Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
Arranged by Richard Turle. For Organ. Book; Masterworks; Organ - Method or Colle...(+)
Arranged by Richard
Turle. For Organ. Book;
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork
Arrangement. Advanced;
Early Advanced;
Intermediate; Late
Intermediate. Published
by Faber Music
Organ SKU: BA.BA09352 Composed by Thomas Daniel Schlee. Stapled. Performa...(+)
Organ
SKU:
BA.BA09352
Composed
by Thomas Daniel Schlee.
Stapled. Performance
score. Composed
2004/2010. Opus 74. 22
pages. Duration 7
minutes. Baerenreiter
Verlag #BA09352_00.
Published by Baerenreiter
Verlag (BA.BA09352).
ISBN 9790006499830. 21
x 29.5 cm inches.
Language: German.
Preface: Thomas Daniel
Schlee.
The first
piece “Sicut ros
Hermon†(Psalm 133)
meditates on the path
God’s mercy takes,
whereby the initial slow
descending harmonic
sequences develop into an
emphatic song followed by
a tender chorale-like
coda.
“Si
sumpsero pennas
aurorae†(Psalm
139) relates to a highly
poetic, consolatory but
also admonishing image of
the psalm: As far as our
wings may carry us,
God’s hand will
take hold of us. We
cannot escape his mercy
or his judgement. At the
end of this striking
movement the music
conveys almost haptic
moments; one can sense
the mighty
‘hand’ by
means of the tutti sound.
Finally the music becomes
as calm as at the start
of this piece, though
dialogue-like figurations
convey repercussions of
what was experienced and
acknowledged.
Organ SKU: FZ.50529 Vocal Ensemble Ad Limina. Composed by Gaspard ...(+)
Organ
SKU:
FZ.50529
Vocal
Ensemble Ad Limina.
Composed by Gaspard
Corrette. Edited by Regis
Allard. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.50529).
12.5 x 14
cm inches.
Anne
Fuzeau Classique propose
to discover our
facsimiles' music in CD.
Regis Allard, historical
organ of Saint Michel de
Bolbec (Calvados). Mass
in the 8th tone for organ
- Gaspard Corrette.
Processional of the Royal
Abbey of Chelles -
Guillaume Gabriel Nivers.
Romano-Monasticum Gradual
- Guillaume Gabriel
Nivers. Divine Office for
use by the Ursuline
Ladies of Dijon - Charles
Derey. Improvised verses
on the organ, Regis
Alard. Alternating
with Nivers's 'musical
plainchant', Corrette's
Mass sounds like a homage
of the organ to itself,
as it gracefully takes on
the role of preacher of
the Divine Cult.
Regis Allard was
trained by Andre Isoir
and Michel Chapuis (for
several years he had
private lessons with the
latter) as well as at the
Schola Cantorum in Paris,
where he graduated. He
devotes himself
exclusively to the
interpretation of early
music and participates in
numerous events centred
on historic instruments
in France, Spain, Holland
and northern Germany. He
was a prize winner in the
International Competition
of French Music in
Toulouse. His first disk,
with pieces by Heinrich
Scheidemann on the Arp
Schnitger organ in the
Stade church in northern
Germany, received a Choc
from Le Monde de la
Musique. His latest
recording, J. S. Bach's
Art of the Fugue under
the Hortus label
performed on the new
instrument of the church
Saint Louis en l'isle in
Paris, received critical
praise. Ad Limina
This group of women
cantors, all trained in
the Conservatory,
themselves music
teachers, choir
directors, soloists, come
from either side of the
French-Swiss border,
whence the name Ad
Limina, which means 'at
the border'. This
ensemble pursues a novel
exploration of the paths
of religious music, from
the baroque period to our
day, with emphasis on
Gregorian plainchant and
European music from the
19th century to
contemporary
creation.
SATB Choir, 2 Trombone [2 Vioas], Organ SKU: CA.2770505 Composed by Leopo...(+)
SATB Choir, 2 Trombone [2
Vioas], Organ
SKU:
CA.2770505
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
Music from Vienna. Sacred
vocal music, Mourning,
death. Choral Score.
Composed nach 1790. 4
pages. Duration 4
minutes. Carus Verlag #CV
27.705/05. Published by
Carus Verlag
(CA.2770505).
ISBN
9790007166595. Text
language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series. Score available
separately - see item
CA.2770500.
SATB choir, 2 trombones [2 violas], organ SKU: CA.2770549 Composed by Leo...(+)
SATB choir, 2 trombones
[2 violas], organ
SKU:
CA.2770549
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
Music from Vienna. Organ.
Sacred vocal music,
Mourning, death. Single
Part, Organ. Composed
nach 1790. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 27.705/49.
Published by Carus Verlag
(CA.2770549).
ISBN
9790007202668. Language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series. Score and part
available separately -
see item CA.2770500.
SATB choir, 2 trombones [2 violas], organ SKU: CA.2770500 Composed by Leo...(+)
SATB choir, 2 trombones
[2 violas], organ
SKU:
CA.2770500
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
This edition: paperback.
Music from Vienna. Sacred
vocal music, Mourning,
death. Full score.
Composed nach 1790. 12
pages. Duration 4
minutes. Carus Verlag #CV
27.705/00. Published by
Carus Verlag
(CA.2770500).
ISBN
9790007166588. Language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series.
Organ - advanced SKU: HL.49018084 Pathetique. Composed by Enjott S...(+)
Organ - advanced
SKU:
HL.49018084
Pathetique.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Naturlich denkt man beim
Titel Orgelsinfonie Nr. 9
Pathetique von Enjott
Schneider an ein anderes
Werk mit diesem Beinamen:
an Tschaikowskys Sinfonie
Nr. 6. Und das ist kein
Zufall: Der Komponist
sieht sein Orgelwerk als
Hommage an diese grosse
Schwester. Composed 2009.
52 pages. Schott Music
#ED20670. Published by
Schott Music
(HL.49018084).
ISBN
9790001168687. UPC:
884088531089.
9.0x12.0x0.218
inches.
One of the
first things that comes
to one's mind when
reading the title of
Organ Symphony No. 9
'Pathetique' by Enjott
Schneider is another work
with this epithet:
Tchaikovsky's Symphony
No. 6. And that is no
coincidence: The composer
regards his organ work as
an homage to this 'elder
sister'. While
Tchaikovsky, in a secret
programme, made out his
own life to be a struggle
and long ordeal to the
point of his suspected
suicide, Enjott Schneider
presents those hours as
the ultimate tale of woe
in which Jesus had well
and truly become human,
fatefully bearing the
pain and misery of all
people. 'Gethsemane',
'Geiselung: Ecce homo',
'Golgatha' and
'Grablegung': Maria
Magdalena' are the names
of the stages and
movements. The Greek word
'pathos' means 'strong
emotion, feeling, passion
or suffering' - in
Schneider's Organ
Symphony No. 9, this
comes true, musically, in
his inner conflict,
struggle, wrestling with
his fate, cruelty of the
crucifixion and deathly
silence.
Organ SKU: BR.EB-9345 For Organ. Composed by Sanchez-Verdu. Solo i...(+)
Organ
SKU:
BR.EB-9345
For
Organ. Composed by
Sanchez-Verdu. Solo
instruments; stapled.
Edition Breitkopf.
World premiere:
Berlin, Januar 20, 2019
(Compulsory piece for the
Prizewinner Concert
of the Felix Mendelssohn
Bartholdy Conservatory
Competition, Berlin
2019)Commissioned by the
Felix Mendelssohn
Bartholdy Conservatory
Competition 2019ISBN 9790004188095. 12
x 9 inches.
Lar in
Roman mythology refers to
the so-called Lares, gods
of households, fields and
pathways, deified souls
of the deceased and
tutelary deities,
especially of the house
and its inhabitants. Lar
is also the fireplace in
a house - and thus a
place where you feel
protected. Lar II is part
of a cycle. Each piece
focusses on a kind of
movement or transition
between the interior (the
house) and the unknown
(the outside, the
adventure). Gilles
Deleuze speaks of
deterritorialization; it
is precisely this process
that is also used in
music as a metaphor. For
Deleuze, a melody can act
as a ritornello, for
example, representing the
house, the acquainted.
Lar II plays with
ritornellos which are
developed alternatingly -
like breathing- with
certain movements to the
outside and back again.
Musically, the instrument
organ opens/introduces as
a topos something within
a space and focusses on
the concept of space as
the central point of a
continuous musical
transition. (Jose M.
Sanchez-Verdu,
2018)
World
premiere: Berlin, Januar
20, 2019 (Compulsory
piece for the Prizewinner
Concert of the Felix
Mendelssohn Bartholdy
Conservatory Competition,
Berlin 2019) Commissioned
by the Felix Mendelssohn
Bartholdy Conservatory
Competition 2019.
Organ solo SKU: CA.5022800 Composed by Josef Gabriel Rheinberger. Edited ...(+)
Organ solo
SKU:
CA.5022800
Composed
by Josef Gabriel
Rheinberger. Edited by
Wolfgang Hochstein. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Orgelkonzerte
Hochstein. Josef Gabriel
Rheinberger. Complete
Works. Full score
(complete edition /
selected edition). 232
pages. Carus Verlag #CV
50.228/00. Published by
Carus Verlag
(CA.5022800).
ISBN
9790007091842.
The
two organ concertos are
marked by somewhat
unusual instrumentation.
Hector Berlioz warned
about a certain antipathy
between the organ and
orchestral instruments,
but with the use of three
horns in op. 137 proves
to be a fine piece of
artistry: Rheinberger
supplied tone colors
which he had perceived
the organ to lack. The
trio version of the Suite
op. 149 adds to the
repertoire of sacred
chamber music.
Rheinberger's later
addition to the work of
an ad libitum string
orchestra takes this
Suite into the world of
the triple concerto and
the concerto grosso,
without exactly
corresponding to those
genres.