(Voluntaries (without Pedal)). Edited by Alexander Schreiner. For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 184 pages. Published by Alfred Music Publishing

Composed by Colin Hand. For Organ. Tutors. Sacred. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 300. Published by Ut Orpheus

Organ

SKU: UT.HS-335

Edited by Iain Quinn. Classical. Score. Ut Orpheus #HS 335. Published by Ut Orpheus (UT.HS-335).

ISBN 9790215328532. 9 x 12 inches.

Walte r Battison Haynes (1859-1900): Sonata in D minor
Hugh Blair (1864-1932): Short Sonata in G major

The organ sonatas of Walter Battison Haynes and Hugh Blair demonstrate a notable peak in the development of the English organ sonata as a work that is musically cohesive. As discussed in The Genesis and Development of an English Organ Sonata (2017), the portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements of varying technical difficulty was common during the second half of the nineteenth century not least as a published example of the compositional skill of composers. Whereas these two sonatas join the tradition of works that could be convincingly played on both medium and large instruments and allow for creativity in registration they are also cohesive pieces that could serve in a concert programme. These works join the legacy of English organ sonatas that had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. They are both idiomatically written and musically rewarding pieces that are imbued with the undeniably English harmonic language of the era that was to remain popular for several decades to come.

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 301. Published by Ut Orpheus

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

Organ Solo. By Johann Sebastian Bach. Arranged by Charles-Marie Widor, Albert Schweitzer. Organ Collection. Size 9x12 inches. 152 pages. Published by G. Schirmer, Inc.

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 299. Published by Ut Orpheus

By Various. For Organ. General collections. Classic. Level: Intermediate. Book. Published by Kevin Mayhew Publishers (U.K. Import).

(Easy Organ Music for Grand Occasions) Edited by Martin Bartsch. For organ. Format: organ solo book. With organ notation and introductory text. Wedding. 82 pages. 9x12 inches. Published by Baerenreiter-Ausgaben

By Various. For organ. Wedding, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Organ

SKU: UT.HS-334

Edited by Iain Quinn. Classical. Score. Ut Orpheus #HS 334. Published by Ut Orpheus (UT.HS-334).

ISBN 9790215328525. 9 x 12 inches.

Bertr am Luard-Selby (1853-1918): First Sonata
Charles Harford Lloyd (1849-1919): Sonata in D minor

The first sonata of Bertram Luard-Selby and the sonata of Charles Harford Lloyd are examples of works that demonstrate the transitional nature of the maturing English organ sonata. The portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements was common during the second half of the nineteenth century. It allowed composers to demonstrate their own compositional skill as well as highlight the tonal capabilities of the developing symphonic organ in England. The sonatas are playable on both small and large instruments and allow for creativity in registration. The technical difficulty varies between movements. As discussed in The Genesis and Development of an English Organ Sonata (2017), the English sonatas had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa.

Organ

SKU: BT.ARMEOIO323

Composed by Giuseppe Martucci. Score Only. Armelin Musica s.a.s. #ARMEOIO323. Published by Armelin Musica s.a.s. (BT.ARMEOIO323).

Italian.

For Organ. General collections. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

Organ

SKU: HL.14011740

Composed by George Frideric Handel. Music Sales America. Baroque. Book [Softcover]. 24 pages. Music Sales #NOV560039. Published by Music Sales (HL.14011740).

ISBN 9780853609049. UPC: 884088435219. 8.5x11.0x0.105 inches.

Arranged for organ by CS Lang.

Drinkwater. For Organ. Organ - Method or Collection. Sacred. Book. 48 pages. Published by Alfred Publishing.
Level: Late Intermediate.

(Voluntaries (with Pedal)). For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 192 pages. Published by Alfred Music Publishing

Organ Solo. By Various. Arranged by R. Warner. Organ Collection. Size 9x12 inches. 68 pages. Published by Schirmer

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. For organ solo. This edition: Paperbound. Free organ music. Full score. Language: Italian. Composed 1888. 32 pages. Duration 23 minutes. Published by Carus Verlag

Organ - Advanced

SKU: MN.12-121

Composed by Joseph Willcox Jenkins. Non Hymn-Based, Recital Music. MorningStar Music Publishers #12-121. Published by MorningStar Music Publishers (MN.12-121).

UPC: 688670121210.

Confl uence was commissioned by the Organ Artist Series of Pittsburgh in celebration of its twentieth anniversary in 1999. Christa Rakich gave the premier at the closing concert of the season at Calvary Episcopal Church by in April of 1999. It has been performed frequently since that time. The title was given to honor the joining together or confluence of the three rivers of Pittsburgh: the Allegheny, the Monongalela, and the Ohio. Confluence is a curious hybrid related to both the sonata and rondo forms. It is of the ABABA design with the final A quite extended by polyphonic games and a very noisy and triumphant epilogue. The first idea is driving, rhythmic, nervous and agitated. The second is quiet, gentle and pastoral, that slowly moves in its mysterious ways, closing with a plaintive row of a dozen different pitches. The composer delights in the challenge of making tone rows as approachable and sing-able as possible. Both ideas make slightly varied restatements. At the end, fugal exploitation of the first idea is followed by that row, entering with stentorian grandeur in full pedal, heralding the triumphant close. This row, like the month of March is referred to frequently as coming in like a Iamb, going out like a lion.

Composed by Franz Liszt (1811-1886). Taking this as a role model, this organ version of the Liszt B-minor sonata attempts to render the piece instantly playable. For this purpose, the articulation, coming mainly from Liszt himself, and the registration details are noted. Since 1984, the a. Breitkopf and Haertel #EB- 8989. Published by Breitkopf and Haertel

Solo Organ

SKU: CA.5600300

Vol. II/2. Composed by Giacomo Puccini. Edited by Virgilio Bernardoni. Complete editions / Selected works: Edizione Nazionale delle Opere di Giacomo Puccini. Free organ music. Full score (complete edition / selected edition). 148 pages. Carus Verlag #CV 56.003/00. Published by Carus Verlag (CA.5600300).

ISBN 9790007188047.

The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini's organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into bass and soprano.Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy.

Organ Solo. By Felix Mendelssohn. Arranged by S Warren. Organ Collection. Size 12x9 inches. 88 pages. Published by G. Schirmer, Inc.

By Colin Hand. Arranged by Colin Hand. For Organ. General collections. Classic. Level: Intermediate. Book. Published by Kevin Mayhew Publishers (U.K. Import).

Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, (violin). This edition: Urtext edition. Paperback. Gerard Bunk. Samtliche Orgelwerke 3. Performance score, Part(s), Anthology. 110/2 pages. Published by Baerenreiter Verlag

Gordon Young. By Gordon Young. Fred Bock Music Company. Size 9x12 inches. Published by Fred Bock Music Company.

Arranged by Gregory P. Cohn. Collection for organ. With tonal registrations. Series: Organ Collection. 58 pages. Published by G. Schirmer, Inc.

Clavichord; harpsichord; keyboard; piano

SKU: HH.HH300-SOL

Composed by Carl Friedrich Christian Fasch. Edited by Christopher Hogwood. Clavichord; Harpsichord; Keyboard; Piano. Playing score. Edition HH Music Publishers #HH300-SOL. Published by Edition HH Music Publishers (HH.HH300-SOL).

ISBN 9790708092490.

Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.