Piano/Keyboards - Beginner/Advanced

SKU: AD.ADG244

Composed by Andrew D. Gordon. The Blues Scale. Blues. Book and digital audio. ADG Productions #ADG244. Published by ADG Productions (AD.ADG244).

ISBN 9781958017333. UPC: 663389124424. 9 x 12 inches.

The Blues Scale for Organ is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.

Organ (Organ)

SKU: HL.48182450

Composed by Olivier Messiaen. Leduc. Classical. CD. 72 pages. Alphonse Leduc #AL23673. Published by Alphonse Leduc (HL.48182450).

UPC: 888680833015. 8.0x11.5x0.249 inches.

In this edition written in German, The Technique Of My Musical Language by Olivier Messiaen explains the full theory behind Messiaen?s compositions. Enabling a better understanding, this book will help advanced students and professionals for the interpretation of his work, and is a must-have for all composers. This book includes the scales of limited transpositions, well-known in Jazz, the rhythmic permutations, as well as other techniques. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the ''Bird Catalogue'' in 7 volumes and the ''Treatise on rhythm, colour and ornithology'' in 7 volumes..

Composed by Nicolas de Grigny (1672-1703). Edited by David Ponsford. Paperback (Soft Cover). Classical. Ut Orpheus #HS 280. Published by Ut Orpheus

(Stuff All the Pros Know and Use). For Organ. Piano Instruction. Softcover Audio Online. 64 pages. Published by Hal Leonard

(For Organ). Composed by Arvo Part (1935-). For organ. Score - Performance. Universal Edition #UE36995. Published by Universal Edition

By Jehan Titelouze. For Organ. Organ - Method or Collection. Masterwork; Sacred. Book. 164 pages. Published by Alfred Publishing.

Organ

SKU: SU.80101119

For Organ. Composed by Robert Ehrhardt. Keyboard, Organ. Score. Zimbel Press #80101119. Published by Zimbel Press (SU.80101119).

This work is a large-scale set of variations on the early American tune Pisgah, sung to the words When I Can Read My Title Clear. The hymn is taken through nearly every possible treatment, ending with a fugue.
24 pages
Published by: Zimbel Press.

Organ

SKU: CA.3810249

Organ part. Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. German title: Magnificat A 4 E 22 - for Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc. Sacred vocal music. Individual Part. Warb E 22. 8 pages. Duration 12 minutes. Carus Verlag #CV 38.102/49. Published by Carus Verlag (CA.3810249).

ISBN M-007-21504-0. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Organ

SKU: SU.80101404

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101404. Published by Zimbel Press (SU.80101404).

Organ Symphony No. 2 (2017) was written for and is dedicated to German organist Philip Hartmann. In all of my works that employ larger-scale forms (not just organ compositions), I am continually looking for different ways of providing the form and structure. My first organ symphony (2013) comprised three larger movements that charted a progression from dark to light. By contrast, this second organ symphony comprises 12 shorter movements that together build a larger structure out of varied emotional states. Although the movements are different in character, there are connections of harmony and motive across them. One goal behind this work is that it be suitable for effective performance on almost any organ, small or large. Most organ symphonies require a large instrument. By contrast, this piece can be played effectively on even a small organ with a limited number of stops (even a one manual organ with an octave pedal board). It can also be very effective on a large symphonic organ with many different colors and a huge tutti. Registration is left to the performer's discretion, and the organist is strongly encouraged to use the full extent of whatever resources are available. Instrumentation: Organ Duration: 34' Composed: 2017 Published by: Zimbel Press.

Composed by Dennis R. Johnson. Easy-to-learn variations on a familiar chant melody. General. Published by CanticaNOVA Publications (C5.6068).

Organ

SKU: HL.49004968

Organ. Composed by Hermann Schroeder. Edited by Rainer Mohrs. This edition: Saddle stitching. Sheet music. Edition Schott. Die Beschrankung auf die kleine Form half Schroeder offensichtlich bei der Loslosung von der Romantik; Klarheit, und formale Pragnanz treten an die Stelle der monumentalen Grossform. Geeignet fur Konzert und Liturgie. Classical. Composed 1954. 24 pages. Duration 12'. Schott Music #ED 4539. Published by Schott Music (HL.49004968).

ISBN 9790001053273. UPC: 073999678697. 9.0x12.0x0.095 inches.

Hermann Schroeder (1904-1984) studied with Heinrich Lemacher and Walter Braunfels and became Professor of Composition and Music Theory at the Academy of Music in Cologne. From the end of the 1920s he made an important contribution to the new stylistic developments in organ music His smaller-scale compositions in particular, such as the Preambles and Interludes (1954) or the Little Preludes and Intermezzos (1932, ED 2221) point in new directions: the constraints of form have evidently been helpful in the process of breaking away from Romanticism; clarity and formal precision take the place of monumental grandeur of form. Suitable for concert or liturgical performance.

Organ - Advanced

SKU: MN.10-927

Composed by Morgan Simmons. Non Hymn-Based, Recital Music. Instrumental part. MorningStar Music Publishers #10-927. Published by MorningStar Music Publishers (MN.10-927).

Cityscape dates from 1992 and was composed for inclusion in an organ recital of Chicago composers as part of the Fourth Presbyterian Church's annual Festival of the Arts. The theme of that year's festival was Faces of the City. This three movement work, which depicts facets of the city, is based on a three-note descending scale (C-B-A), the opening notes of the popular song, Chicago, Chicago, that Toddlin' Town. Coincidentally, this same melodic sequence marks the beginning of OLD HUNDREDTH, and a citation of that melody occurs in the third movement. The Fourth Presbyterian Church is located on the part of North Michigan Avenue which is known as The Magnificent Mile. Each of its Sunday morning services begins with the singing of OLD HUNDREDTH, sung to the text of the Doxology. The first performance of Cityscape was played by David Schrader, to whom it is dedicated.

In this suite of four Christmas songs written in 1950, Rowley's Organizing principle is dance rhythm. The first movement sets The Holly and The Ivy in a lilting 6/8 Sicilian rhythm. The second movement combines The Holly and The Ivy with The Cherry Tree Carol in a sharply contrasting minuet. The third movement fughetta setting of The Little Room gives the dancers a breather before the fourth movement's bourree setting for On Christmas Night and The Moon Shines Bright.Twentieth century British composer Alec Rowley was also an Organist, pianist and dedicated teacher. Many of his compositions are miniatures and works appropriate for amateur musicians, though he also gained renownthrough his large-scale works performed at the Promenade Concerts and elsewhere

Organ

SKU: PL.PPMO2063M

Composed by Christopher Maxim. Score. Paraclete Press #PPMO2063M. Published by Paraclete Press (PL.PPMO2063M).

An exuberant large-scale work with jaunty syncopated themes and a reflective central section on the chant, Victimae Paschali. Conceived for a large instrument, but the composer has included alternative registrations for a smaller organ.

Organ

SKU: SU.80101114

For Organ. Composed by Emma Lou Diemer. Keyboard, Organ. Score. Zimbel Press #80101114. Published by Zimbel Press (SU.80101114).

This large-scale composition (for large organ) is a full-scale recital piece on the well-known hymn tune Rendez a Dieu. The American Organist (Nov 2001) provides the following review of the work: ...a blockbuster of a recital piece, over 20 minutes in length, beginning quietly with a lush harmonic texture, but moving into a brisk toccata-like movement. A quieter movement separates this from the final virtuosic finale, also reflecting the French toccata style.
52 pages
Published by: Zimbel Press.

By Gerald Near. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Medium-Difficult.

Organ - intermediate

SKU: HL.49045095

For Organ Solo. Composed by Naji Hakim. This edition: Saddle stitching. Sheet music. Organ Collection. Classical. Softcover. 20 pages. Duration 7'. Schott Music #ED22391. Published by Schott Music (HL.49045095).

ISBN 9790001160308. UPC: 841886027954. 9.0x12.0x0.084 inches.

The dance is introduced in 6/8 against 2/4 time, before the exposition of a festive theme that alternates bouncing light passages with percussive chords. A more lyrical central episode precedes the recapitulation. The Basque fandango ends always with another dance step: 'Arin Arin' in 2/4, which is here characterized by scales, continuing the piece's joyful and vivacious character.

Organ

SKU: HL.48182025

Composed by Marcel Dupré. Leduc. Classical. Softcover. 31 pages. Alphonse Leduc #AL22837. Published by Alphonse Leduc (HL.48182025).

UPC: 888680847029. 8.0x11.5x0.232 inches.

French organist and composer, Marcel Dupre (1886-1971) is also remembered as a significant pedagogue. His Complete Course in Organ Improvisation is for beginners of Organ improvisation, who have previously acquired some Organ technique. The first volume gives focus to harmonisation of scales and chorales, phrases, cadences, modulation, and form and structure, among other musical aspects. Dupre studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for Piano, Organ and fugue, as well as the Grand Prix de Rome. He was a famous Organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupre's compositions and didactic works remain important to organists today and his Complete Course in Organ Improvisation is no exception. .

By Gerard Bunk. Edited by Jan Boecker. For organ. Paperback. Complete Organ Works. Anthology. Text: English, German. Published by Baerenreiter Verlag

Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, (violin). This edition: Urtext edition. Paperback. Gerard Bunk. Samtliche Orgelwerke 3. Performance score, Part(s), Anthology. 110/2 pages. Published by Baerenreiter Verlag

This edition: paperback. Book. 116 pages pages. Published by Kevin Mayhew Publishers (KV.1400527).

Organ

SKU: HL.48180237

[Pédal Scales for Organ]. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL16849. Published by Alphonse Leduc (HL.48180237).

UPC: 888680795023. 9.0x12.0x0.057 inches.

Scales covering the entire compass of the pedalboard.

Composed by William Mathias. For organ solo. 12 pages. Duration 10'. Published by Oxford University Press