Organ (Organ)

SKU: HL.48182450

Composed by Olivier Messiaen. Leduc. Classical. CD. 72 pages. Alphonse Leduc #AL23673. Published by Alphonse Leduc (HL.48182450).

UPC: 888680833015. 8.0x11.5x0.249 inches.

In this edition written in German, The Technique Of My Musical Language by Olivier Messiaen explains the full theory behind Messiaen?s compositions. Enabling a better understanding, this book will help advanced students and professionals for the interpretation of his work, and is a must-have for all composers. This book includes the scales of limited transpositions, well-known in Jazz, the rhythmic permutations, as well as other techniques. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the ''Bird Catalogue'' in 7 volumes and the ''Treatise on rhythm, colour and ornithology'' in 7 volumes..

Organ - Level 4

SKU: BA.BA11093

Composed by Martin Herchenroder. Stapled. Performance score. Composed 2008/2013. 19 pages. Duration 12 hours. Baerenreiter Verlag #BA11093_00. Published by Baerenreiter Verlag (BA.BA11093).

ISBN 9790006565269. 30 x 23 cm inches. Preface: Herchenroder, Martin.

“Tocc ata and Lament” was composed on commission in 2008 to inaugurate the large new organ in the Christ Church Cathedral, Rochester, NY, USA. This instrument is a detailed reconstruction of a late Baroque organ of 1776 from Vilnius in Lithuania. The point of departure – a clash of contrasting eras and musical cultures on two continents – already bodes excitement. Martin Herchenröder, a composer and professor of music theory, has incorporated these contrasts in his roughly eight-minute composition. The result is a musical idiom of rare distinction, universal in its musical resources and alternating between tonal triads and extremely dissonant clusters. The heart of the piece is a dirge which, using the Baroque doctrine of the affections, relates to Eastern European cultural history in and around Vilnius, a history marked by the predations of 20th-Century war.

Orchestra ATB vocal soli, SATB Choir, 2 Flutes, 2 Oboes/2 Oboe d'Amore, Violin solo, Strings, Organ

SKU: CA.3111707

Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Sacred vocal music, Cantatas, Praise and thanks. Study score. Composed 1728/1731. BWV 117. 52 pages. Duration 26 minutes. Carus Verlag #CV 31.117/07. Published by Carus Verlag (CA.3111707).

ISBN 9790007091651. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.

(17 Sonaten. Anhang). By Wolfgang Amadeus Mozart (1756-1791). Edited by Minos E. Dounias. For Organ Solo, Orchestra. Neue Mozart-Ausgabe. Serie VI, Werkgruppe 16. Urtext Language: German. Orgelmusik, Sonaten, Musikwissenschaft, Klassik (Organ Music, Sonatas, Music Theory, Classical). Critical Commentary; Complete Edition (paperbound)

Composed by Philip G. Kreckel. Method/Instruction; Organ - Method or Collection. Book. 24 pages. Alfred Music #00-FE08148. Published by Alfred Music

Organ

SKU: BT.EMBZ12136

By Imre Sulyok. By Johann Sebastian Bach. Theory. Book Only. Composed 1983. 216 pages. Editio Musica Budapest #EMBZ12136. Published by Editio Musica Budapest (BT.EMBZ12136).

English-German-Hungari an.

Organ (Organ)

SKU: HL.48180890

Composed by Marcel Dupre. Leduc. Classical. Softcover. Alphonse Leduc #AL19629. Published by Alphonse Leduc (HL.48180890).

Complete Fugue Lessons by Marcel Dupre is a theory method in two volumes. Focusing on the fugues, this first book presents the whole method to conceive a fugue with some exercises. All the corrections are available in the second volume of this series. Really helpful for organ players, this book will interest any musician who is interested by the fugue. Marcel Dupre (1186-1971) was an organist and a composer. He is well-known for his review of the work of J.S Bach.

Organ

SKU: HL.49004968

Organ. Composed by Hermann Schroeder. Edited by Rainer Mohrs. This edition: Saddle stitching. Sheet music. Edition Schott. Die Beschrankung auf die kleine Form half Schroeder offensichtlich bei der Loslosung von der Romantik; Klarheit, und formale Pragnanz treten an die Stelle der monumentalen Grossform. Geeignet fur Konzert und Liturgie. Classical. Composed 1954. 24 pages. Duration 12'. Schott Music #ED 4539. Published by Schott Music (HL.49004968).

ISBN 9790001053273. UPC: 073999678697. 9.0x12.0x0.095 inches.

Hermann Schroeder (1904-1984) studied with Heinrich Lemacher and Walter Braunfels and became Professor of Composition and Music Theory at the Academy of Music in Cologne. From the end of the 1920s he made an important contribution to the new stylistic developments in organ music His smaller-scale compositions in particular, such as the Preambles and Interludes (1954) or the Little Preludes and Intermezzos (1932, ED 2221) point in new directions: the constraints of form have evidently been helpful in the process of breaking away from Romanticism; clarity and formal precision take the place of monumental grandeur of form. Suitable for concert or liturgical performance.