Solo organ - Difficulty: medium SKU: JU.00-GSOC00076 Composed by Johann P...(+)
Solo organ - Difficulty:
medium
SKU:
JU.00-GSOC00076
Composed by Johann
Pachelbel. Masterworks;
Organ Solo. H. W. Gray
Publications. Baroque.
Organ solo single. With
organ notation. 4 pages.
H. W. Gray #00-GSOC00076.
Published by H. W. Gray
(JU.00-GSOC00076).
UPC: 029156066869.
9x12 inches. Key: D
major. English.
Arranged.
Looking
for an
intermediate-level,
tasteful arrangement of
the popular Pachabel
Canon in D? Here's your
answer. Tucker has
arranged this famous
melody with weddings in
mind. It works well for
both a processional or
pre-service selection.
Easily learned, this
arrangement sounds more
difficult to play than it
actually is. A top
seller!
Organ SKU: SU.80101509 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101509
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101509.
Published by Zimbel Press
(SU.80101509).
Three Canonic
Pieces (2022) contains
Prelude and Canon, Toll
and Canon, and
Introduction and Canon.
Each is based on canonic
principles. They were
conceived and written as
three independent pieces,
although they can also be
played as group of three
or as any subset of
two.Organ Duration: 15'
Composed: 2022 Published
by: Zimbel Press.
Orgelwerke, Band 2. Urtext der Neuen Bach-ausgabe - Organ Works Volume 2. By Joh...(+)
Orgelwerke, Band 2.
Urtext der Neuen
Bach-ausgabe - Organ
Works Volume 2. By Johann
Sebastian Bach. Edited by
Hans Klotz. For Organ.
Playing Score; Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
Teil 2. 4 zweistimmige Kanons, 2 Spiegelfugen, unvollendete Fuge mit 3 Themen, O...(+)
Teil 2. 4 zweistimmige
Kanons, 2 Spiegelfugen,
unvollendete Fuge mit 3
Themen, Orgelchoral
"Wenn wir in
hochsten Noten (Vor
deinen Thron)". By
Johann Sebastian Bach.
Edited by Schurich, Hans.
For Organ. Playing Score
(paperbound). BWV 1080.
Published by
Soeddeutscher Musikverlag
(German import).
Organ SKU: SU.80101468 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101468
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101468.
Published by Zimbel Press
(SU.80101468).
Fantasia
canonica (2019) was
commissioned in
celebration of the
installation of Charissa
Simmons as Canon for
Children and Families,
Trinity Episcopal
Cathedral, Portland,
Oregon, October 6, 2019.
The festive piece is
built entirely from a
theme derived from the
letters of the
dedicatee's name
converted to musical
notes. Instrumentation:
Organ Duration: 6'
Composed: 2019 Published
by: Zimbel Press.
Arranged by Mark L. Williams. For Organ. FJH Classical Organ Library. Contents: ...(+)
Arranged by Mark L.
Williams. For Organ. FJH
Classical Organ Library.
Contents: Arioso from
Contata No. 156 (Bach);
Air from Water Music
Suite (Handel); Andantino
from Rosamunde
(Schubert); Nocturne from
A Midsummer Night's Dream
(Mendelssohn); O Perfect
Love; Bist du bei Mir
(Bach); Canon in D
(Pachelbel); Largo from
Xerxes (Handel); Where'er
You Walk (Handel); A
Nuptual Blessing;
Pastoral Symphony from
Messiah (Handel); Jesu,
Joy of Man's Desiring
(Bach); He Shall Feed His
Flock From Messiah
(Handel); Bridal Chorus
from Lohengrin (Wagner);
Trumpet Voluntary;
Wedding March from A
Midsummer Night's Dream
(Mendelssohn); Trumpet
Tune; Allegro Maestoso
from Water Music Suite
(Handel); March from
Richard the First
(Handel); Rondeau from
Sinfonies de Fanfares
(Mouret); Prelude to Te
Deum
Organ solo SKU: FZ.2632 Composed by Anonymous. Edited by Guy Marissal. Th...(+)
Organ solo
SKU:
FZ.2632
Composed by
Anonymous. Edited by Guy
Marissal. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Published by
Anne Fuzeau Productions -
France (FZ.2632).
ISBN
9790230626323. 24.50 x
33.50 cm
inches.
This
manuscript is in
facsimile on French
classical music
collection. Anonyme -
Limoges organ book -
Organ. Edition:
Unpublished manuscript.
It contains several
pieces by A. Raison, G.
Julien and G. Corrette.
Most of the pieces are
new and of very fine
quality. Preface by Guy
Marissal. Time
signatures, notation,
tonalities, terminology,
registrations, tempi,
fingerings, attributions
[1er ton : concerns the
first pieces, the other
tons are not indicated].
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Municipal Library of
Limoges (France).
Organ Works Orgue [Score|Solo Part|Part] Barenreiter
Organ Chorales from Miscellaneous Sources. By Johann Sebastian Bach. Edited by R...(+)
Organ Chorales from
Miscellaneous Sources. By
Johann Sebastian Bach.
Edited by Reinmar Emans.
For Organ. This edition:
Urtext of the New Bach
Edition. Mit separater
Tromba-Stimme zu 'Wachet
auf, ruft uns die
Stimme'. Score; Single
Part. 177 pages.
Published by Baerenreiter
Verlag (German import).
Organ Works Orgue [Conducteur] Music Distribution Services
Organ SKU: M7.DOHR-20488 Composed by Vincent d'Indy. Edited by Otto Depen...(+)
Organ
SKU:
M7.DOHR-20488
Composed by Vincent
d'Indy. Edited by Otto
Depenheuer. Sheet music.
Score. 24 pages. MDS
(Music Distribution
Services) #DOHR 20488.
Published by MDS (Music
Distribution Services)
(M7.DOHR-20488).
Confluence Orgue - Avancé MorningStar Music Publishers
Organ - Advanced SKU: MN.12-121 Composed by Joseph Willcox Jenkins. Non H...(+)
Organ - Advanced
SKU:
MN.12-121
Composed by
Joseph Willcox Jenkins.
Non Hymn-Based, Recital
Music. MorningStar Music
Publishers #12-121.
Published by MorningStar
Music Publishers
(MN.12-121).
UPC:
688670121210.
Confl
uence was commissioned by
the Organ Artist Series
of Pittsburgh in
celebration of its
twentieth anniversary in
1999. Christa Rakich gave
the premier at the
closing concert of the
season at Calvary
Episcopal Church by in
April of 1999. It has
been performed frequently
since that time. The
title was given to honor
the joining together or
confluence of the three
rivers of Pittsburgh: the
Allegheny, the
Monongalela, and the
Ohio. Confluence is a
curious hybrid related to
both the sonata and rondo
forms. It is of the ABABA
design with the final A
quite extended by
polyphonic games and a
very noisy and triumphant
epilogue. The first idea
is driving, rhythmic,
nervous and agitated. The
second is quiet, gentle
and pastoral, that slowly
moves in its mysterious
ways, closing with a
plaintive row of a dozen
different pitches. The
composer delights in the
challenge of making tone
rows as approachable and
sing-able as possible.
Both ideas make slightly
varied restatements. At
the end, fugal
exploitation of the first
idea is followed by that
row, entering with
stentorian grandeur in
full pedal, heralding the
triumphant close. This
row, like the month of
March is referred to
frequently as coming in
like a Iamb, going out
like a lion.
Composed by Charles E. Callahan Jr. (1951-). Minimal Pedal, Bestseller, Preludes...(+)
Composed by Charles E.
Callahan Jr. (1951-).
Minimal Pedal,
Bestseller, Preludes,
Hymn
Intros/Reharmonizations.
Reformation, Lent,
Easter, Christmas, Ash
Wednesday. Published by
MorningStar Music
Publishers
Composed by Dr. Shinichi Suzuki. Method/Instruction; Organ Method (Suzuki); ...(+)
Composed by Dr. Shinichi
Suzuki.
Method/Instruction;
Organ Method (Suzuki);
Suzuki. Suzuki Organ
School.
Book. 40 pages. Alfred
Music
#00-47155. Published by
Alfred Music
Blue Prelude Orgue - Facile MorningStar Music Publishers
Organ - Early Intermediate SKU: MN.10-433 Composed by Harold Stover. Non ...(+)
Organ - Early
Intermediate
SKU:
MN.10-433
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music, Preludes. 21st
Century. MorningStar
Music Publishers #10-433.
Published by MorningStar
Music Publishers
(MN.10-433).
UPC:
688670104336.
Our
customers who usually buy
hymn-based organ music
have been quite taken
with Mr. Stover's
original, non-hymn-based
pieces! (See his
Tambourine, 10-437, for
example.) His Blue
Prelude is exactly what
the title indicates; it's
introspective with
complex and lush
harmonies. An Art
Deco†homage to
Gershwin, Ellington, and
other composers of the
‘30s and
‘40s- it's perfect
for an unusual piece on a
recital. While we don't
exactly rule out using it
in worship, it might be a
tad too sultry!
Organ SKU: HL.49046723 Organ. Composed by Naji Hakim. Organ Collec...(+)
Organ
SKU:
HL.49046723
Organ. Composed by
Naji Hakim. Organ
Collection. Canon,
Classical, Variations.
Softcover. 16 pages.
Duration 660 seconds.
Schott Music #ED23510.
Published by Schott Music
(HL.49046723).
UPC:
842819115625.
These
variations are based on
the choral Freu dich
sehr, o meine Seele.
Variation I, Maestoso,
presents a solemn,
canonic statement of the
theme enveloped by dense,
closely-knit harmonies.
Variation II, Allegro, is
clothed in polyphonic
lines reminiscentof
Bach's Orgelbuchlein
chorales. Variation III,
Vivace, is a playful
bicinium with the cantus
firmus featured in the
soprano line, as the bass
bounces along in a
staccato duet. Variation
IV, Adagio, displays rich
chromatic harmonies which
form a lush backdrop for
the pedal solo. Variation
V, Vivace, features the
chorale in detached left
hand notes while the
right hand and pedal
provide a playful
accompaniment. In
Variation VI, Andante,
the melody vacillates
between minor and major
keys as syncopated left
hand chords and pizzicato
bass accompany the
cantilena. In the
concluding Variation VII,
Presto, the left hand
proclaims the theme in
block chords as the right
hand provides an
exuberant garland of
sixteenth notes while the
pedal provides rhythmic
drive with tympanic
accents.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550300 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550300
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Full score. Carus
Verlag #CV 35.503/00.
Published by Carus Verlag
(CA.3550300).
ISBN
9790007165161. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass.
