Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications

Performed by Various. Organ Adventure. Size 9x12 inches. 71 pages. Published by Hal Leonard.

Organ

SKU: HL.14024513

Composed by Percy E. Fletcher. Music Sales America. Post-1900. Book [Softcover]. 12 pages. Music Sales #NOV590043. Published by Music Sales (HL.14024513).

UPC: 884088488635. 9.0x12.0x0.049 inches.

The Fountain Reverie features soft, rippling arpeggios with a contrasting middle section. As with the Festival Toccata, published at the same time, the brilliance of Fountain Reverie disguises the fact that one does not need to be a virtuoso to play it well and effectively, and it plays well on many different Organs.Percy Fletcher was an English composer, conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres, including His Majesty's Theatre for the last seventeen years of his life. He was the Orchestrator and conductorfor the big budget spectacular theatre piece Chu Chin Chow which ran for five years, a record that remained unbroken for forty years. In addition to his myriad works of light music, Fletcher also wrote a serious church cantata, The Passion of Christ, as well as the delightful children's work, The Walrus and the Carpenter.

Organ

SKU: HL.14031560

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Classical. Book [Softcover]. Composed 2005. 36 pages. Edition Wilhelm Hansen #WH30534. Published by Edition Wilhelm Hansen (HL.14031560).

ISBN 9788759811009. International (more than one language).

STILL. LEBEN Organist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks, extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ. Once I had finished STILL. LEBEN, I didn't think I had achieved what I was looking for. True, the two movements did not involve odd things, but handy isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more. And since I didn't think that was enough either, I wrote the really simple pieces under the title IN TRIPLUM. The three series(eight pieces in all, 2 + 3 + 3) sound very different, but they all take their point of departure from the nature and tonal resources ofthe organ. Everywhere there is polyrhythm or hierarchical layering, polychromaticism, diatonics and melody (the last of these only sparingly and in some of the movements). Pelle Gudmundsen-Holmgreen.