Organ SKU: BR.EB-8339 Selected Pieces from the Organ Tablature by Dani...(+)
Organ
SKU:
BR.EB-8339
Selected Pieces from
the Organ Tablature by
Daniel Croner.
Composed by Andreas
(Hrsg.) Porfetye. Edited
by Andreas Porfetye. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 36
pages. Breitkopf and
Haertel #EB 8339.
Published by Breitkopf
and Haertel (BR.EB-8339).
ISBN 9790004176474. 9
x 12 inches.
The
oldest extant organ music
manuscripts in
Transylvania date from
the end of the 17th
century and are
attributableto Daniel
Croner. During his
student years, Croner
compiled two organ
tablature books, one in
Breslau in 1681, theother
in Wittenberg in 1682, a
third, supposedly
compiled in Kronstadt in
1675 and a fourth book,
dating from 1685. The
manuscripts are in good
condition. They are
written inGerman organ
tablature and contain
works by Croner as weil
as by other
contemporaries.
By C. Marianne Johnson Fisher, William H. Monk, Joseph J. Daynes, George Careles...(+)
By C. Marianne Johnson
Fisher, William H. Monk,
Joseph J. Daynes, George
Careless, Ebenezer
Beesley, Hans G. Nageli,
Robert Lowry, Giocomo
Meyerbeer, John B. Dykes,
Lowell Mason, Freeman
Lewis, William B.
Bradbury, John J.
Mcclellan, Frank W.
Asper,. Arranged by
Darwin Wolford. For Organ
Book. Level: Medium.
Published by Jackman
Music Corporation.
(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750)....(+)
(Dritter Teil der
Clavier-Ubung). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Manfred Tessmer /
Christoph Wolff. For
organ solo. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach.
Orgelwerke 4. Level 4.
Performance score(s),
anthology. Published by
Baerenreiter Verlag
Organ SKU: HL.50486570 By Istvan Koloss. By Dezso Antalffy-Zsiross. 20th ...(+)
Organ
SKU:
HL.50486570
By Istvan
Koloss. By Dezso
Antalffy-Zsiross. 20th
Century. EMB. Book Only.
76 pages. Editio Musica
Budapest #Z13122.
Published by Editio
Musica Budapest
(HL.50486570).
The
performance of these
genre pieces requires
extremely colourful
playing on the organ. The
occasional registrations
and changes of manual in
the manuscripts indicate
that Dezso
Antalffy-Zsiross stressed
even the shortest musical
idea, if need be, at the
expense of playing with
one hand on two manuals.
His manner of performance
was never metronom-like
but shaped with munch
agogic which never failed
to exert a tremendous
effect on his
audience.
Organ solo SKU: GH.CG-7533 Variations on the fugue d-minor BWV 565 for...(+)
Organ solo
SKU:
GH.CG-7533
Variations on the
fugue d-minor BWV 565 for
organ. Composed by
Jan W Morthenson.
Gehrmans Musikforlag #CG
7533. Published by
Gehrmans Musikforlag
(GH.CG-7533).
Organ solo SKU: CA.1819000 Composed by Giacomo Puccini. Edited by Virgili...(+)
Organ solo
SKU:
CA.1819000
Composed
by Giacomo Puccini.
Edited by Virgilio
Bernardoni. Complete
editions / Selected
works: Edizione Nazionale
delle Opere di Giacomo
Puccini. Free organ
music. Full score. 40
pages. Carus Verlag #CV
18.190/00. Published by
Carus Verlag
(CA.1819000).
ISBN
9790007188337.
Now
that the manuscripts of
the organ sonatas have
resurfaced, it has
finally become possible
to form an acquaintance
with the major part of
Giacomo Puccini's early
compositions in Lucca,
which until now were
known only from
anecdotes. The present
selection with 12 works
sheds light on this
segment of his oeuvre,
scheduled to appear in a
complete single-volume
scholarly edition in the
Edizione Nazionale delle
Opere di Giacomo Puccini
(ENOGP, II/2.1).
Organ Works Orgue [Score|Solo Part|Part] Barenreiter
Organ Chorales from Miscellaneous Sources. By Johann Sebastian Bach. Edited by R...(+)
Organ Chorales from
Miscellaneous Sources. By
Johann Sebastian Bach.
Edited by Reinmar Emans.
For Organ. This edition:
Urtext of the New Bach
Edition. Mit separater
Tromba-Stimme zu 'Wachet
auf, ruft uns die
Stimme'. Score; Single
Part. 177 pages.
Published by Baerenreiter
Verlag (German import).
Organ SKU: HL.48184601 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184601
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 86 pages.
Alphonse Leduc #AL27723.
Published by Alphonse
Leduc (HL.48184601).
UPC: 888680853914.
9.0x12.0x0.288
inches.
Part of the
Organ collection by J. S.
Bach, this Volume IX
Eighteen Chorals of
Leipzig (BWV 651-668) was
composed between 1740 and
1750, in Leipzig. This
volume is now translated
in English and French and
features the annotation
of Marcel Dupre, a French
organist, to help the
performer getting the
most of the music sheet.
This ninth book contains
a set of eighteen
religious preludes: 1.
Come, Holy Ghost 2. Come,
Holy Ghost 3. By the
rivers of Babylon 4. Deck
thyself, o my soul 5.
Lord Jesus Christ, unto
us turn 6. O stainless
Lamb of God 7. Now thank
we all our God 8. From
God I will not turn 9.
Come now, Saviour of the
Heathen 10. Come now,
Saviour of the Heathen
11. Come now, Saviour of
the Heathen 12. Glory to
God on high 13. Glory to
God on high 14. Glory to
God on high 15. Jesus
Christ, our Saviour 16.
Jesus Christ, our Saviour
17. Come, God, Creator,
Holy Ghost 18. Before thy
Throne, I now appear Some
of this prelude contains
toccatas, sarabandes,
fugues, ritornellos and
many ornaments. Quite
varied, they can also be
either joyful or full of
lamentations. The preface
of these Eighteen Chorals
of Leipzig is well
written, with
explanations of the
comments and descriptions
of the techniques to use
for a good interpretation
of this work. .
Organ SKU: BA.BA05290-02 Composed by Johann Sebastian Bach. Edited by Rei...(+)
Organ
SKU:
BA.BA05290-02
Composed by Johann
Sebastian Bach. Edited by
Reinmar Emans. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Bach Edition (NBA) IV/10.
Complete edition,
Performance score,
anthology. Baerenreiter
Verlag #BA05290_02.
Published by Baerenreiter
Verlag (BA.BA05290-02).
ISBN 9790006545339.
32.8 x 24.5 cm
inches.
This volume
includes organ works
based on chorales
surviving in various
sources. Some of these
works were not previously
included in theNew Bach
Editioneither for reasons
of doubtful authenticity
or because they were
unknown until now. Two
pieces from this
repertoire - the two
arrangements ofWie schon
leuchtet der
MorgensternBWV 739 and
764 - stem from one of
Bach's autograph
manuscripts. They had
been omitted until
recently because of
doubts of
authenticity.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: SU.80101405 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101405
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101405.
Published by Zimbel Press
(SU.80101405).
Organ Symphony
No. 3, Portals (2017) was
written for organist
Philip Hartmann in
celebration of the 90th
anniversary of the
Martin-Luther-Kirche in
Ulm, Germany. Over the
five entrances of the
church appear five
Biblical inscriptions.
These scripture passages
serve as the inspiration
for the five contrasting
movements of this work:
1) One Teacher (Matthew
23:8b); 2) With
Thanksgiving (Psalm
100:4a); 3) Humble
Yourselves (James 4:10);
4) Speak, and Do Not Be
Silent (Acts 18:9c); 5)
Sing Joyfully (Psalm
81:1) Instrumentation:
Organ Duration: 24'
Composed: 2017 Published
by: Zimbel Press.
Organ SKU: BA.BA09092-67 A Symphony-Cantata after Texts from the Holy ...(+)
Organ
SKU:
BA.BA09092-67
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 21 pages.
Baerenreiter Verlag
#BA09092_67. Published by
Baerenreiter Verlag
(BA.BA09092-67).
ISBN
9790006565870. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
By Louis Marchand (1669-1732). Edited by Jean Saint-Arroman, Philippe Lescat. Or...(+)
By Louis Marchand
(1669-1732). Edited by
Jean Saint-Arroman,
Philippe Lescat. Organ
solo. For Organ.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 112
pages
Organ SKU: HL.48184602 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184602
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 64 pages.
Alphonse Leduc #AL27724.
Published by Alphonse
Leduc (HL.48184602).
UPC: 888680853921.
9.0x12.0x0.204
inches.
Part of the
Organ collection by J. S.
Bach, this first book of
the Volume X Three
Chorals Transcriptions,
Three partitas and
canonical variations,
book 1 (BWV 645, 646,
647, 766, 767, 768)
contains six pieces and
is completed by the
second book. The six
pieces that feature in
this book are three
choral-transcriptions and
three chorals with
variations: 1. Awake, The
Watchmen ery out 2.
Whither shall I flee 3.
He that suffereth God to
guide him 4. Partite on
?Christ, Thou who Art the
light of the day? 5.
Partite on ?O God, Thou
Holy God? 6. Partite on
?Hail to Thee merciful
Jesus? This volume is
translated in English and
French and features the
annotation of Marcel
Dupre, a French Organist,
to help the performer get
the most our of the sheet
music. The preface is
also well written, with
explanations of the
comments and descriptions
of the techniques to use
for an accomplished
interpretation of this
work. .
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BA.BA08966-67 Composed by Charles Francois Gounod. Edited by H...(+)
Organ
SKU:
BA.BA08966-67
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 15
pages. Baerenreiter
Verlag #BA08966_67.
Published by Baerenreiter
Verlag (BA.BA08966-67).
ISBN 9790006563999.
32.5 x 25.5 cm
inches.
Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ (Organ) SKU: HL.48183087 Composed by Jacques Chailley. Leduc. Class...(+)
Organ (Organ)
SKU:
HL.48183087
Composed
by Jacques Chailley.
Leduc. Classical. CD. 268
pages. Alphonse Leduc
#AL25019. Published by
Alphonse Leduc
(HL.48183087).
UPC:
888680877859.
6.25x9.5x0.704
inches.
French
musicologist and
composer, Jacques
Chailley (1910-1999) was
born into a musical
family and went on to
study at the Paris
Conservatoire. As an
organist himself, he is
well acquainted with the
Chorales, making his
analysis book J. S.
Bach's Chorales for Organ
well-informed. Bach's
chorale catalogue
consists of some 189
chorales; SATB hymns
which tend to be in
strophic form. Chailley's
J. S. Bach's Chorales for
Organ analyses the
harmonic techniques,
structure and other
characteristics of all
the chorales, including
detailed descriptions.
For all musicians, the
knowledge of the
harmonisation of Bach's
chorales is essential.
Therefore, Chailley's J.
S. Bach's Chorales for
Organ is imperative..