Organ SKU: HL.48024624 Transcription for Organ. Composed by Anthon...(+)
Organ
SKU:
HL.48024624
Transcription for
Organ. Composed by
Anthony Payne and Edward
Elgar. Arranged by Robert
Gower. BH Piano.
Classical. Softcover. 20
pages. Duration 540
seconds. Boosey & Hawkes
#M060134647. Published by
Boosey & Hawkes
(HL.48024624).
ISBN
9781540052834. UPC:
888680940782. 9.0x12.0
inches.
Organ
transcription of Anthony
Payne's 2006 orchestral
completion from Elgar's
sketches. Robert Gower
comments, Working from
the orchestral score
confirms Payne's musical
intuition in taking
fragments and developing
them into an entirely
convincing whole, one
imbued with Elgarian
spirit and characterised
through the economical
precision of his own art.
Here, intellectual and
artistic integrity
combine to construct
overall architecture in
which not a note is
wasted, painstaking care
is evident in the subtle
details of instrumental
coloring, and where there
is thrilling rhythmic
forward propulsion. In
saluting the skills of
both composers, I have
sought to open out for
organists the excitement
and sincerity of their
work, being designed for
performance not only on
larger organs with a full
range of orchestral
color, but also made
entirely feasible for
performance on smaller
two-manual
instruments..
Organ SKU: SU.80101396 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101396
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101396.
Published by Zimbel Press
(SU.80101396).
Trilogy on
B-A-C-H (2017) uses as
its musical material a
familiar four-note theme:
the letters B-A-C-H (the
last name of Johann
Sebastian Bach) treated
as a musical motive:
B-flat, A, C, B-natural
(H in German note
naming). Starting with
Bach himself, this theme
has been used by a truly
enormous number of
composers over the
centuries. Most B-A-C-H
themed works (at least
those for organ), tend to
be extremely
contrapuntal, likely
taking their cue from
much of Bach's own organ
music. This piece
explicitly goes in the
other direction and use
the theme primarily
motivically/melodically
and as a generating force
for the kind of mixed
modality that is typical
of Cooman's music. The
first movement is an
energetic march. The
second movement is a
lyric meditation
containing both an arioso
and a short
quasi-passacaglia, in
which the B-A-C-H motive
repeats slowly in the
pedals. The last movement
is a free fantasia: the
motive appears both in
chorale-like long notes
and as a fast, turning
figure. Instrumentation:
Organ Duration: 12'
Composed: 2017 Published
by: Zimbel Press.
Organ - intermediate to advanced SKU: HL.49016185 Die Marianische....(+)
Organ - intermediate to
advanced
SKU:
HL.49016185
Die
Marianische. Composed
by Enjott Schneider. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Als
Gegenstuck zur
Orgelsinfonie Nr.1 Pater
Noster bietet die 2.
Orgelsymphonie weichere
und geheimnisvollere
(eben marianische)
Klangwelten an und
skizziert Stationen aus
Marias Lebensweg. Als
Instrument empfiehlt sich
eine Orgel mit mindestens
drei Manu. Composed 2006.
55 pages. Duration 24'.
Schott Music #ED 20074.
Published by Schott Music
(HL.49016185).
ISBN
9790001145411. UPC:
884088202507.
9.0x12.0x0.141
inches.
As a
counterpart to theOrgan
Symphony No. 1 Pater
Noster (ED 9937), the
Organ Symphony No. 2
offers softer and more
mysterious (Marian) sound
worlds, sketching stages
of Mary's life: an
adoring Salve Regina
grows from the mystic
source, followed by
Berceuse pour Marie as a
lullaby of the Christmas
events. The third
movement Mater Dolorosa
falls back on the
well-known Gregorian
sequence Stabat Mater,
taking Mary's pain at the
cross as its central
theme. The finale treats
the Ave Maris Stella in a
crescendo from pp to ff
in a positive and solemn
manner, in memory of
Mary's assumption. It is
advisable to use an organ
with at least three
manuals.
Composed
by Carson Cooman. Sacred,
Christmas. Lorenz
Publishing Company
#70/2315L. Published by
Lorenz Publishing Company
(LO.70-2315L).
ISBN
9780787773007.
This
valuable collection
contains many ready-to-go
preludes, offertories,
and interludes and
postludes that are
intended for occasions
when preparation time is
short or nonexistent.
Following a general
volume (70/2170L), this
collection covers the
fall/autumn and winter
months, taking us from
Labor Day through
Christmas.