(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Organ SKU: HL.14009590 Composed by Edwin H. Lemare. Music Sales America. ...(+)
Organ
SKU:
HL.14009590
Composed
by Edwin H. Lemare. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV950225.
Published by Music Sales
(HL.14009590).
Lemare's
compositions are uneven
in quality, but the best
are still active in the
repertoire. The Toccata
di Concerto is certainly
full of fireworks and has
the capacity to show the
abilities of a great
Organ. The upper parts
have plenty of French
toccata style, but the
theme in the pedals gives
the piece substance, as
does the romantic,
chromatic interlude in
the middle of the
work.Organ virtuoso and
composer Edwin Lemare was
the world's highest-paid
Organist at the height of
his career in the early
1900's, drawing bravos
from ctritics and the
crowds who queued around
the block to hear this
most famous of Organists.
After having served as a
church Organist for a
relativelyshort period,
he began the life of a
travelling recitalist,
beginning with a
hundred-recital tour of
the USA and Canada in
1900, a career that
continued until the stock
market crash of 1929.
Lemare was also virtuosic
in his ability to
transcribe great
Orchestral works for the
Organ, allowing audiences
in those less urban times
to hear works played live
that they might have
heard no other way.
Organ SKU: HL.48180296 For Organ. Composed by Marcel Lanquetuit. L...(+)
Organ
SKU:
HL.48180296
For
Organ. Composed by
Marcel Lanquetuit. Leduc.
Classical. CD only. 15
pages. Alphonse Leduc
#AL17203. Published by
Alphonse Leduc
(HL.48180296).
UPC:
888680907563.
9.0x12.0x0.097
inches.
Marcel
Lanquetuit (1894-1985)
studied at the Paris
Conservatoire before
becoming the organist at
the church of
Saint-Godard in Rouen. As
well as being a prominent
organist of his time,
Lanquetuit was a renowned
composer, but chose to
improvise rather than
write. A few of his
notated compositions
remain, however,
including the grand and
mighty Toccata in D
Major, published in 1927.
Toccata in D Major is
typical of the French
style and is dedicated to
Lanquetuit's first
teacher, Albert Dupre.
The incessant, staccato
chords and memorable
melody create a toccata
for organ like no other,
making for an essential
addition to the advanced
organist's
repertoire.
By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge / Kenneth ...(+)
By Girolamo Frescobaldi
(1583-1643). Edited by
Christopher Stembridge /
Kenneth Gilbert. For
organ/keyboard.
Paperback. Score. Text:
German, English.
Published by Baerenreiter
Verlag
For Organ. Arranged by Grimoaldo Macchia. H.T. Fitzsimons Co. Jazz, Ragtime....(+)
For Organ. Arranged by
Grimoaldo Macchia. H.T.
Fitzsimons Co. Jazz,
Ragtime.
Softcover. 18 pages. H.T.
FitzSimons Company
#F0684.
Published by H.T.
FitzSimons
Company
Organ solo SKU: CA.1808200 Composed by Various. Edited by Armin Kircher. ...(+)
Organ solo
SKU:
CA.1808200
Composed
by Various. Edited by
Armin Kircher. This
edition: Paperbound.
Pastorale. Pastoralmusik
Fur Orgel Band 2. Free
organ music, Christmas.
Collection. 144 pages.
Carus Verlag #CV
18.082/00. Published by
Carus Verlag
(CA.1808200).
ISBN
9790007164003.
This
volume presents 64
Pastorale compositions
for organ
(harpsichord/pianoforte)
of the 18th century from
Germany, Bohemia, Austria
and South Tyrol. Charming
melodies shaped by
natural notes, bordoun
basses, a
lyrical-cheerful or
sensitive tone - these
are some of the common
characteristics of the
works in this collection.
Several of them are
connected to the custom
of the Kindlwiegen or
cradle song. Those in
search of new discoveries
will also find a number
of first editions here.
Almost all of the pieces
can be played manualiter
and range from easy to
moderate level of
difficulty. Together,
both Pastorale volumes
display an impressive
kaleidoscope of the
different national
characteristics of the
pastorale and offer a
rich repertoire for
organists, not only at
Christmas time.
Organ - Medium Advanced SKU: AU.9781506487335 Settings for Organ. ...(+)
Organ - Medium Advanced
SKU:
AU.9781506487335
Settings for
Organ. Composed by
David Evan Thomas.
Christian. Score.
Augsburg Fortress
#9781506487335. Published
by Augsburg Fortress
(AU.9781506487335).
ISBN 9781506487335.
9x12 inches.
This
exciting collection by
David Evan Thomas
features seven familiar
tunes expressed in
historical dance genres,
along with three original
pieces that include a
sicilienne and minuet.
Highlights include a
light and quick Passepied
on People Look East, a
gentle Pastorale on On
Christmas Night, and a
lively Tarantella on Oh,
Sing to God Above. Be
sure to check out the
original Sicilienne, an
example of the composer's
best writing.
Organ SKU: SU.80101118 For Organ. Composed by Robert Ehrhardt. Key...(+)
Organ
SKU:
SU.80101118
For
Organ. Composed by
Robert Ehrhardt.
Keyboard, Organ. Score.
Zimbel Press #80101118.
Published by Zimbel Press
(SU.80101118).
The composer
describes this highly
enjoyable piece with the
following words: This is
what happens when Vierne
collides with bluegrass
in 7/8 time. It is based
on the old gospel song
Give Me That Old Time
Religion and would be
useful a postlude for an
informal service or a
recital encore. 12
pages Published by
Zimbel Press.
Close To thee Orgue [Partition] Lorenz Publishing Company
By James Southbridge. For Organ. Artistic Organ Settings of Enduring Gospel Song...(+)
By James Southbridge. For
Organ. Artistic Organ
Settings of Enduring
Gospel Songs. Level:
3-staff. Sacred organ.
Published by Lorenz
Publishing Company.
(70/1672L)
By Edmund Shay. For Organ. Christian: Worship. 3-hole punched heavy stock paper....(+)
By Edmund Shay. For
Organ. Christian:
Worship. 3-hole punched
heavy stock paper.
Published by MorningStar
Music Publishers.
(10-611)
Level: Moderately Easy .
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio
Electronic Keyboard;
Keyboards; Organ
SKU:
HL.302741
E-Z Play
Today Book A. E-Z
Play Today. Instruction,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
(HL.302741).
ISBN
9781540065261. UPC:
888680967468.
9.0x12.0x0.182
inches.
Introducing
the E-Z way to reading
music notes, chords, and
learning musical terms!
Keyboards are among the
most versatile of all
musical instruments, and
many electronic keyboards
today have special
automatic features and
automatic rhythms. These
features make making
music even more fun and
versatile! If you've
always wanted to learn
how to play the keyboard,
this book is your first
step to success!
Beginnings Book A
provides
easy-to-understand
instructions with popular
songs and favorite tunes
so you can start playing
music you know and love
while learning to play!
In practically no time,
you'll be performing some
of your favorite
standards, including:
Aura Lee • Danny
Boy • He's Got the
Whole World in His Hands
• Kumbaya •
Lullaby (Cradle Song)
• On Top of Old
Smoky • Simple
Gifts • When the
Saints Go Marching In
• Yankee Doodle
• and more. This
book also includes access
to online recordings of
demonstration and backing
tracks, so you can listen
to the demos to hear how
the piece should sound,
then play along with the
backing tracks to sound
like a pro! Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
String Orchestra Soprano
Alto SATB Oboe Trumpet
Organ
SKU:
HL.14035114
By Jasmin
Cameron. By Antonio
Vivaldi. Music Sales
America. Classical.
Score. Music Sales
#NOV078980. Published by
Music Sales
(HL.14035114).
Few baroque
composers were ever able
to create work as sunny,
as joyous as Vivaldi did
in this beloved Gloria.
The contrast of mood
throughout the work as it
moves through the drama
of the Mass to its
satisfying double final
movement shows the
composer at the height of
his powers.Vivaldi
composed this work in
Venice in about 1715,
during his fruitful time
at the Ospedale della
Pieta. In his lifetime
this priest, composer and
virtuoso Violinist
achieved enormous musical
success. Considering his
great popularity in the
modern era, it is
difficult to believe that
public appreciation of
his work declined after
his death and that the
Gloria languished
undiscovered
forcenturies. It wasn't
until 1957 that the
restored work was heard
again in its entirety.
Since that time, this
moving and joyous Gloria
has been recorded more
than one hundred times
and perennially appears
on concert series around
the world.
The Grand Fantasia (The Storm) uses the drama of a physical storm to represent a...(+)
The Grand Fantasia (The
Storm) uses the drama of
a physical storm to
represent an emotional
one. The opening ominous
chords lead to thundering
chords and a programmatic
representation of a storm
that could fill every
corner of a cathedral
with reverberation. The
storm is quelled by a
Chorale section entitled
'Prayer', followed by a
swelling finale of
grandeur and peace.Jaak
Nikolaas [Jacques
Nicolas] Lemmens was a
Belgian Organist and
composer of the 19th
century. He was widely
acknowledged to be the
best Organist of his
time, with particularly
beautiful legato and
pedal technique, some of
which can be discerned
from his compositions for
his work Organ School. He
wasinstrumental in
bringing the works of
Bach to France and
Belgium, and was
influential as an
educator
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ SKU: CA.1822000 17 new compositions for organ solo. Carus di...(+)
Organ
SKU:
CA.1822000
17 new
compositions for organ
solo. Carus digital:
Extra digital products.
Collection. Published by
Carus Verlag
(CA.1822000).
ISBN
9790007294441.
Edit
ed by the Deutscher
Musikrat (German Music
Council) with Richard
Mailander and Kord
Michaelis
Catholic
and Protestant churches
are familiar with the
tradition that in times
of crisis, new works are
composed to comfort the
faithful, and are
performed in worship.
Following in this
tradition, the project
Orgelmusik in Zeiten von
Corona (Organ Music in
Times of Corona) was
devised. 17 new
compositions were
commissioned which
reflect Corona times,
creatively confront the
past and the present, and
will enrich the
repertoire of organ music
in a lasting way. The
17 compositions depict a
wide range of styles
including avant-garde,
jazz and classical, and
some refer to music from
previous eras and church
music traditions. They
are conceived for
different levels of
difficulty, are for 2 or
3-manual organs, and last
between four and ten
minutes. They are
particularly suitable for
concerts, but can also be
played in church
services. * 17
thematic reflections on
the Corona pandemic: on
the horsemen of the
apocalypse, the Coeur
bleu, the thunder of
time, timelines, trust
and confidence, and many
more * compositions by
Timo Bocking, Kathrin A.
Denner, Barbara
Dennerlein, Dorothee
Hahne, Peter Michael
Hamel, Frank Heckel,
Dorothea Hofmann, Nicole
Johanntgen, Anna Korsun,
Roland Kunz, Eckhart
Kuper, Johannes M.
Michel, Iris Rieg,
Maximilian Schnaus,
Enjott Schneider, Dominik
Susteck, and Maximilian
Wallrath * stylistic
variety and breadth -
from
classically-influenced
compositions, through
jazz and pop, to
avant-garde and
experimental sounds *
different levels of
difficulty, for 2 or
3-manual organ, 4 to 10
minutes' duration *
suitable for concerts and
church services.
Organ SKU: HL.14031560 Composed by Pelle Gudmundsen-holmgreen. Music Sale...(+)
Organ
SKU:
HL.14031560
Composed
by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Book
[Softcover]. Composed
2005. 36 pages. Edition
Wilhelm Hansen #WH30534.
Published by Edition
Wilhelm Hansen
(HL.14031560).
ISBN
9788759811009.
International (more than
one
language).
STILL.
LEBEN Organist Eva
Feldbc:ek had been asking
me for a long time to
write for the organ
without the use of iron
blocks, extra stopping
assistants etc ....
unusual difficulties that
belonged to my earlier
organ music. I
setmyselfthe task of
Miting a ''handier'' kind
of music for the organ.
Once I had finished
STILL. LEBEN, I didn't
think I had achieved what
I was looking for. True,
the two movements did not
involve odd things, but
handy isn't really the
word for them either. So
I wrote the three
movements in COUNTERMOVE
to tidy up even more. And
since I didn't think that
was enough either, I
wrote the really simple
pieces under the title IN
TRIPLUM. The three
series(eight pieces in
all, 2 + 3 + 3) sound
very different, but they
all take their point of
departure from the nature
and tonal resources ofthe
organ. Everywhere there
is polyrhythm or
hierarchical layering,
polychromaticism,
diatonics and melody (the
last of these only
sparingly and in some of
the movements). Pelle
Gudmundsen-Holmgreen.