Organ SKU: BA.BA05100-02 Composed by Johann Sebastian Bach. Edited by Pet...(+)
Organ
SKU:
BA.BA05100-02
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny and Ulrich
Bartels. This edition:
complete edition, urtext
edition. Half-leather
binding. New Bach Edition
(NBA) IV/11. Complete
edition, Performance
score, anthology.
Baerenreiter Verlag
#BA05100_02. Published by
Baerenreiter Verlag
(BA.BA05100-02).
ISBN
9790006545124. 24.7 x
32.5 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: AP.12-0571507719 Volume 1. England 1510-1590. Ed...(+)
Organ
SKU:
AP.12-0571507719
Volume 1.
England 1510-1590.
Edited by James Dalton.
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork.
Book. Faber Music
#12-0571507719. Published
by Faber Music
(AP.12-0571507719).
ISBN 9780571507719.
English.
The Faber
Early Organ Series is
among the most
comprehensive anthologies
of early organ music ever
published. In 18 volumes
it spans two centuries
and six geographical
regions, presenting a
broad and balanced view
of the main forms, styles
and composers. Within
each geographical region
the pieces, most of which
are for manuals only, are
arranged by date of
composition or
publication. The
presentation is both
scholarly and practical;
all of the music has been
newly edited from the
earliest surviving
sources according to a
systematic editorial
method that preserves as
many features of the
original notation as
possible while making it
fully accessible to
modern players. In every
volume, an informative
Introduction sets the
music in historical
context. There are also
helpful sections on
Ornamentation and
Registration, and a
Critical Commentary
giving detailed
information on the
sources.
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas,
Fantasias and Fugues II /
Early Versions and
Variants to I (Volume 5)
and II (Volume 6).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dietrich Kilian / Peter
Wollny. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach. Organ
Works 6 | BARENREITER
URTEXT. Preludes,
Toccatas, Fantasias and
Fugues II / Early
Versions and Variants to
I (Volume 5) and II
(Volume 6). Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA5266).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ SKU: BA.BA05290-02 Composed by Johann Sebastian Bach. Edited by Rei...(+)
Organ
SKU:
BA.BA05290-02
Composed by Johann
Sebastian Bach. Edited by
Reinmar Emans. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Bach Edition (NBA) IV/10.
Complete edition,
Performance score,
anthology. Baerenreiter
Verlag #BA05290_02.
Published by Baerenreiter
Verlag (BA.BA05290-02).
ISBN 9790006545339.
32.8 x 24.5 cm
inches.
This volume
includes organ works
based on chorales
surviving in various
sources. Some of these
works were not previously
included in theNew Bach
Editioneither for reasons
of doubtful authenticity
or because they were
unknown until now. Two
pieces from this
repertoire - the two
arrangements ofWie schon
leuchtet der
MorgensternBWV 739 and
764 - stem from one of
Bach's autograph
manuscripts. They had
been omitted until
recently because of
doubts of
authenticity.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ - Level 3 SKU: BA.BA11230 Composed by Joan Cabanilles. Edited by Ge...(+)
Organ - Level 3
SKU:
BA.BA11230
Composed
by Joan Cabanilles.
Edited by Gerhard Doderer
and Miguel Bernal Ripoll.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Volume III. Performance
score, anthology.
Baerenreiter Verlag
#BA11230_00. Published by
Baerenreiter Verlag
(BA.BA11230).
ISBN
9790006561049. 24 x 30.5
cm inches. Preface:
Ripoll, Miguel Bernal /
Doderer,
Gerhard.
Joan
Cabanilles was cathedral
organist in Valencia and
the towering figure in
Spanish organ music of
the late 17th century.
His brilliant and diverse
musical language, rooted
in the traditional sounds
of Spain, has not managed
to reach a large audience
outside the Iberian
peninsula, although he is
often called “a
musician of European
statureâ€.
The aim of this
three-volume Urtext
edition is to grant
access to his most
appealing works. To this
end, all available
sources in the libraries
of Astorga, Barcelona,
San Lorenzo de el
Escoreal,
Felanitx/Mallorca, Jaca
and Montserrat have been
examined and newly
evaluated.
If
Cabanilles’s
oeuvre consists primarily
of tientos, organ hymns
and versets, the third
and final volume contains
three versos, three
pasacalles, two
galliards, two toccatas
and such special forms as
Paseos de tercer tono,
Diferencias de FolÃas
and a
Jácara.
â
žThis is an excellent
resource for organists
interested in exploring
this satisfying
repertoire.“
(Brian E. Harlow,
Journal of the
Association of Anglican
Musicians 1/2018)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750)....(+)
(Dritter Teil der
Clavier-Ubung). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Manfred Tessmer /
Christoph Wolff. For
organ solo. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach.
Orgelwerke 4. Level 4.
Performance score(s),
anthology. Published by
Baerenreiter Verlag
Organ SKU: BA.BA05097-02 Composed by Johann Sebastian Bach. Edited by Chr...(+)
Organ
SKU:
BA.BA05097-02
Composed by Johann
Sebastian Bach. Edited by
Christoph Wolff. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Bach Edition (NBA) IV/9.
Complete edition,
Performance score,
anthology. Baerenreiter
Verlag #BA05097_02.
Published by Baerenreiter
Verlag (BA.BA05097-02).
ISBN 9790006545025.
24.5 x 32.5 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ - Level 3 SKU: BA.BA06852-01 6 Orgelkompositionen. Composed ...(+)
Organ - Level 3
SKU:
BA.BA06852-01
6
Orgelkompositionen.
Composed by Leos Janacek.
Edited by Leoš Faltus
and Miloslav Bucek. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek F/2.
Complete edition,
Performance score,
anthology. Baerenreiter
Verlag #BA06852_01.
Published by Baerenreiter
Verlag (BA.BA06852-01).
ISBN 9790006483358.
24.1 x 31.4 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ - Level 4 SKU: BA.BA08452 Composed by Paul Claußnitzer. Edited b...(+)
Organ - Level 4
SKU:
BA.BA08452
Composed
by Paul Claußnitzer.
Edited by Jörg
Strodthoff. This edition:
urtext edition. Stapled.
Symphonic Organ 5.
Performance score,
anthology. Opus 22, 23.
Baerenreiter Verlag
#BA08452_00. Published by
Baerenreiter Verlag
(BA.BA08452).
ISBN
9790006506521. 30 x 23 cm
inches.
Our
“Symphonic
Organ†series
focuses mainly on organ
works from the late 19th
century and early modern
period: lt includes
unjustly neglected or
previously unknown
literature and rarities,
all of masterly
workmanship and superior
quality.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Heures mystiques: Elevations, Communions, Sorties. By Leon Boellmann. Edited by ...(+)
Heures mystiques:
Elevations, Communions,
Sorties. By Leon
Boellmann. Edited by
Schauerte-Maubouet,
Helga. For Organ. Playing
Score; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
Organ solo SKU: BA.BA08340 Composed by George Frideric Handel. This editi...(+)
Organ solo
SKU:
BA.BA08340
Composed
by George Frideric
Handel. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
containing BA 8341-8346.
Score. Opus 4, HWV
289-294. Baerenreiter
Verlag #BA08340_00.
Published by Baerenreiter
Verlag (BA.BA08340).
ISBN
9790006521135.
The
newly engraved scores and
parts for the six op. 4
organ concertos follow
the revised volume of the
Handel Complete Edition
edited by Terence Best
and William Gudger [BA
8340 / BA 8341-BA
8346].
The new
scores and orchestral
parts are free from the
overediting found in
other editions available
today. This means
performers can play just
exactly what Handel wrote
and not what others think
he meant. In other words,
you will not find trills,
staccato marks and slurs
sprinkled throughout the
score, you will find what
Handel wrote. In this new
Urtext edition all
editorial additions are
clearly
indicated.
Additio
nal string parts may also
be purchased
separately.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: SU.80101470 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101470
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101470.
Published by Zimbel Press
(SU.80101470).
Two Folk Songs
(2011) are settings of
traditional American folk
songs, primarily
associated with
Appalachia. In keeping
with the nature of the
source material (and how
it is performed in folk
contexts), the settings
are very straightforward.
Every Night, When the Sun
Goes Down is song with
lyrics that focus on the
transcendent peace that
comes from faith,
overcoming sorrow and
death. Sourwood Mountain
is a jubilant song with a
nonsense refrain (hey-ho
diddle-um day). The organ
setting evokes the spirit
of the banjo. As often
happens in a traditional
folk band, the melody is
elaborated in a more
virtuosic fashion on each
repetition.
Instrumentation: Organ
Duration: 6' Composed:
2011 Published by: Zimbel
Press.
Heures mystiques: Entrees, Offertoires, Offertoire funebre. By Leon Boellmann. E...(+)
Heures mystiques:
Entrees, Offertoires,
Offertoire funebre. By
Leon Boellmann. Edited by
Schauerte-Maubouet,
Helga. For Organ. Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
(Recercari, et Canzoni franzese (Rom, Zannetti, 1615, 21618)). By Girolamo Fresc...(+)
(Recercari, et Canzoni
franzese (Rom, Zannetti,
1615, 21618)). By
Girolamo Frescobaldi
(1583-1643). Edited by
Christopher Stembridge;
Kenneth Gilbert. For
Organ/Piano/Harpsichord.
Orgel- und Clavierwerke,
Band I.1 (Neuausgabe).
Playing Score; Urtext
Edition (paperbound).
Published by Baerenreiter
Verlag
Concertante and Character Pieces 2. By Felix Alexandre Guilmant. Edited by Wolf ...(+)
Concertante and Character
Pieces 2. By Felix
Alexandre Guilmant.
Edited by Wolf Kalipp.
For Organ. This edition:
Urtext Edition;
Paperbound. Collection.
74 pages. Published by
Baerenreiter Verlag
(German import).
Faber Early Organ, Volume 13 (Germany 1512-1577). Edited by James Dalton. For Or...(+)
Faber Early Organ, Volume
13 (Germany 1512-1577).
Edited by James Dalton.
For Organ. Book;
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork.
Published by Faber Music
Organ SKU: ST.EC66 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ
SKU: ST.EC66
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC66. Published by
Stainer and Bell Ltd.
(ST.EC66).
ISBN
9780852499726.
EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
EECM66 contains Advent,
Christmas, Epiphany and
Lenten hymns from Add. MS
29996, and 22 pieces from
other sources. Three
appendices include
intabulated pieces,
plainchant melodies, and
hymns and
faburdens.
In
addition to numerous
anonymous titles,
composers found in these
volumes include Avery
Burnett, Robert Coxsun,
William Kyrton, Thomas
Preston, John Redford,
Philip ap Rhys, Edmund
Strowger, Thomas Tallis,
John Thorne, Robert White
and Richard Wynslate.
(Germany 1660-1700). Edited by James Dalton. For Organ. Book; Masterworks; Organ...(+)
(Germany 1660-1700).
Edited by James Dalton.
For Organ. Book;
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork.
48 pages
Organ SKU: AP.12-0571507824 Volume 12. Germany 1650-1710. E...(+)
Organ
SKU:
AP.12-0571507824
Volume 12.
Germany 1650-1710.
Edited by James Dalton.
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork.
Book. 48 pages. Faber
Music #12-0571507824.
Published by Faber Music
(AP.12-0571507824).
ISBN 9780571507825.
English.
The Faber
Early Organ Series is
among the most
comprehensive anthologies
of early organ music ever
published. In 18 volumes
it spans two centuries
and six geographical
regions, presenting a
broad and balanced view
of the main forms, styles
and composers. Within
each geographical region
the pieces, most of which
are for manuals only, are
arranged by date of
composition or
publication. The
presentation is both
scholarly and practical;
all of the music has been
newly edited from the
earliest surviving
sources according to a
systematic editorial
method that preserves as
many features of the
original notation as
possible while making it
fully accessible to
modern players. In every
volume, an informative
Introduction sets the
music in historical
context. There are also
helpful sections on
Ornamentation and
Registration, and a
Critical Commentary
giving detailed
information on the
sources.