Organ - advanced

SKU: HL.49016184

Pater noster. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Composed 2005. 55 pages. Duration 26'. Schott Music #ED 9937. Published by Schott Music (HL.49016184).

ISBN 9790001140782. UPC: 884088202484. 9.0x12.0x0.145 inches.

Schneider's Organ Symphony No. 1 is in the tradition of the French organ symphonies (Widor, Vierne, Durufle). With its general tendency from the desperate dark to the comforting bright, the symphony brings up the air of the praying and pleading of suffering people as a theme. The 'pater noster' as archetype of the prayer is cited in all movements.

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

Organ - intermediate to advanced

SKU: HL.49016185

Die Marianische. Composed by Enjott Schneider. This edition: Paperback/Soft Cover. Sheet music. Organ Collection. Als Gegenstuck zur Orgelsinfonie Nr.1 Pater Noster bietet die 2. Orgelsymphonie weichere und geheimnisvollere (eben marianische) Klangwelten an und skizziert Stationen aus Marias Lebensweg. Als Instrument empfiehlt sich eine Orgel mit mindestens drei Manu. Composed 2006. 55 pages. Duration 24'. Schott Music #ED 20074. Published by Schott Music (HL.49016185).

ISBN 9790001145411. UPC: 884088202507. 9.0x12.0x0.141 inches.

As a counterpart to theOrgan Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve Regina grows from the mystic source, followed by Berceuse pour Marie as a lullaby of the Christmas events. The third movement Mater Dolorosa falls back on the well-known Gregorian sequence Stabat Mater, taking Mary's pain at the cross as its central theme. The finale treats the Ave Maris Stella in a crescendo from pp to ff in a positive and solemn manner, in memory of Mary's assumption. It is advisable to use an organ with at least three manuals.

Organ - Method or Collection. Dover Edition. Masterwork. Book. Published by Dover Publications.

By Enjott Schneider. For Organ. Schott. Softcover. 48 pages. Schott Music #ED21226. Published by Schott Music

Organ

SKU: SU.80101404

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101404. Published by Zimbel Press (SU.80101404).

Organ Symphony No. 2 (2017) was written for and is dedicated to German organist Philip Hartmann. In all of my works that employ larger-scale forms (not just organ compositions), I am continually looking for different ways of providing the form and structure. My first organ symphony (2013) comprised three larger movements that charted a progression from dark to light. By contrast, this second organ symphony comprises 12 shorter movements that together build a larger structure out of varied emotional states. Although the movements are different in character, there are connections of harmony and motive across them. One goal behind this work is that it be suitable for effective performance on almost any organ, small or large. Most organ symphonies require a large instrument. By contrast, this piece can be played effectively on even a small organ with a limited number of stops (even a one manual organ with an octave pedal board). It can also be very effective on a large symphonic organ with many different colors and a huge tutti. Registration is left to the performer's discretion, and the organist is strongly encouraged to use the full extent of whatever resources are available. Instrumentation: Organ Duration: 34' Composed: 2017 Published by: Zimbel Press.

Organ - advanced

SKU: HL.49018839

Luna. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Composed 2011. 36 pages. Duration 22'. Schott Music #ED21227. Published by Schott Music (HL.49018839).

ISBN 9790001179584. UPC: 884088674892. 9.0x12.0x0.121 inches.

In allen Kulturen der Erde steht der veranderliche Mond fur das Ratselhafte, Dunkle, Weibliche, Flussige, Magische, Unfassbare, Irrationale. Er beeinflusst die Launen von Mensch, Tier, Pflanzen und Wetter wie kein anderer Himmelskorper. Ihm sind die sperrigen Zahlen 7 und 13 zugeordnet.In der aus vier enigmatischen Satzen bestehenden 13. Orgelsinfonie werden einige dieser Facetten thematisiert: Satz 1 'Neumond' spinnt von einem Zentralklang ausgehend musikalische Faden, die sich farbenreich immer wieder ins Nichts verlieren und sich jeder thematischen Logik sperren. Satz 2 uber die 'Mondgottinnen' ist ein vitaler Tanz im 13/8-Takt, der stets neue Anordnungen der 3+3+3+2+2-Gruppierungen prasentiert. Eine Hommage an Robert Schumann stellt der 3. Satz uber die 'Mondnacht', eines der schonsten Lieder der Romantik und Vorwegnahme des zustandlichen Impressionismus der franzosischen Moderne, dar. Mit einer 'Ciacona lunatica' wird im letzten Satz dem Wachsen und majestatischen Erscheinen des 'Vollmondes' gehuldigt - mit Variationen uber ein geheimnisvolles Bass- und Harmoniemodell. (Enjott Schneider).

Arranged by Bish Diane. Gentry Publications. Size 9.3x12 inches. 80 pages. Published by Gentry Publications.

Organ - advanced

SKU: HL.49045242

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 46 pages. Duration 24'. Schott Music #ED22615. Published by Schott Music (HL.49045242).

ISBN 9790001161749. UPC: 841886028562. 9.0x12.0x0.168 inches.

This work is an homage of Schneider to Max Reger:Organ Symphony No. 15 does not attempt to adapt Reger's style, which could hardly be made more intense or varied. On the contrary, with 'ardent reductionism' motifs, quotations and fragments are taken out of context like individually dazzling gems and illuminated anew: Reger is considered from a distance in order to approach the mystery of such a genius. (Enjott Schneider).

By Charles Marie Widor. Keyboard. Size 9 x 12. 186 pages. Published by Dover Publications.

Soprano voice solo, tenor voice solo, mixed choir, organ

SKU: BR.EB-8058

Movements III and IV. Composed by Felix Bartholdy Mendelssohn. Arranged by Thorsten Sterzik. Symphony. Edition Breitkopf. With regard to the anniversary of the Reformation in 2017, this version for solos, choir and organ by Torsten Sterzik originated to pave the Reformation Symphony's way into the church as well, restoring the text to Luther's chorale in the fourth movement. Symphony; Romantic. Organ score. 36 pages. Duration 30'. Breitkopf and Haertel #EB 8058. Published by Breitkopf and Haertel (BR.EB-8058).

ISBN 9790004183700. 9 x 12 inches.

The Reformation Symphony was composed in 1830 for the 300th anniversary of the Confessio Augustana, the founding of the Lutheran confession of faith. In the fourth movement, Mendelssohn quotes, elaborates and varies artfully the Luther-chorale Ein feste Burg ist unser Gott [God is our fortress], erecting a musical monument to the reformer Martin Luther. After an initial confl icting reception, the Reformation Symphony meanwhile is established fi rmly in the concert repertoire. EB 8058 is intended for performances with organ. It can also be used for the preparation of the chorus and soloists for performances with orchestra.

With regard to the anniversary of the Reformation in 2017, this version for solos, choir and organ by Torsten Sterzik originated to pave the Reformation Symphony's way into the church as well, restoring the text to Luther's chorale in the fourth movement and additionally including the third movement, its arioso solos being sung by a soprano and a tenor solo.

Organ Solo. By Charles Marie Widor. Arranged by Will C. Macfarlane. Organ Collection. Size 9x12 inches. 52 pages. Published by G. Schirmer, Inc.

Organ - advanced

SKU: HL.49018083

In Memoriam. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Enjott Schneider knupft in seiner Orgelsinfonie Nr. 8 In Memoriam an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral Wachet auf, ruft uns die Stimme gegenuber. Eine spannende und aufwuhlende Musik. Composed 2009. 62 pages. Duration 32'. Schott Music #ED20669. Published by Schott Music (HL.49018083).

ISBN 9790001168670. 9.0x12.0x0.24 inches.

In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.

Organ - advanced

SKU: HL.49019021

Organ Solo. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 2009. 56 pages. Duration 27'. Schott Music #ED21099. Published by Schott Music (HL.49019021).

ISBN 9790001176798. 9.0x12.0x0.258 inches.

Arranged by Desmond Ratcliffe / Bill Ramsey / O.H. Peasgood. For Organ. Music Sales America. Celebrations, Weddings. 48 pages. Music Sales #NOV010124. Published by Music Sales

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Solo Organ

SKU: SU.80201701

For Solo Organ. Composed by Daniel E. Gawthrop. Keyboard, Organ. Score. Subito Music Corporation #80201701. Published by Subito Music Corporation (SU.80201701).

Solo Organ Composed: 2016 Published by: Dunstan House.

By Various; Various. Organ. Level: 3-staff. Sacred organ. Published by Unity Music Press.

By Charles Marie Widor. Keyboard. Size 9 x 12. 233 pages. Published by Dover Publications.

Organ Solo. By Marcel Dupre. Organ Large Works. Size 8.25x11.75 inches. 31 pages. Published by Salabert.

By Enjott Schneider. For Organ. Schott. Softcover. 40 pages. Schott Music #ED21225. Published by Schott Music

(Transkription fur Orgel). By Antonin Dvorak (1841-1904). Arranged by Zsigmond Szathmary. For Organ. Playing Score. Op. 95. Duration 42'52''

By Louis Vierne. Keyboard. Size 9 x 12. 160 pages. Published by Dover Publications.

Organ - advanced

SKU: HL.49018084

Pathetique. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Naturlich denkt man beim Titel Orgelsinfonie Nr. 9 Pathetique von Enjott Schneider an ein anderes Werk mit diesem Beinamen: an Tschaikowskys Sinfonie Nr. 6. Und das ist kein Zufall: Der Komponist sieht sein Orgelwerk als Hommage an diese grosse Schwester. Composed 2009. 52 pages. Schott Music #ED20670. Published by Schott Music (HL.49018084).

ISBN 9790001168687. UPC: 884088531089. 9.0x12.0x0.218 inches.

One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathetique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And that is no coincidence: The composer regards his organ work as an homage to this 'elder sister'. While Tchaikovsky, in a secret programme, made out his own life to be a struggle and long ordeal to the point of his suspected suicide, Enjott Schneider presents those hours as the ultimate tale of woe in which Jesus had well and truly become human, fatefully bearing the pain and misery of all people. 'Gethsemane', 'Geiselung: Ecce homo', 'Golgatha' and 'Grablegung': Maria Magdalena' are the names of the stages and movements. The Greek word 'pathos' means 'strong emotion, feeling, passion or suffering' - in Schneider's Organ Symphony No. 9, this comes true, musically, in his inner conflict, struggle, wrestling with his fate, cruelty of the crucifixion and deathly silence.

By Andre Fleury (1903-1995). For organ. Classical. Score. 38 pages. Published by Editions Henry Lemoine

Organ - advanced

SKU: HL.49018082

Von Ewigkeit zu Ewigkeit. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Die Orgelsinfonie Nr. 7 'Von Ewigkeit zu Ewigkeit ist vom kompositorischen Rohstoff Zeit bestimmt. Stilistisch basiert die Komposition auf Elementen der Minimal Music, die Schneider mit der Tradition der europaischen Orgelkomposition verbindet. Composed 2009. 52 pages. Duration 24'. Schott Music #ED20668. Published by Schott Music (HL.49018082).

ISBN 9790001168809. UPC: 884088535094. 9.0x12.0x0.2 inches.

Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in ancient beginnings ('In principio' - 1st movement) and periodic to the intellectually incomprehensible revolving ('Zeit der Sterne' - 2nd movement). After the third movement ('Zeit des Menschen'), a valse triste, infused by an almost humorous hectic atmosphere, the symphony ends with a kind of 'Amen!' in the fourth movement. Schneider sums it up: 'It is good as it is, we do not understand the course of time anyway.' With regard to style, his composition is based on elements of minimal music which he combines with the tradition of the European organ composition; it is at the same time a testimony to the composer's flexibility and versatility.