Composed by Dr. Shinichi Suzuki. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 40 pages. Alfred Music #00-47155. Published by Alfred Music

By James Southbridge. For organ. Advent. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company. (70/1520L)

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 48 pages. Alfred Music #00- 47158. Published by Alfred Music

Composed by Grimoaldo Macchia. Sacred, Advent. Sacred Music Press #70/2030S. Published by Sacred Music Press (LO.70-2030S).

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 32 pages. Alfred Music #00- 47152. Published by Alfred Music

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 24 pages. Alfred Music #00- 47143. Published by Alfred Music

For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.

Composed by Matthew H. Corl. For organ. Thanksgiving, 21st Century. Moderately Easy. Published by MorningStar Music Publishers

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 24 pages. Alfred Music #00- 47146. Published by Alfred Music (

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 32 pages. Alfred Music #00- 47140. Published by Alfred Music

By Lars Hagstrom and Jeremy Chesman. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 72 pages. Alfred Music #00-47161. Published by Alfred Music

Composed by Lynn Trapp. For organ. Non Hymn-Based. General, Confirmation, Marriage, 21st Century. Medium. Published by MorningStar Music Publishers

Organ: 2-staff - Moderately Easy

SKU: LO.70-2475L

Composed by Carson Cooman. Sacred, Christmas, Thanksgiving. Lorenz Publishing Company #70/2475L. Published by Lorenz Publishing Company (LO.70-2475L).

ISBN 9780787789466.

This collection comprises ten diverse and easy organ works, each rooted in a hymn commonly sung in worship services around the American holiday of Thanksgiving. These pieces vary in mood, style, and length, making them perfect choices for preludes, offertories, and postludes. And since thereâ??s no reason to confine our thankfulness to one time of year, all are naturally suitable for general settings as well.

SATB/ATTB choir, organ

SKU: CA.3061005

Composed by Johann Michael Bach. This edition: Paperbound. German title: Dem Menschen ist gesetzt. Sacred, Motets; Occasions: Mourning, Death. Choral Score. 12 pages. Duration 5 minutes. Carus Verlag #CV 30.610/05. Published by Carus Verlag (CA.3061005).

ISBN 9790007040574. Language: German/English.

Sco re available separately - see item CA.3061000.

Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications

By Js Bach/Clark/Peterson. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Organ - Level 3

SKU: BA.BA11264

Composed by Margaretha Christina de Jong. Stapled. Performance score. Opus 109. Baerenreiter Verlag #BA11264_00. Published by Baerenreiter Verlag (BA.BA11264).

ISBN 9790006569724. 30 x 23 cm inches. Preface: Clement, Albert.

This fantasia for organ was composed in 2019. The composition is based on a melody attributed to the French composer Louis Bourgeois (approx. 1510–1560) which is one of the most well-known melodies in the Christian musical tradition. It has also been sung to various other texts, such as Lutheran chorales. In Bach’s work, the melody appears in the cantata “Lord God, we praise Thee all of us” BWV 130.

The composer has retained the style of French Romanticism. The character of the work corresponds to the content of the text and culminates in a festive finale. This music is suitable for many church music occasions.

(Hymns of Praise and Thanksgiving for Organ). By Anna Laura Page. For organ. Sacred. 3-staff. Collection. Published by Lorenz Publishing Company

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01964. Published by Jackman Music Corporation

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

Composed by Lani Smith. For organ: 3-staff (with optional flute). Sacred, Christmas. Intermediate. Lorenz Publishing Company #70/1929L. Published by Lorenz Publishing Company

By Michael Burkhardt. For organ. Collection. Organ. Advent, Lent, General, Easter, Pentecost, Christmas. Easy. Organ score. 59 pages. Published by MorningStar Music Publishers

Composed by Various. For organ: 2-staff. Sacred. Moderately easy. Lorenz Publishing Company #70/1930L. Published by Lorenz Publishing Company

Organ

SKU: SU.80101220

For Organ. Composed by Sandra Gay. Keyboard, Organ. Score. Zimbel Press #80101220. Published by Zimbel Press (SU.80101220).

Three short organ pieces based on familiar Advent hymns: Creator of the Stars at Night; Comfort, Comfort Ye, My People; and Prepare the Way, O Zion. Two versions of the third piece are included (a shorter one and a more extended version). 20 pages Published by: Zimbel Press.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.