| Organ Music in Times of Corona Orgue Carus Verlag
Organ SKU: CA.1822000 17 new compositions for organ solo. Carus di...(+)
Organ SKU:
CA.1822000 17 new
compositions for organ
solo. Carus digital:
Extra digital products.
Collection. Published by
Carus Verlag
(CA.1822000). ISBN
9790007294441. Edit
ed by the Deutscher
Musikrat (German Music
Council) with Richard
Mailander and Kord
Michaelis
Catholic
and Protestant churches
are familiar with the
tradition that in times
of crisis, new works are
composed to comfort the
faithful, and are
performed in worship.
Following in this
tradition, the project
Orgelmusik in Zeiten von
Corona (Organ Music in
Times of Corona) was
devised. 17 new
compositions were
commissioned which
reflect Corona times,
creatively confront the
past and the present, and
will enrich the
repertoire of organ music
in a lasting way. The
17 compositions depict a
wide range of styles
including avant-garde,
jazz and classical, and
some refer to music from
previous eras and church
music traditions. They
are conceived for
different levels of
difficulty, are for 2 or
3-manual organs, and last
between four and ten
minutes. They are
particularly suitable for
concerts, but can also be
played in church
services. * 17
thematic reflections on
the Corona pandemic: on
the horsemen of the
apocalypse, the Coeur
bleu, the thunder of
time, timelines, trust
and confidence, and many
more * compositions by
Timo Bocking, Kathrin A.
Denner, Barbara
Dennerlein, Dorothee
Hahne, Peter Michael
Hamel, Frank Heckel,
Dorothea Hofmann, Nicole
Johanntgen, Anna Korsun,
Roland Kunz, Eckhart
Kuper, Johannes M.
Michel, Iris Rieg,
Maximilian Schnaus,
Enjott Schneider, Dominik
Susteck, and Maximilian
Wallrath * stylistic
variety and breadth -
from
classically-influenced
compositions, through
jazz and pop, to
avant-garde and
experimental sounds *
different levels of
difficulty, for 2 or
3-manual organ, 4 to 10
minutes' duration *
suitable for concerts and
church services. $81.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9305 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2. $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Six Preludes for Advanced Organ Orgue - Avancé Jackman Music Corporation
Arranged by John Longhurst and Robert Cundick. Christian, Contemporary Chr...(+)
Arranged by John
Longhurst
and Robert Cundick.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #80097.
Published
by Jackman Music
Corporation
$11.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Edition of the Complete Works, vol. 4.1 Orgue [Conducteur] Barenreiter
Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Par...(+)
Keyboard and Organ Works
from Copied Sources
Partitas and Partita
Movements, Part 2. By
Froberger, Johann Jacob.
Edited by Rampe,
Siegbert. For Organ,
Piano, Harpsichord.
Johann Jacob Froberger:
Neue Ausgabe samtlicher
Werke,Bd.4.1. Playing
Score; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006488360.
$90.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pari Intervallo Orgue Universal Edition
(For Organ). Composed by Arvo Part (1935-). For organ. Score - Performance. Univ...(+)
(For Organ). Composed by
Arvo Part (1935-). For
organ. Score -
Performance. Universal
Edition #UE36995.
Published by Universal
Edition
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9304 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305). $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9306 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $45.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9415 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $90.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731500 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500). ISBN
9790007095604. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Homo natus de muliere Orgue Carus Verlag
SATB choir, 2 trombones [2 violas], organ SKU: CA.2770500 Composed by Leo...(+)
SATB choir, 2 trombones
[2 violas], organ SKU:
CA.2770500 Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
This edition: paperback.
Music from Vienna. Sacred
vocal music, Mourning,
death. Full score.
Composed nach 1790. 12
pages. Duration 4
minutes. Carus Verlag #CV
27.705/00. Published by
Carus Verlag
(CA.2770500). ISBN
9790007166588. Language:
Latin. Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Misericordias Domini Orgue Carus Verlag
SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ SKU: CA.4004019...(+)
SATB choir, 2 violins,
viola,
cello/bassoon/contrabass,
organ SKU:
CA.4004019
Offertorium.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert Munster. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Misericordias Domini
Rev.2000. Sacred vocal
music, Psalms, Latin,
Lent and Passiontide,
Easter and Eastertide,
Praise and thanks. Set of
Orchestra Parts. Composed
1775. KV 222 (205a).
Duration 7 minutes. Carus
Verlag #CV 40.040/19.
Published by Carus Verlag
(CA.4004019). ISBN
9790007137625. Key: D
minor. Language:
Latin. Since the
two verifiable autographs
of the offertory
Misericordias Domini have
been lost, for the
present new critical
edition Robert Munster
was able to rely for the
first time on the
manuscript parts from the
music of the Court of
Munich which he
discovered. These can be
traced back to the
material used for the
first performance of the
work in Munich in 1775
and hence they can also
be traced back to the
Munich autograph. Score
and parts available
separately - see item
CA.4004000. $80.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Misericordias Domini Orgue Carus Verlag
SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ SKU: CA.4004005...(+)
SATB choir, 2 violins,
viola,
cello/bassoon/contrabass,
organ SKU:
CA.4004005
Offertorium.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert Munster. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Misericordias
Domini Rev.2000. Sacred
vocal music, Psalms,
Latin, Lent and
Passiontide, Easter and
Eastertide, Praise and
thanks. Choral Score.
Composed 1775. KV 222
(205a). Duration 7
minutes. Carus Verlag #CV
40.040/05. Published by
Carus Verlag
(CA.4004005). ISBN
9790007058265. Key: D
minor. Language:
Latin. Since the
two verifiable autographs
of the offertory
Misericordias Domini have
been lost, for the
present new critical
edition Robert Munster
was able to rely for the
first time on the
manuscript parts from the
music of the Court of
Munich which he
discovered. These can be
traced back to the
material used for the
first performance of the
work in Munich in 1775
and hence they can also
be traced back to the
Munich autograph. Score
available separately -
see item CA.4004000. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731115
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 2. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/15. Published by
Carus Verlag
(CA.2731115). ISBN
9790007201579. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731113
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113). ISBN
9790007201555. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731114
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 1. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/14. Published by
Carus Verlag
(CA.2731114). ISBN
9790007201562. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731112
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 1. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/12. Published by
Carus Verlag
(CA.2731112). ISBN
9790007201548. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731116
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116). ISBN
9790007201586. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731105
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Choral Score.
Composed 1901. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.311/05. Published by
Carus Verlag
(CA.2731105). ISBN
9790007132255. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731149
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Organ. Composed 1901. 20
pages. Duration 35
minutes. Carus Verlag #CV
27.311/49. Published by
Carus Verlag
(CA.2731149). ISBN
9790007201593. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Orgue Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB
choir, congregation, 2
violins, viola, cello,
contrabass, organ SKU:
CA.5040512 Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Single Part,
Violin 2. Composed 1903.
Op. WoO V/4 Nr. 2. 2
pages. Duration 15
minutes. Carus Verlag #CV
50.405/12. Published by
Carus Verlag
(CA.5040512). ISBN
9790007081720. Key: D
minor. Language:
German/English. The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score and part
available separately -
see item CA.5040500. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Orgue Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB
choir, congregation, 2
violins, viola, cello,
contrabass, organ SKU:
CA.5040514 Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Single Part,
Cello. Composed 1903. Op.
WoO V/4 Nr. 2. 2 pages.
Duration 15 minutes.
Carus Verlag #CV
50.405/14. Published by
Carus Verlag
(CA.5040514). ISBN
9790007081744. Key: D
minor. Language:
German/English. The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score and part
available separately -
see item CA.5040500. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Orgue Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB
choir, congregation, 2
violins, viola, cello,
contrabass, organ SKU:
CA.5040513 Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Single Part,
Viola. Composed 1903. Op.
WoO V/4 Nr. 2. 2 pages.
Duration 15 minutes.
Carus Verlag #CV
50.405/13. Published by
Carus Verlag
(CA.5040513). ISBN
9790007081737. Key: D
minor. Language:
German/English. The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score and part
available separately -
see item CA.5040500. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Orgue Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB
choir, congregation, 2
violins, viola, cello,
contrabass, organ SKU:
CA.5040511 Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Single Part,
Violin 1. Composed 1903.
Op. WoO V/4 Nr. 2. 2
pages. Duration 15
minutes. Carus Verlag #CV
50.405/11. Published by
Carus Verlag
(CA.5040511). ISBN
9790007081713. Key: D
minor. Language:
German/English. The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score and part
available separately -
see item CA.5040500. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Orgue Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB
choir, congregation, 2
violins, viola, cello,
contrabass, organ SKU:
CA.5040505 Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Choral Score.
Composed 1903. Op. WoO
V/4 Nr. 2. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
50.405/05. Published by
Carus Verlag
(CA.5040505). ISBN
9790007081706. Key: D
minor. Language:
German/English. The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score available
separately - see item
CA.5040500. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731509 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509). ISBN
9790007201685. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500. $82.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor Orgue Carus Verlag
Orchestra Solo Voices, SATB Chorus, Orchestra, Organ SKU: CA.2709212 Comp...(+)
Orchestra Solo Voices,
SATB Chorus, Orchestra,
Organ SKU:
CA.2709212 Composed
by Anton Bruckner. Edited
by Knut Breyer. Single
Part, violin 2. WAB 26.
Duration 45 minutes.
Carus Verlag #2709200.
Published by Carus Verlag
(CA.2709212). ISBN
9790007248741. Key: D
minor. Latin. Anton
Bruckner composed his
first mass, the Mass in D
minor, in 1864 in just
four months. It was not
ready in time for the
Kaiser Franz Joseph I's
birthday, as planned, but
was first performed on 20
November at the Feast of
St Cecilia in Linz
Cathedral - with great
success. The mass is one
of the first works by
Bruckner to be written in
his characteristic
symphonic style. It was
revised several times and
first published in 1892.
This edition is based on
a critical evaluation of
all the relevant sources,
and offers an improved
musical text. Score and
part available separately
- see item
CA.2709200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731512 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512). ISBN
9790007201708. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731515 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515). ISBN
9790007201739. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731513 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513). ISBN
9790007201715. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731519 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519). ISBN
9790007137366. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500. $222.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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