harmonics is ideal, which
means it perfectly
corresponds to the
dramaturgy of the work.
The main formative
element is the rhythm
that - as the author
claims himself -
inspires, opens both the
performer and the
listener to the
experience. The structure
of the Fantasia brings
connotations to the
course of a human life,
with a film story that
apparently is different
for everyone, but conveys
one truth common to all
people: in order to
overcome difficulties,
you need to trust
God.
Organ SKU: HL.50605486 For Organ (1923). Composed by Bela Bartok. ...(+)
Organ
SKU:
HL.50605486
For
Organ (1923).
Composed by Bela Bartok.
EMB. Classical,
Hungarian. Softcover. 40
pages. Editio Musica
Budapest #Z20104.
Published by Editio
Musica Budapest
(HL.50605486).
ISBN
9781705190500. UPC:
196288126539.
Bela
Bartok composed Dance
Suite in 1923 for the
50th anniversary of the
foundation of Hungary's
capital through the
unification of Buda,
Obuda, and Pest. It soon
became one of his most
popular orchestral works,
and in 1925 he arranged
it for piano solo. Adam
Tabajdi completed the
organ version of Dance
Suite in 2019/20, and
recorded it on the Kern
organ of Sapporo's Kitara
Concert Hall later that
year. His transcription
was inspired by the
composer's own version
for piano, exploiting the
alternative solutions
offered by the
''orchestral'' timbres of
the organ, with its
manuals and pedals. The
ideal instrument for the
present version is an
expansive, eclectic style
organ with at least three
manuals. This flamboyant
arrangement requires
great virtuosity,
stamina, and creativity
from the performer. Adam
Tabajdi (b. 1993) is an
outstanding young
Hungarian organist.
Alongside the music of J.
S. Bach, his repertoire
includes Liszt,and
Franck, as well as
twentieth-century works,
with a special focus on
Messiaen, Ligeti, and
Florentz. He is a
committed performer of
contemporary music, but
he also feels a close
connection with the works
of old masters such as
Sweelinck, Weckmann, and
Couperin. In 2021 he won
first prize in the
Toulouse International
Organ Competition, and in
2022 he was awarded the
Junior Prima Award.
2 trumpet, 2 trombone,
handbells 3, timpani,
piano, organ
SKU:
LO.30-3699L
Composed
by Larry Shackley.
Choral. Sacred Anthem,
Christ the King, General.
Instrumental score and
parts. Lorenz Publishing
Company #30/3699L.
Published by Lorenz
Publishing Company
(LO.30-3699L).
UPC:
000308153569.
Instr
umental Ensemble Score
and Parts for 10/5308L AA
majestic setting of the
classic hymn tune LAUDA
ANIMA, this anthem is
ideal for special,
festive occasions but
suitable for any Sunday.
The optional instrumental
ensemble of brass,
handbells, and timpani
adds extra power, and the
congregation can join in
on the final stanza for
an all-church worship
experience.