Samtliche Orgel-und Clavierwerke, IV.2: Lied- und Tanzvariationen. By Jan Pieterszoon Sweelinck. Edited by Siegbert Rampe. For organ/harpsichord/piano. Urtext Edition (paperbound). Published by Baerenreiter Verlag (German import).

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

Composed by Colin Hand. For Organ. Tutors. Sacred. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

SKU: SU.00220558

Keyboard, Organ. CD (PDF Scores). CD Sheet Music #00220558. Published by CD Sheet Music (SU.00220558).

This CD Sheet Musicâ?¢ collection brings together several hundred works by 17th and 18th masters of the Baroque organ tradition. Composers include: Buxtehude (Preludes, Toccatas, Fuges, Chorale Preludes); Froberger (Canzonas, Capriccios, Fantasias, Ricercares, Toccatas); Handel (Concertos); Pachelbel (Preludes, Toccatas, Fantasies, Fugues, Ricercares, Chorale Preludes, Fugues on the Magnificat, Canon in D); Sweelinck (Chorale Preludes and Variations, Fantasias, Variations on Secular Songs and Dances, Toccatas); and more Also includes biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1100 pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Organ

SKU: BT.MUSM570208098

Composed by Anthony Gilbert. Book Only. 25 pages. University of York Music Press #MUSM570208098. Published by University of York Music Press (BT.MUSM570208098).

English.

For organ and pre-recorded organ. Published 2005 Commissioned by Kevin Bowyer. Score.

Composed by J. William Greene. Sacred. Collection. Published by Concordia Publishing House (CR.97-7781).

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS160F

From Three Short Pieces for Organ. Composed by Samuel Coleridge-Taylor. Arranged by Robert Debbaut. Cas. Full score. Duration 3 minutes. Carl Fischer Music #CAS160F. Published by Carl Fischer Music (CF.CAS160F).

ISBN 9781491165454. UPC: 680160924363. Key: C major.

The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World” Symphony.

(Organ). By Naji Hakim (1955-). Schott. Softcover. 36 pages. Schott Music #ED21155. Published by Schott Music

22 Organ Pieces from the 19th and 20th Century. By Various. Arranged by Barbara Heller, Lucia Schnellbacher. Schott. Size 9x12 inches. 150 pages. Published by Schott.

By Greene. For organ. Christmas. Moderately Easy-Moderately Difficult. Published by Concordia Publishing House

In this suite of four Christmas songs written in 1950, Rowley's Organizing principle is dance rhythm. The first movement sets The Holly and The Ivy in a lilting 6/8 Sicilian rhythm. The second movement combines The Holly and The Ivy with The Cherry Tree Carol in a sharply contrasting minuet. The third movement fughetta setting of The Little Room gives the dancers a breather before the fourth movement's bourree setting for On Christmas Night and The Moon Shines Bright.Twentieth century British composer Alec Rowley was also an Organist, pianist and dedicated teacher. Many of his compositions are miniatures and works appropriate for amateur musicians, though he also gained renownthrough his large-scale works performed at the Promenade Concerts and elsewhere

Organ

SKU: SU.80101141

For Organ. Composed by Sandra Gay. Keyboard, Organ. Score. Zimbel Press #80101141. Published by Zimbel Press (SU.80101141).

Sandra Gay's innovative Footnotes series continues with Vol. 2, six hymn preludes for pedals alone on contemporary hymn tunes. The six tunes represented are Faithsong, Wedding PrayerDance of Praise, Davenport (both tunes by Alfred V. Fedak), Coatue, and Siasconset (both tunes by Carson Cooman). Published by: Zimbel Press.

(28 practical settings for the church's year). By Rebecca Groom te Velde. For Organ. Organ. Pieces and Studies. 40 pages. Published by Oxford University Press

By Henry Purcell (1659-1695). Arranged by Martin Setchell. For Solo organ. Organ. Other Collection. 64 pages

Organ - intermediate

SKU: ST.H449

Composed by John Norris. Arranged by John Norris. Organ music. Sixteen celebrated pieces for a perfect wedding. Selected and arranged for organ by John Norris.. Score. Stainer & Bell Ltd. #H449. Published by Stainer & Bell Ltd. (ST.H449).

ISBN 9790220221286.

A well-known teacher and compiler of Stainer & Bell's Opera Gala series, John Norris has created Wedding Gala with an ear to giving church organists a mix of favourites and exciting discoveries to brighten the routine of music for the service of holy matrimony.

No album would be complete without the traditional wedding music of Mendelssohn and Wagner, and it can be found here in this collection alongside other classics of the wedding repertoire by Jeremiah Clarke, Bach and Handel. But there's also a thoroughly contemporary leavening, with arrangements of Sydney Carter's One More Step and Lord of the Dance, both firm favourites, plus Musorgsky's Pictures at an Exhibition and Charpentier's Prelude, adding a note of splendour.

But the real bonus is for lovers of English music, with Elgar's Chanson de Matin and 'The Call' from the Five Mystical Songs by Ralph Vaughan Williams, seldom found in comparable collections. And there's also a rare new discovery: the ravishing Chosen Tune by Herbert Howells, transcribed from his Three Pieces for violin and piano, Op. 28, and available as an organ piece for the first time.

Each piece is comprehensively registered by the arranger, and the collection as a whole will be welcomed by all organists of intermediate standard as a source of new material not only for liturgical use but also for recitals.

By Michael Burkhardt. For organ. Organ Music. Level: Medium. Published by MorningStar Music Publishers.

Electric organ

SKU: HL.49006365

Die elektronische Orgel. Edited by Peter Rothenberg. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 20 pages. Schott Music #ED 6491. Published by Schott Music (HL.49006365).

ISBN 9790001068963.

By Dale Wood. For organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press. (70/1100S)

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

By Garrett Parker. For organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company. (70/1395L)

Joy Of. Book Only. 80 pages. Yorktown Music Press #YK21095. Published by Yorktown Music Press