Klavarskribo. Par WILDEMAN PETER. / Musique religieuse / Date parution : 2019-05-27/ Répertoire / Orgue

per organo. Par VASKS PETERIS. 'Viatore' was originally one of Peteris Vasks's extremely successful works for string orchestra. This newly-published arrangement translates the inexorably shimmering original string sound of the piece into a sonorous organ sound foundation. In the adaptation for organ, the catchy motif of 'Viatore' (Passenger) receives entirely new dynamic possibilities. The whole sound potential of the 'queen' of instruments is fully explored, the typical 'Vasks sound' is maintained and at the same time expanded by new, surprising aspects./ Répertoire / Orgue

per organo. Par VASKS PETERIS. Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Canto di forza' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man. Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions./ Répertoire / Orgue

The Orgelbüchlein Project is a collective composition project aiming to complete Bach's unfinished manuscript known as 'Orgelbüchlein'. In the 'Little Organ Book', Bach laid out a complete hymnal of short organ chorale, 164 in all, but only completed 46 of them. Why the remaining 118 were left as blank pages, with only a title at the head, remains a mystery, but they inspired organists William Whitehead to found the Orgelbüchlein Project, in which contemporary composers are invited to contribute a piece to completing the collection. The resulting collection, to be published in eight volumes, represents a cross-section of the most interesting composers at work today across Europe. More information about the project is available at www.orgelbuechlein.com. List of Composers: Nigel Allcoat, Johann Sebastian Bach, Sally Beamish, Christian von Blohn, Timothy Byram-Wigfield, John Butt, Stephen Hough, Just? Janulyt?, Simon Johnson, Jonas J?rkunas , Daniel Kidane, Till Alexander Körber, Ronny Krippne, David Matthews, Nico Muhly, Anthony Powers, Tarik O'Regan, Roxanna Panufnik, Poul Ruders, Sven-David Sandström, Robert Saxton, Peter Shepherd, Andrew Synnott Zsigmond Szathmáry William Whitehead / Orgue

Voici un ensemble très utile des pièces d'orgue pour l'église et le considérant utilisation. Peter Pindar Stearns a créé fugues basé sur six hymnes familiers que l'on retrouve dans la plupart des livres de cantiques. Les pièces sont contemporaines, facile à écouter, et moins impliqués que beaucoup d'autres oeuvres Stearns. / Orgue

Par ROTHENBERG PETER. Format: New Edition portrait/ Répertoire / Orgue Electrique

Für Orgelpositiv Und Cembalo. Par PLANYAVSKY PETER. “Nicht schnell, etwas distanziert” das erste Gespräch: beherrscht von Achtelbewegung in Fünfer-, Siebener-, Neuner-, Zehnergruppen. Das zweite Gespräch: die Orgel setzt etwa im achten Takt frei ein und spielt in der Art eines Kanons wörtlich dem Cembalo . . ./ Répertoire / Orgue

Par PLANYAVSKY PETER. Das virtuose Stück ist nach seinem australischen Entstehungsort benannt./ Répertoire / Orgue

Franz Liszt a composé son lyrique-méditative organe fantasia sur la Arcadelt Ave Maria von à Rome en 1863. Contrairement à ses grands travaux virtuoses, cette pièce de genre de charme peut même être facilement joué sur les plus petites (deux claviers) les instruments, même sans houle d'organes et de roseaux. Le 'organe de Liszt à l'église du village de Denstedt près de Weimar, qui a été construit par les frères Peternell en 1859/60 et a survécu dans son état d'origine, peut être utilisé comme un exemple. Il n'a pas fait connaître jusqu'à ce que en 1927 que l'Ave Maria Jakob Arcadelt attribué à (autour de 1505-1568) était une version révisée par le compositeur Pierre-Louis-Philippe Dietsch (1808-1865) qui a utilisé la mélodie de la voyons Arcadelt indigènes chanson Qué les Hommes qui il a ensuite harmonisés dans son propre romantique en quatre parties de la musique chorale et à laquelle il a ajouté le texte sacré comme un contrafactum. Notre édition séparée veut faire de ce lieu 'poétique', mais assez facile à jouer oeuvre pour orgue sans difficultés techniques majeures, accessibles à un large cercle de personnes intéressées. / Orgue

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

Chorale Settings - Praeambula. Par PRAETORIUS JACOB. Jakob Praetorius, who was born in Hamburg on 8 February 1586, studied with Jan Pieterszoon Sweelinck 1602-1603 and was organist at the church of St Peter in Hamburg from 1603-1651. This edition contains seven chorale settings and three Praeambula (in C, D and F)./ Recueil / Orgue