Par ARCHER MALCOLM. Une compilation de pièces d'orgue populaire pour les mariages, dans des arrangements simplifiés pour les manuels seulement. Malcolm Archer a été instruit à l'école King Edward VII, Lytham, le Royal College of Music, et Jesus College de Cambridge, où il a été chercheur d'organes. Il a étudié l'orgue avec Ralph Downes, Gillian Weir et Nicolas Kynaston, et la composition avec Herbert Sumsion et Alan Ridout. Il est un compositeur prolifique avec plus de 200 ouvrages publiés, qui reçoivent régulièrement des spectacles sur la BBC radio et de télévision. Archer était auparavant organiste et directeur de musique à la cathédrale St Paul et est maintenant directeur de la musique chapelle à Winchester College./ Recueil / Orgue

Par GUILMANT ALEXANDER. The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the Organ a new sense which had been too little cultivated by organists. This volume is edited by A. Eaglefield Hull and contains the First Sonata in D Minor Op. 42, Second Sonata In D Major Op. 50, Third Sonata In C Minor Op. 56, Fourth Sonata In D Minor Op. 61 and the Fifth Sonata In C Minor Op. 80./ Répertoire / Orgue

Description The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the organ a new sense which had been too little cultivated by organists. Edited by A. Eaglefield Hull. Songlist Fifth Sonata In C Minor, Op.80 Fourth Sonata In D Minor, Op.61 Second Sonata In D Major, Op.50 Symphony In D Minor, Op.42 Third Sonata In C Minor, Op.56

Un second livre de folk préférés, des chansons populaires et standards avec les paroles et les noms de la corde. Comprend 'La Cumparsita', 'Pierre et le loup' et ' Danse du chapeau mexicain '. / Piano / 80 pages / Partition

This useful series is ideal for keyboard players who find themselves playing church organs for village services. Each volume provides a wide selection of material suitable for use as voluntaries for which pedal parts are not required.Volume 4 contains: BACH JS - Adagio from Organ Concerto in A minor BWV593, BATTISHILL - Voluntary, DANDRIEU - Basse et Dessus de Trompette from Magnificat in A, FELTON - Variations on 'Farewell Manchester' from Organ Concerto in A Major, FRANCK - Air Béarnais, FRESCOBALDI - Toccato Chromatica from Messa della Domenica, LISZT - Agnus Dei from Requiem pro Organo, MARTINI - Allegro from Sonata II, PACHELBEL - Magnificat-Fugue, STANLEY - Voluntary in E Minor Op.6 #9, TOURNEMIRE - Petite Fugue, WALTHER - Adagio from Organ Concerto in Bb Major, CHARPENTIER - A Trumpet Voluntary (Te Deum Prelude) / Orgue / niveau : Elémentaire / Recueil

Deux sonates pour le Forte-Piano - oeuvres Ier - Paris, Ignace Pleyel, Naderman, s.d. (=1810).Présentation de Jeanne Roudet : Notice biographique - Eléments d'interprétation (accentuation, articulation). / Piano Ou Pianoforte / 52 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Mendelssohn produced an early work for Organ in 1837, but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow, providing the subtitle of this book.Eleven movements are included here, all written in 1844 and 1845. What were originally commissioned as 'Voluntaries' were changed at the composer's request to 'Sonatas'. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right, the works are not identical to the final, printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre, this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music, it is the editor's belief that in the century dividing JS Bach from these works of Mendelssohn, fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand, to which he returned nine times over nearly twenty years. / Orgue

Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata