By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications

(Settings of 19th Century Hymn Tunes for Organ). By Emma Lou Diemer (1927-). For Organ. Sacred. 3-staff. Parts. Published by Sacred Music Press

For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.

(Hymns of Faith and Commitment for Organ). By Dennis Eliot. For Organ. Sacred. 2-staff. Book. Published by Lorenz Publishing Company

Composed by Robert Kyr (1952-). For organ. General, Praise/Thanksgiving. 12 pages. Published by Ione Press

Chamber Music Solo Organ

SKU: PR.113400450

Composed by Chen Yi. Edited by James Higdon. Sws. Performance Score. 8 pages. Duration 5 minutes. Theodore Presser Company #113-40045. Published by Theodore Presser Company (PR.113400450).

ISBN 9781491132326. UPC: 680160681679. 9x12 inches.

Chen Yi describes her dramatic study in the organ’s sonorities: “From the bronze drum set on topof the totem pole, I imagine that our ancestors played the powerful low percussion instrument,to unify the rhythm in their group dance; from the delicate and magical decorations carved onthe drum and the pole, I imagine that the beauty of the totem poles is presented in multilayerswith various timbres from different manuals (keyboards) and pedals, and the ineffable universe isharmonized in the powerful and brilliant grand chords fully sounded from the organ.” The publicationincludes registrations, fingerings, and pedaling provided by James Higdon. TOTEM POLES wascommissioned by the American Guild of Organists for its 2018 biennial national convention.
The primitive power and the spiritual mysteries of the ancient totem poles are permeated into the rich palette, and brought out from the sonic giant, the solo organ.From the bronze drum set on top of the totem pole, I imagine that our ancestors played the powerful low percussion instrument, to unify the rhythm in their group dance; from the delicate and magical decorations carved on the drum and the pole, I imagine that the beauty of the totem poles is presented in multilayers with various timbres from different manuals (keyboards) and pedals, and the ineffable universe is harmonized in the powerful and brilliant grand chords fully sounded from the organ.

By Peter Lehman. For organ. 2-staff. Sacred organ. Published by Lorenz Publishing Company

For organ: 2-staff. Sacred, Advent, Christmas, Epiphany, General, Thanksgiving. Moderately easy. Published by Lorenz Publishing Company

(Hymns of Praise and Thanksgiving for Organ). By Anna Laura Page. For organ. Sacred. 3-staff. Collection. Published by Lorenz Publishing Company

30 Creative Intonations on Well-Known Hymntunes. By Michael Young. Instrumental. Sacred. Level: Easy. 20 pages. Published by GIA Publications.

By Lee Gwozdz. Organ. Level: 2-staff. Sacred Organ. Published by Unity Music Press.

For organ: 2-staff. Sacred, Ascension, Eastertide, General, Holy Week, Lent. Moderately easy. Published by Lorenz Publishing Company

Composed by Hildebrand. General. Published by Concordia Publishing House (CR.97-7085U1).

Chamber Music Solo Organ

SKU: PR.143400020

Megalith III. Composed by Sydney F. Hodkinson. With Standard notation. Duration 9:30. Theodore Presser Company #143-40002. Published by Theodore Presser Company (PR.143400020).

UPC: 680160024308.

The third in a series of works for organ by the contermporary American composer, Sydney Hodkinson. It is a powerful, stunning work for two organs ( the second organ may be live or recorded, and if so, a few electronic manipulations of the sound are employed). TALAYOT-Megalith III (Talayot is a large prehistoric stone hut consisting of many small rocks ) was commissioned by William Albright who premiered it in 1975. The composer comments about TALAYOT, Since 1968, I had been interested in both the simplest reduction of pitch materials and the employment of staticity within a given time-span... The aural effect striven for was not at all unlike walking around a Calder steel or a monolithic stone sculpture: huge, never changing, yet constantly different. For studios, colleges, professional, libraries. Difficult.

Organ - Advanced

SKU: MN.12-128

Composed by Harold Stover. Non Hymn-Based, Recital Music. General. Instrumental part. MorningStar Music Publishers #12-128. Published by MorningStar Music Publishers (MN.12-128).

UPC: 688670121289.

The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.

Composed by Jason D. Payne. Sacred. Lorenz Publishing Company #70/2426L. Published by Lorenz Publishing Company

Edited by Gregory P. Cohn. For organ solo. Format: piano solo songbook. With standard notation, tonal dynamic registrations and lyrics. Sacred. 64 pages. 9x12 inches. Published by G. Schirmer, Inc.

Eleven Pieces for Organ. By Ned Rorem. (Organ). Size 8.5x11 inches. 49 pages. Published by Boosey & Hawkes.

Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808549

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Single Part, Organ. Composed 2014. 24 pages. Duration 18 minutes. Carus Verlag #CV 18.085/49. Published by Carus Verlag (CA.1808549).

Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch. Score and part available separately - see item CA.1808500.

Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808500

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Full score. Composed 2014. 48 pages. Duration 18 minutes. Carus Verlag #CV 18.085/00. Published by Carus Verlag (CA.1808500).

ISBN 9790007163952. Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch.

String Orchestra Soprano Alto SATB Oboe Trumpet Organ

SKU: HL.14035114

By Jasmin Cameron. By Antonio Vivaldi. Music Sales America. Classical. Score. Music Sales #NOV078980. Published by Music Sales (HL.14035114).

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715, during his fruitful time at the Ospedale della Pieta. In his lifetime this priest, composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era, it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn't until 1957 that the restored work was heard again in its entirety. Since that time, this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.