By Todd Kendall. organ. Level: 3-staff. Sacred organ. Published by Lorenz Publishing Company.

Organ (Organ)

SKU: HL.133109

Aus 'Stabat Mater'. Composed by Gioachino Rossini. PWM. Classical. Book Only. Polskie Wydawnictwo Muzyczne #3600040. Published by Polskie Wydawnictwo Muzyczne (HL.133109).

ISBN 9788322425022. UPC: 884088979430.

Organ - Early intermediate

SKU: GI.G-10967

Stations of the Cross. Composed by Chaz Bowers. Arranged by Chaz Bowers. Lent, Good Friday. Tune Name: Stabat Mater, Crucem Tuam Adoramus. Sacred. 16 pages. GIA Publications #10967. Published by GIA Publications (GI.G-10967).

By Dorothy Wells. For organ. Holy Communion. Level: 2-staff. Sacred Organ. Published by Lorenz Publishing Company. (70/1031)

(Ubertragungen und Einrichtungen fur den praktischen Gebrauch). By Jan Pieterszoon Sweelinck (1562-1621). Edited by Hans Joachim Moser; Traugott Fedtke. For Organ. Playing Score (paperbound)

Libro Secondo (Venezia 1607) Intabulated and Diminished for Organ. Composed by Claudio Merulo. Edited by Francesco Tasini. Classical. Ut Orpheus #HS 313. Published by Ut Orpheus

(Stuff All the Pros Know and Use). For Organ. Piano Instruction. Softcover Audio Online. 64 pages. Published by Hal Leonard

(A Treasury of Yuletide Favorites). For organ: 3-staff. Christmas. Published by Lillenas Publishing Company

TAB choir, organ - Level 3

SKU: CA.321020

Composed by Carl Jaspers. Separate edition with choral collection. Sacred vocal music, Praise and thanks. Full score. Duration 2 minutes. Carus Verlag #CV 03.210/20. Published by Carus Verlag (CA.321020).

ISBN 9790007177447. Key: G major. Language: German. Text: Bone, Heinrich. Text: Heinrich Bone.

SSA choir (TAB), organ - Level 2

SKU: CA.310370

Composed by Michael Haydn. Arranged by Paul Horn. Separate edition with choral collection. Sacred vocal music, Mourning, death. Full score. Composed 1787. MH 431. Duration 2 minutes. Carus Verlag #CV 03.103/70. Published by Carus Verlag (CA.310370).

ISBN 9790007175528. Key: D minor. Language: Latin.

Organ

SKU: BR.EB-8293

Composed by Gabriel Hammer. Edited by Gabriel Hammer. Solo instruments; Softbound. Edition Breitkopf. Music post-1945. Score. 68 pages. Breitkopf and Haertel #EB 8293. Published by Breitkopf and Haertel (BR.EB-8293).

ISBN 9790004176092. 9 x 12 inches. German.

The third Little Organ Book establishes thematic accents (Praise and Thanks - Trust and Prayer). We called upon the leading names of contemporary organ music such as Jurg Baur, Karl Holler, Jean Langlais, Hermann Schroeder and Wolfgang Stockmeier to arrange a selection of well-known hymns from the Catholic and Evangelical hymn books. As in the two volumes (Passion - Easter - Pentecost and Advent - Christmas) the Little Marienstatt Organ Book offers a Chorale prelude as well as a polyphonic organ setting of the respective church hymn, which are almost all firnt publications.

Chor al preludes and organ settings by various authors.

Organ - intermediate

SKU: HL.49005319

Organ. Composed by Hermann Schroeder. Edited by Raimund Keusen. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1959. 18 pages. Duration 13'. Schott Music #ED 4989. Published by Schott Music (HL.49005319).

ISBN 9790001057295. UPC: 073999804775. 9.0x12.0x0.105 inches.

Hermann Schroeder (1904-1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. In the five-movement chorale partita, the more than 1,000 years old Mixolydian Whitsun Sequence of Hrabanus Maurus (9th century) is used in an imaginative and formally varied way: as a virtuoso toccata, in the second movement 'ostinato' as a strict trio setting over a seven-bar ostinato in the pedal, as a capriciously playful 'bicinium', and as a meditative, harmonically appealing 'arioso'. The fifth movement (fantasia ricercare) displays brilliant full-handed chords and virtuoso passages as well as a fugato in the middle section. A rewarding concert piece for Whitsun, with an excellent possibility of virtuoso interpretation and colourful registration.

Composed by Nicolas de Grigny (1672-1703). Edited by David Ponsford. Paperback (Soft Cover). Classical. Ut Orpheus #HS 280. Published by Ut Orpheus

Organ

SKU: VD.ED20521

Composed by Jean-Marie Plum. Edited by Otto Depenheuer. Édition bon(n)orgue Vol. 121. Classical. Score. 9 S. pages. Verlag Dohr #ED20521. Published by Verlag Dohr (VD.ED20521).

ISBN 9790202045213. 12 x 9 inches.

The Organ Music of Edwin H. Lemare, Series II (Transcriptions): Volume 13 - Italian Composers by Edwin H. Lemare. Edited by Wayne Leupold. For organ. Published by Wayne Leupold Editions (WY.WL600044).

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N012).

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N011).

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N013).

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N014).

Organ solo

SKU: FZ.5930

Composed by Lambert Chaumont. Edited by Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5930).

ISBN 9790230659307. 23.50 x 31.50 cm inches.

This facsimile of an original by Lambert Chaumont is part of our French classical music collection. Edition : Liege, 1695. Preface by Jean Saint-Arroman: notation - table of ornaments - ornamentation Du melange des jeux et du mouvement propre a chaque espece de verset - Explication des marques qui servent aux agrements (table). This organ book contains pieces close to the style of Nivers, a text about mixing genres, a treatise on accompaniment, and a method for tuning the harpsichord.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Conservatory Library of Liege (Belgium). Anne Fuzeau Classique propose period copies of classical music scores.

Composed by Beck. For organ/keyboard. General. Easy. Published by Concordia Publishing House

Organ (Organ)

SKU: HL.50576870

Composed by Jules Blanc. Ricordi Germany. TV-Film-Musical-Show. Book Only. Composed 2005. Forberg Edition #F25004. Published by Forberg Edition (HL.50576870).

Organ

SKU: HL.48185744

Composed by Jean-Louis Florentz. Leduc. Classical. Softcover. 28 pages. Alphonse Leduc #AL29461. Published by Alphonse Leduc (HL.48185744).

UPC: 888680954871. 9x12 inches.

Conte symphonique en 14 Tableaux.

By Boyce, William. Piano and Harpsichord. For Organ or Harpsichord. Published by E.C. Schirmer Publishing.

By Clay Christiansen. Arranged by Clay Christiansen. For organ. Medium. Published by MorningStar Music Publishers

Organ

SKU: UT.HS-335

Edited by Iain Quinn. Classical. Score. Ut Orpheus #HS 335. Published by Ut Orpheus (UT.HS-335).

ISBN 9790215328532. 9 x 12 inches.

Walte r Battison Haynes (1859-1900): Sonata in D minor
Hugh Blair (1864-1932): Short Sonata in G major

The organ sonatas of Walter Battison Haynes and Hugh Blair demonstrate a notable peak in the development of the English organ sonata as a work that is musically cohesive. As discussed in The Genesis and Development of an English Organ Sonata (2017), the portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements of varying technical difficulty was common during the second half of the nineteenth century not least as a published example of the compositional skill of composers. Whereas these two sonatas join the tradition of works that could be convincingly played on both medium and large instruments and allow for creativity in registration they are also cohesive pieces that could serve in a concert programme. These works join the legacy of English organ sonatas that had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. They are both idiomatically written and musically rewarding pieces that are imbued with the undeniably English harmonic language of the era that was to remain popular for several decades to come.