Organ SKU: HL.14042524 Composed by Per Norgard. Music Sales America. Clas...(+)
Organ
SKU:
HL.14042524
Composed
by Per Norgard. Music
Sales America. Classical.
Softcover. Composed 2013.
Edition Wilhelm Hansen
#WH31728. Published by
Edition Wilhelm Hansen
(HL.14042524).
When in 1975 I
had finished composing my
3rd Symphony (begun in
1973), I wrote three
simple melodies for two
psalm texts by Ole Sarvig
“The Year”
and “Choral
Hymn”. One of these
was later included in the
Danish Hymnbook under the
title “Året
– Som året
går” (The
Year). These three
“Sarvig
tunes” were derived
from the same material as
the second movement of
the symphony and could be
harmonized together in
several different
temporelationships at the
same time - like
fractals. This inspired
me to write several
choral and instrumental
works in the following
decade based on these
melodies: for instance
“Frost
Psalm”,
“Winter
Cantata”,
“Cycles”,
“Cantica” and
this piece for organ, all
coloured by the Nordic
and mythic poem by
Sarvig, the beginning of
which
goes:
The passing
year will pass its
deep
So shall our mind reach
winter´s
sleep. And as the tree stands
leafles,
bare,
Is winter´s realms:
our minds
aware.
Violin, Organ - Level 4 SKU: BA.BA11087 Composed by Thomas Daniel Schlee....(+)
Violin, Organ - Level 4
SKU: BA.BA11087
Composed by Thomas Daniel
Schlee. Stapled.
Urauffuhrung 01.06.2017,
Wien. Performance score,
Part (1). Composed 2015.
21/6 pages. Baerenreiter
Verlag #BA11087_00.
Published by Baerenreiter
Verlag (BA.BA11087).
ISBN 9790006565078. 30
x 23 cm inches.
In
a wide-reaching form the
music develops increasing
density in texture,
dynamics und sound
quality. The work can be
performed as an anthemic
coda together with the
„Cantus“
requiring the same
instrumentation (BA
7455).
Organ (Organ) SKU: HL.14013003 Composed by Henryk Gorecki. Music Sales Am...(+)
Organ (Organ)
SKU:
HL.14013003
Composed
by Henryk Gorecki. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 16 pages.
Chester Music #CH60910.
Published by Chester
Music (HL.14013003).
ISBN 9780711934948.
11.75x8.25x0.06
inches.
Henryk
Mikolaj Gorecki's career
spans more than 40 years,
dating from the
post-Stalinist era of the
mid 1950s and embracing a
catalogue of more than 70
acknowledged works. It
was not, however, until
the phenomenal success of
his third symphony,
Symphony of Sorrowful
Songs Op 36, which
brought the composer
world-wide renown through
its numerous performances
and recordings, that his
music reached an extended
audience outside his
native Poland. Since then
the directness and
emotional impact of his
music have established
him as one of the major
figures of contemporary
music.
Organ - Level 3 SKU: BA.BA11230 Composed by Joan Cabanilles. Edited by Ge...(+)
Organ - Level 3
SKU:
BA.BA11230
Composed
by Joan Cabanilles.
Edited by Gerhard Doderer
and Miguel Bernal Ripoll.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Volume III. Performance
score, anthology.
Baerenreiter Verlag
#BA11230_00. Published by
Baerenreiter Verlag
(BA.BA11230).
ISBN
9790006561049. 24 x 30.5
cm inches. Preface:
Ripoll, Miguel Bernal /
Doderer,
Gerhard.
Joan
Cabanilles was cathedral
organist in Valencia and
the towering figure in
Spanish organ music of
the late 17th century.
His brilliant and diverse
musical language, rooted
in the traditional sounds
of Spain, has not managed
to reach a large audience
outside the Iberian
peninsula, although he is
often called “a
musician of European
statureâ€.
The aim of this
three-volume Urtext
edition is to grant
access to his most
appealing works. To this
end, all available
sources in the libraries
of Astorga, Barcelona,
San Lorenzo de el
Escoreal,
Felanitx/Mallorca, Jaca
and Montserrat have been
examined and newly
evaluated.
If
Cabanilles’s
oeuvre consists primarily
of tientos, organ hymns
and versets, the third
and final volume contains
three versos, three
pasacalles, two
galliards, two toccatas
and such special forms as
Paseos de tercer tono,
Diferencias de FolÃas
and a
Jácara.
â
žThis is an excellent
resource for organists
interested in exploring
this satisfying
repertoire.“
(Brian E. Harlow,
Journal of the
Association of Anglican
Musicians 1/2018)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: HL.48186027 Composed by Jehan Alain. Leduc. Post-1900. So...(+)
Organ
SKU:
HL.48186027
Composed
by Jehan Alain. Leduc.
Post-1900. Softcover. 8
pages. Alphonse Leduc
#AL29835. Published by
Alphonse Leduc
(HL.48186027).
UPC:
888680842338. 9x12
inches.
?Jehan
Alain (1911-1940) was a
French organist and
composer. His Litanies
for Organ was composed in
1937 and is a sublime
addition to the
instrument's repertoire.
Alain studied with Organ
virtuosos, Guilmant and
Vierne and was primarily
an organist and composer
of religious music.
Whilst at the Paris
Conservatoire, he won
many prizes and his
composition catalogue
comprises some 140 works.
Alain's Litanies is his
most famous work and is
prefaced with the text;
??When, in its distress,
the Christian soul can
find no more words to
invoke God's mercy, it
repeats endlessly the
same litany....for reason
has reached its limit;
only faith can take one
further...?? From lively
and comical pieces, to
sensitive and unexpected
works, Alain's pieces are
diverse in musicality.
Moreover, the composer
exploits Organ
techniques, making
Litanies an exciting and
varied piece for advanced
level
organists.andrdquo.
Organ SKU: SU.80101422 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101422
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101422.
Published by Zimbel Press
(SU.80101422).
Suite
circulaire (2018) for
organ is dedicated to
Elisa Williams Bickers.
The music takes a free,
contemporary approach to
the historical genre of
circulating (or
modulating) compositions,
where the basic material
moves through a variety
of keys before returning
home again. The goal is
not simply to play a
modulation game, but
rather to construct a
true musical discourse
where the varied keys are
an essential part of the
concept. The first
movement, Praeludium, is
bright in character.
Besides moving through
varied keys, the movement
is also animated with
various looping patterns
that provide another link
to the circulating
concept. The second
movement, Ricercare,
takes its content very
literally from the title,
which means to search
out. Instead of being a
proto-fugue, like many
ricercares from the late
Renaissance or early
Baroque, the music
searches through the keys
by means of a wandering
melody and a modulating
accompaniment. The third
movement, Toccata, is
slightly manic in
character. The syncopated
theme heard at the start
animates the movement as
it moves through both
tonal, modal, and
bitonal/modal harmonies
before reaching an
excited conclusion. (When
the suite is performed on
an organ tuned in an
unequal, circulating
temperament, there is an
additional circular
effect provided by the
quite varied key colors
that are heard as the
material moves through
them.)Organ Duration:
14’ Composed: 2018
Published by: Zimbel
Press.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: GI.G-6576 For use by those 5’ to 5’8 tall...(+)
Organ
SKU:
GI.G-6576
For use
by those 5’ to
5’8 tall.
Instructional. Swiss
exercise ball - 55 cm.
GIA Publications #6576.
Published by GIA
Publications (GI.G-6576).
“There is
no doubt in my mind about
the pedagogical potency
of the use of the Swiss
Ball for conducting
study. This simple device
transfers responsibility
for teaching from
heretoforeused verbal
explanations to a new
world of instruction that
uses body awareness as
the primary
vehicle.†—
James Jordan, Learn
Conducting Technique with
the Swiss Exercise Ball
 Traditional
conducting methods rely
on how conductors
look––not
how they feel. James
Jordan’s
groundbreaking Learn
Conducting Technique with
the Swiss Exercise Ball
takes the study of
conducting beyond the
mechanics to a higher
plane. Using the Swiss
Exercise Ball, everyone
from the most experienced
conductor to the beginner
can tie into a state of
awarenessthat opens the
door to increased musical
expression and
kinesthetic awareness.
With the aid of a Swiss
Exercise Ball and the
Body Mapping techniques
described in this book,
conductors can reach a
new level of artistic
expression and mastery.
The Swiss Exercise Ball
is available in four
sizes from GIA
Publications, and each
comes with a pump. Choose
the ball size based on
the height of the
conductor: • 45 cm
ball, under 5’
tall (G-6575) • 55
cm ball, 5’ to
5’8†tall
(G-6576) • 65 cm
ball, 5’9â€
to 6’3†tall
(G-6577) • 75 cm
ball, 6’3â€
and taller (G-6578).
Organ SKU: SU.80101397 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101397
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101397.
Published by Zimbel Press
(SU.80101397).
Suite in F
(2017) is in three
movements: Praeambulum,
Ground, and Fantasia. The
first movement,
Praeambulum, begins with
F's as descending octaves
followed by a rising
scalar passage. This
theme returns throughout
the movement and also
serves to provide the
harmonic material for the
intervening episodes. The
second movement, Ground,
unfolds over a repeating
bass line, beginning with
a spare two-part texture
(that returns near the
end) and increases in
harmonic density. The
third movement, Fantasia,
begins in F and
introduces its two basic
musical ideas: a
fanfare-like march figure
and a pattern of quickly
alternating 3rds. The
music moves through
several modal areas
before reaching an
exultant conclusion.
Instrumentation: Organ
Duration: 11' Composed:
2017 Published by: Zimbel
Press.