By Margaret Sandresky. For Organ Solo. Level: Medium. Published by Wayne Leupold Editions.

Edited by Dale Tucker. Arranged by David Lasky. Classical and sacred organ. Level: intermediate. 28 pages. Published by Alfred Publishing.

By Margaret Sandresky. For Organ Solo. Level: Medium to difficult. Published by Wayne Leupold Editions.

Edited by Dale Tucker. Arranged by David Lasky. Classical and sacred organ. Level: intermediate. 28 pages. Published by Alfred Publishing.

Five Folklike Organpieces. Composed by Erland Von Koch (1910-). Fantasi over Kristallen den fina, Meditiation over Kvallen stundar, Folklig marsch nr 1, Folklig marsch nr 2, Till en skargardskyrka. Published by Gehrmans Musikforlag (GH.P07999).

Composed by Various. Organ Adventure. Standards. 80 pages. Published by Hal Leonard

By Callahan. For organ. General, sacred. Published by Concordia Publishing House.
Level: Easy-Moderately Easy.

Composed by Beck. For organ/keyboard. General. Easy. Published by Concordia Publishing House

70 All-Time Favorites Arranged for Organ. Composed by Various. Organ. Softcover. 208 pages. Published by Hal Leonard (HL.144638).

By Rodney Schrank. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Easy/Medium-Easy.

Organ - Advanced

SKU: MN.12-128

Composed by Harold Stover. Non Hymn-Based, Recital Music. General. Instrumental part. MorningStar Music Publishers #12-128. Published by MorningStar Music Publishers (MN.12-128).

UPC: 688670121289.

The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.