| Organ Symphony No2 Orgue - Intermédiaire Schott
Organ - intermediate to advanced SKU: HL.49016185 Die Marianische....(+)
Organ - intermediate to
advanced SKU:
HL.49016185 Die
Marianische. Composed
by Enjott Schneider. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Als
Gegenstuck zur
Orgelsinfonie Nr.1 Pater
Noster bietet die 2.
Orgelsymphonie weichere
und geheimnisvollere
(eben marianische)
Klangwelten an und
skizziert Stationen aus
Marias Lebensweg. Als
Instrument empfiehlt sich
eine Orgel mit mindestens
drei Manu. Composed 2006.
55 pages. Duration 24'.
Schott Music #ED 20074.
Published by Schott Music
(HL.49016185). ISBN
9790001145411. UPC:
884088202507.
9.0x12.0x0.141
inches. As a
counterpart to theOrgan
Symphony No. 1 Pater
Noster (ED 9937), the
Organ Symphony No. 2
offers softer and more
mysterious (Marian) sound
worlds, sketching stages
of Mary's life: an
adoring Salve Regina
grows from the mystic
source, followed by
Berceuse pour Marie as a
lullaby of the Christmas
events. The third
movement Mater Dolorosa
falls back on the
well-known Gregorian
sequence Stabat Mater,
taking Mary's pain at the
cross as its central
theme. The finale treats
the Ave Maris Stella in a
crescendo from pp to ff
in a positive and solemn
manner, in memory of
Mary's assumption. It is
advisable to use an organ
with at least three
manuals. $24.99 - Voir plus => Acheter | | |
| Manual Miscellany For Organ Book One Orgue Novello & Co Ltd.
By Trevor. For Organ. Classical. Sheet Music. 32 pages. Published by Novello & C...(+)
By Trevor. For Organ.
Classical. Sheet Music.
32 pages. Published by
Novello & Co Ltd.
(1)$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Sing the Mighty Power of God Orgue [Conducteur] Zimbel Press
Organ SKU: SU.80101200 For Organ. Composed by Wolfgang Bottenberg....(+)
Organ SKU:
SU.80101200 For
Organ. Composed by
Wolfgang Bottenberg.
Keyboard, Organ. Score.
Zimbel Press #80101200.
Published by Zimbel Press
(SU.80101200).
This short,
vibrant work is based on
the familiar hymn tune
Ellacombe. A highly
suitable postlude 12
pages Published by:
Zimbel Press. $8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Organist's Upper Hand Orgue [Partition] - Intermédiaire Jackman Music Corporation
By C. Marianne Johnson Fisher, William H. Monk, Joseph J. Daynes, George Careles...(+)
By C. Marianne Johnson
Fisher, William H. Monk,
Joseph J. Daynes, George
Careless, Ebenezer
Beesley, Hans G. Nageli,
Robert Lowry, Giocomo
Meyerbeer, John B. Dykes,
Lowell Mason, Freeman
Lewis, William B.
Bradbury, John J.
Mcclellan, Frank W.
Asper,. Arranged by
Darwin Wolford. For Organ
Book. Level: Medium.
Published by Jackman
Music Corporation.
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns of Praise Then Let Us Sing: Seasonal Hymn Accompaniments for Organ with Minimal Pedal Orgue - Facile MorningStar Music Publishers
By Lynn Trapp. For organ. Advent, Christmas, Epiphany, Lent, Holy Week/Three Day...(+)
By Lynn Trapp. For organ.
Advent, Christmas,
Epiphany, Lent, Holy
Week/Three Days, Easter,
Ascension, General.
Moderately Easy.
Published by MorningStar
Music Publishers
$29.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Old Composers from the Early Days of the Organ Playing Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-3938 12 Compositions of the 15th and 16th Century...(+)
Organ SKU:
BR.EB-3938 12
Compositions of the 15th
and 16th Century.
Composed by Arnold
Schering. Edited by
Arnold Schering. Solo
instruments; stapled.
Edition Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
40 pages. Breitkopf and
Haertel #EB 3938.
Published by Breitkopf
and Haertel (BR.EB-3938).
ISBN 9790004162057. 12
x 9 inches. Antoine
Brumel (ca. 1460-ca.
1520) Um 1460 in den
franzosischen
Niederlanden geboren,
wirkte Antoine Brumel
1483 als Vorsanger an der
Kathedrale zu Chartres,
spater in Laon. 1498-1500
war er Chormeister an
Notre-Dame in Paris. Uber
Lyon kam er 1505 als
Nachfolger Josquins an
den Hof Alfonsos I. von
Ferrara und starb
wahrscheinlich um 1520.
Brumel gilt als einer der
bedeutendsten
,,Niederlander der
Josquin-Generation. Er
schrieb uberwiegend
Kirchenmusik: Messen
(u.a. die 12stimmige
Missa ,,Et ecce terrae
motus, die noch 1570 in
Munchen unter der Leitung
Orlando di Lassos
aufgefuhrt wurde),
Motetten,
Magnificat-Vertonungen
und Bicinien, ferner
einige Chansons. Brumel
ist ein Meister des
polyphonen Satzes;
gelegentlich treten
homophone Partien auf
(Missa ,,Dringhs). Hans
Buchner (1483-1538)
Buchner wurde am 26.
Oktober 1483 in
Ravensburg (Wurttemberg)
geboren. Bereits in
jungen Jahren kam er nach
Augsburg und Innsbruck,
wo er Schuler Paul
Hofhaimers war. In Wien
lernte er in der
kaiserlichen Hofkantorei
wahrscheinlich Heinrich
Isaac und Ludwig Senfl
kennen. 1506 wurde
Buchner Organist in
Konstanz. Er starb im
Jahre 1538. Von ihm sind
zahlreiche Kompositionen
(Orgelwerke, Motetten,
Lieder, Tanze) erhalten.
Buchners Hauptwerk ist
das ,,Fundamentum, ein
theoretisch-praktisches
Lehrbuch der
Orgelspielkunst. Es
enthalt Anweisungen zur
Improvisation, zum
Orgelspiel und zur
lntavolierung sowie 145
Orgelkompositionen.
Heinrich Finck
(1444/45-1527) Finck
stammt wahrscheinlich aus
Bamberg, wo er um 1444/45
geboren wurde. Uber sein
Leben ist wenig bekannt.
Er wirkte an der
koniglich-polnischen
Hofkapelle in Krakau und
Warschau, war aber
daneben viel auf Reisen.
1510 wurde er
Kapellmeister am Hof des
Herzogs von Wurttemberg,
wirkte spater am
erzbischoflichen Hof in
Salzburg und erhielt im
hohen Alter die Stelle
des Hofkapellmeisters
Ferdinands I. in Wien, wo
er am 9. Juni 1527 starb.
Von Heinrich Fincks
Kompositionen ist nur ein
kleiner Teil uberliefert.
An erster Stelle sind
seine deutschen Lieder zu
nennen; ausserdem schrieb
Finck Messen (Missa in
summis) und Motetten. Der
Komponist gilt als der
erste deutsche
Grossmeister der Musik.
Seine Fruhwerke zeigen
zum Teil noch eine karge
Dreistimmigkeit mit
harten Zusammenklangen;
spater wird sein Satz
vollklingender,
wahrscheinlich unter dem
Einfluss der
,,Niederlander (Isaac).
Josquin Desprez
(ca.1440-1521/24) Josquin
ist der beruhmteste
Meister seiner Epoche,
die nach ihm als
Joaquin-Zeit bezeichnet
wird. Er wurde um 1440
wahrscheinlich in der
Picardie geboren und soll
Schuler Ockeghems gewesen
sein. 1459-1472 war
Josquin Sanger der
Mailander Domkantorei,
1473-1479 Mitglied der
Kapelle am Hof der Sforza
in Mailand. 1486-1494
wird Josquin als Mitglied
der papstlichen
Sangerkapelle in Rom
genannt. Seine Tatigkeit
als Chordirektor am Dom
zu Cambrai 1495-1499 ist
urkundlich nicht
gesichert. Er komponierte
fur den Hof Konig Ludwigs
XII. von Frankreich und
fur den Hof der Este in
Ferrara. 1502 wurde
Josquin von Ercole I. als
Kapellmeister nach
Ferrara berufen, wo er
bis zum Tode des Herzogs
(1505) blieb. Sein
Nachfolger wurde Brumel.
Joaquin kehrte in seine
Heimat zuruck und wurde
zum Probst der Kirche
Notre-Dame in Conde
(Hennegau) ernannt. wo er
am 27. August 1521 starb.
Als Komponist gelangte
Josquin bereits zu
Lebzeiten zu europaischer
Beruhmtheit. Sein Stil
beeinflusste das gesamte
musikalische Schaffen in
Europa bis in die
Palestrina-Zeit. Unter
seinen Werken sind an
erster Stelle die Messen
zu nennen (darunter ,,L'
homme arme, Missa sine
nomine, sein Meisterwerk
,,La sol fa re mi, die
zart-lyrische Messe ,,Ave
maris stella, die
Reprasentationsmesse
,,Hercules Dux Ferrariae
und die Spatwerke ,,De
beata virgine, ,,Pange
lingua und ,,Da pacem);
weiterhin schrieb er
Motetten (u. a. ,,Stabat
mater, ,,Miserere mei,
,,Memor esto verbi tui,
,,De profundis, ,,In
exitu Israel, ,,Laudate
pueri Dominum) und
Chansons (die
bekanntesten sind ,,Adieu
mes amours, ,,Mille
regretz und ,,J' ay bien
cause). Josquin ist einer
der genialsten Musiker
aller Zeiten. Sein streng
polyphoner Satz fuhrt
konsequent den Stil
Ockeghems weiter. Josquin
erreicht in seinen Werken
die hochste Meisterschaft
im
konstruktiv-imitatorische
n Stil der
,,Niederlander.
Gleichzeitig uberwindet
er jedoch das nur
Artistische dieser Kunst;
sein subjektiv gefarbtes,
von individuellem
Ausdruckswillen
bestimmtes
Wort-Ton-Verhaltnis wird
zum Ideal der
Renaissancemusik.
Josquins
Kompositionslehre wurde
1552 von seinem Schuler
Adrian Petit Coclico im
,,Compendium musicae
aufgezeichnet. Heinrich
Isaac (ca. 1450-1517)
Isaac wurde kurz vor 1450
in den Niederlanden
geboren. Er war
wahrscheinlich Schuler
Squarcialupis in Florenz
und wirkte in Ferrara und
am Hof Lorenzos de'
Medici in Florenz. 1484
weilte er gleichzeitig
mit Paul Hofhaimer in
Innsbruck, war danach bis
1494 wieder in Florenz
und wurde 1496
Hofkomponist Maximilians
I. in Augsburg und Wien.
Er unternahm zahlreiche
Reisen (u.a. 1497-1500 an
den Hof Friedrichs des
Weisen nach Torgau,
1503-1505 zu Ercole I.
nach Ferrara). Spater
lebte Isaac in Konstanz,
wo er sein Motettenwerk
,,Chorale Constantinum
(1550 von seinem Schuler
Ludwig Senfl
herausgegeben) schuf; von
1514 bis zu seinem Tode
1517 lebte er wieder in
Florenz. Isaac ist einer
der vielseitigsten
Musiker seiner Zeit. Er
ist in allen
musikalischen
Nationalstilen
sattelfest. Der Bogen
seines Schaffens spannt
sich vom Konstruktivismus
der niederlandischen
Polyphonie bis zur
anmutigen Intimitat des
schlichten
Renaissance-Satzes. Isaac
schrieb Messen (u. a. die
beruhmte ,,Missa
carminum), Motetten
(,,Chorale Constantinum),
Chorlieder und Chorsatze
auf deutsche,
franzosische und
italienische Texte (sein
Satz ,,Innsbruck, ich
muss dich lassen wurde
weltberuhmt) sowie
Instrumentalsatze.
Johannes Martini
(1430/40-ca.1500) Der um
1430/40 in Flandern
geborene Komponist wirkte
1474 neben Josquin und
Compere an der Mailander
Hofkapelle. 1475 wurde er
Mitglied der Hofkapelle
zu Ferrara, wo er noch
1492 tatig war. Sein
Todesjahr ist unbekannt.
Nach 1500 wird Martini
nicht mehr in den Listen
bekannter Komponisten
gefuhrt. Von Martini sind
Messen, Motetten und
Chansons uberliefert, die
stilistisch von Dufay und
Ockeghem beeinflusst
sind. Eine gewisse
Erstarrung des Stils ist
unverkennbar. Gregor
Meyer (ca. 1510-1576)
Meyer wurde um 1510 in
Sackingen geboren und
wirkte um 1535 bis 1558
als Organist in
Solothurn, 1561 bis zu
seinem Tode 1576 am
Munster zu Basel. Auf
Veranlassung Glareans
schrieb Meyer fur dessen
,,Dodekachordon (1547)
zahlreiche
Kompositionsbeispiele;
ausserdem sind in anderen
Sammlungen einige Kanons,
Motetten, einzelne
Messsatze und kirchliche
und weltliche Lieder
erhalten. Jacob Obrecht
(1450/51-1505) Als
einziger der grossen
,,Niederlander stammt
Obrecht aus dem
nordniederlandischen
Raum; er wurde
wahrscheinlich am 22.
November 1450 in Bergen
op Zoom geboren.
1476-1478 war er
Chormeister in Utrecht,
1479-1484 in seiner
Heimatstadt. 1484/85
wirkte er als
Kapellmeister an der
Kathedrale in Cambrai und
anschliessend in Brugge.
1487/88 besuchte Obrecht
den Hof Ercoles I. von
Ferrara. 1492 finden wir
ihn als Chormeister an
Notre-Dame zu Antwerpen,
1496 in Bergen op Zoom,
1498 in Brugge. 1500
schied er
krankheitshalber aus dem
Dienst und lebte bis 1504
in Antwerpen. Auf einer
Reise nach Ferrara starb
er im Jahre 1505
(angeblich an der Pest).
Von Obrechts
Kompositionen sind etwa
25 Messen (darunter
,,Maria zart, ,,L' homme
arme, ,,Caput, ,,Je ne
demande, ,,Fortuna
desperata), Motetten und
Chansons auf
niederlandische,
franzosische und
italienische Texte
uberliefert. Obrecht
gehort mit Josquin, lsaac
und Pierre de la Rue zu
den Grossmeistern der
Josquin-Zeit. Er setzt
die Polyphonie Dufays und
Ockeghems fort, doch
spielen bei ihm die
Durchimitation wie auch
das bei Josquin stark
ausgepragte
Wort-Ton-Verhaltnis eine
geringe Rolle. Obrechts
Musik ist durch ihre
vitale Kraft,
Spontaneitat des
Ausdrucks, klare
Periodenbildung, den Hang
zum vollen harmonischen
Satz und ein neues
Tonalitatsbewusstsein
gekennzeichnet. Im
Spatwerk ist der Einfluss
des volkstumlichen
italienischen Liedes
festzustellen. Obrechte
ausgepragter Penonalstil
ist so unnachahmlich,
dass er keine Fortsetzer
fand. Nicht zu Unrecht
wird Obrecht als der
grosse ,,Aussenseiter
zwischen den Perioden
Dufay-Ockeghem und
Josquin-Isaac bezeichnet.
Marbrianus de Orto (ca.
1450-1529) Orto stammt
moglicherweise ebenfalls
aus Flandern; sein
Geburtsjahr ist nicht
bekannt. 1484-1494 war er
gleichzeitig mit Josquin
papstlicher Kapellsanger
in Rom, spater (1505) am
Hofe Philipps des Schonen
von Burgund. Orto starb
1529 in Nivelles. Von ihm
sind Messen, Motetten und
Chansons erhalten.
Vermutlich redigierte er
wahrend seines romischen
Aufenthaltes gemeinsam
mit Josquin die
Bearbeitung Duf'ayscher
Hymnen. Ortos Messen
reichen nicht an die
Spitzenleistungen seiner
Zeit (Josquin, Obrecht)
heran; bedeutender sind
seine Motetten, wie etwa
die Motette ,,Ave Maria,
die Petrucci 1501 an die
Spitze seines ,,Odhecaton
stellte, und die
Vergil-Motette ,,Dulces
exuviae. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Klingende Orgelbuch Vol. 2 Orgue Schott
Electric organ SKU: HL.49006590 Bekanntes und Beliebtes aus Klassik, V...(+)
Electric organ SKU:
HL.49006590
Bekanntes und
Beliebtes aus Klassik,
Volks- und
Unterhaltungsmusik.
Edited by Willi Draths.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 100
pages. Schott Music #ED
6730. Published by Schott
Music (HL.49006590).
ISBN
9790001071475. Ausg
abe mit Akkordsymbolen,
Tastensymbolen fur
akkordprogrammierte
Orgeln (Easychord,
Chordomatic etc.),
Fingersatzen,
Registrieranweisungen,
Registrierschema,
Akkordgrifftabelle. $22.99 - Voir plus => Acheter | | |
| Last Verse Extravaganza - Manuals Orgue [Partition] Kevin Mayhew
| | |
| The Organ Music of Carson Cooman Volume I, Solo Organ Orgue Wayne Leupold Editions
| | |
| Hymn Exultations For Organ Orgue Hinshaw Music Inc.
Arranged by Richard Unfreid. For Organ accompaniment. Organ and Sacred. 90 pages...(+)
Arranged by Richard
Unfreid. For Organ
accompaniment. Organ and
Sacred. 90 pages.
Published by Hinshaw
Music Inc.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dynamic Hymn Introductions for Organ Orgue - Intermédiaire Lorenz Publishing Company
By Jason Payne. For organ: 3-staff. Sacred. Moderately difficult. Published by L...(+)
By Jason Payne. For
organ: 3-staff. Sacred.
Moderately difficult.
Published by Lorenz
Publishing Company
$28.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Antonio Vivaldi: Gloria in D RV.589 (Cameron ed.) - Full Score Orgue [Conducteur] Music Sales
String Orchestra Soprano Alto SATB Oboe Trumpet Organ SKU: HL.14035114 By...(+)
String Orchestra Soprano
Alto SATB Oboe Trumpet
Organ SKU:
HL.14035114 By Jasmin
Cameron. By Antonio
Vivaldi. Music Sales
America. Classical.
Score. Music Sales
#NOV078980. Published by
Music Sales
(HL.14035114).
Few baroque
composers were ever able
to create work as sunny,
as joyous as Vivaldi did
in this beloved Gloria.
The contrast of mood
throughout the work as it
moves through the drama
of the Mass to its
satisfying double final
movement shows the
composer at the height of
his powers.Vivaldi
composed this work in
Venice in about 1715,
during his fruitful time
at the Ospedale della
Pieta. In his lifetime
this priest, composer and
virtuoso Violinist
achieved enormous musical
success. Considering his
great popularity in the
modern era, it is
difficult to believe that
public appreciation of
his work declined after
his death and that the
Gloria languished
undiscovered
forcenturies. It wasn't
until 1957 that the
restored work was heard
again in its entirety.
Since that time, this
moving and joyous Gloria
has been recorded more
than one hundred times
and perennially appears
on concert series around
the world. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Organ Improvisations For Lent And Easter Hymns Orgue - Facile Hinshaw Music Inc.
Arranged by Gerre Hancock. For Organ solo. Organ. Level: Medium Easy Adult. Dura...(+)
Arranged by Gerre
Hancock. For Organ solo.
Organ. Level: Medium Easy
Adult. Duration 8 min.
Published by Hinshaw
Music Inc.
$15.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Hymn Innovations Orgue Lorenz Publishing Company
By David H Hegarty. Organ. Sacred. Level: 3-staff. Sacred Organ. Published by Lo...(+)
By David H Hegarty.
Organ. Sacred. Level:
3-staff. Sacred Organ.
Published by Lorenz
Publishing Company.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Margittay(ed) Anthologia Organi I Orgue Schott
Organ (Organ) SKU: HL.49032188 Composed by Anfaenge. Edited by Sandor Mar...(+)
Organ (Organ) SKU:
HL.49032188 Composed
by Anfaenge. Edited by
Sandor Margittay. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott. 72 pages.
Schott Music #ED 6756.
Published by Schott Music
(HL.49032188). ISBN
9790001118026. $24.99 - Voir plus => Acheter | | |
| Masked Ball Opernfuhrer Orgue Schott
Organ SKU: HL.49016073 By Charles Marie Widor. By Giuseppe Verdi. Edition...(+)
Organ SKU:
HL.49016073 By
Charles Marie Widor. By
Giuseppe Verdi. Edition
Schott. Classical. Book
Only. 2 pages. Schott
Music #GS33115. Published
by Schott Music
(HL.49016073). UPC:
073999247978. 305 X 229
inches. These
“critico-practical&
rdquo; editions by
Charles-Marie Widor and
Dr. Albert Schweitzer
have been a mainstay of
organ literature since
their publication in
1912. The eight volumes
are indexed by the type
of composition andoffer
extensive observations,
based on historical
evidence and traditional
performance, on topics
such as registration,
ornamentation, and
phrasing. A fundamental
component of the
organist's library.
Volume 7:
66miscellaneous
compositions on 56
chorales from “The
Little Organ Book”.
This volume illustrates
the working of chorales
in every style, as well
as instruction in the use
of the pedal. $14.99 - Voir plus => Acheter | | |
| Free Harmonizations...vol Ii Orgue Hinshaw Music Inc.
(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music ...(+)
(Accompaniment: Organ).
Sacred. Level: Medium
Adult. Published by
Hinshaw Music Inc.
$69.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Art of Hymn Playing Vol. II Orgue - Facile MorningStar Music Publishers
Composed by Charles E. Callahan Jr. (1951-). Minimal Pedal, Bestseller, Preludes...(+)
Composed by Charles E.
Callahan Jr. (1951-).
Minimal Pedal,
Bestseller, Preludes,
Hymn
Intros/Reharmonizations.
Reformation, Lent,
Easter, Christmas, Ash
Wednesday. Published by
MorningStar Music
Publishers
(1)$37.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymn Tunes A to Z Orgue - Intermédiaire Lorenz Publishing Company
(38 Organ Settings for Worship or Recital). By Douglas E. Wagner. For organ: 3-s...(+)
(38 Organ Settings for
Worship or Recital). By
Douglas E. Wagner. For
organ: 3-staff. Sacred.
Intermediate. Published
by Lorenz Publishing
Company
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731515 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515). ISBN
9790007201739. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731513 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513). ISBN
9790007201715. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731512 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512). ISBN
9790007201708. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731511 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511). ISBN
9790007201692. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731514 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514). ISBN
9790007201722. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hymn Interludes Orgue - Intermédiaire MorningStar Music Publishers
By Martha Lynn Thompson. For organ. Organ Music. Level: Medium. Published by Mor...(+)
By Martha Lynn Thompson.
For organ. Organ Music.
Level: Medium. Published
by MorningStar Music
Publishers.
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731549 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549). ISBN
9790007201746. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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