Solo organ - Difficulty: medium SKU: JU.00-GSOC00076 Composed by Johann P...(+)
Solo organ - Difficulty:
medium
SKU:
JU.00-GSOC00076
Composed by Johann
Pachelbel. Masterworks;
Organ Solo. H. W. Gray
Publications. Baroque.
Organ solo single. With
organ notation. 4 pages.
H. W. Gray #00-GSOC00076.
Published by H. W. Gray
(JU.00-GSOC00076).
UPC: 029156066869.
9x12 inches. Key: D
major. English.
Arranged.
Looking
for an
intermediate-level,
tasteful arrangement of
the popular Pachabel
Canon in D? Here's your
answer. Tucker has
arranged this famous
melody with weddings in
mind. It works well for
both a processional or
pre-service selection.
Easily learned, this
arrangement sounds more
difficult to play than it
actually is. A top
seller!
Organ SKU: SU.80101402 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101402
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101402.
Published by Zimbel Press
(SU.80101402).
Rhapsody in A
(2017) is dedicated to
organist Alessandro
Bianchi and was written
for premiere performance
on the 1904 Lewis & Co.
organ in Ayr Town Hall,
Ayr, Scotland, in
celebration of the 10th
anniversary of the organ
concert series there. The
title refers both to the
tonal/modal center of A
and to the first letters
of both Alessandro and
Ayr. The rhapsody is
entirely based on the
unaccompanied melody
first heard at the
outset. This melody
serves as the basis of
the following contrasting
sections; it is used both
motivically and to
determine the harmonic
excursions. The music
ends jubilantly.
Instrumentation: Organ
Duration: 8' Composed:
2017 Published by: Zimbel
Press.
Best of Wedding for Organ and Vocal with CD composed by Various. Arranged by Cra...(+)
Best of Wedding for Organ
and Vocal with CD
composed by Various.
Arranged by Craig
Stevens. For organ,
voice. This edition:
Paperback. Collection.
Wedding. Book and CD.
Text Language: English.
128 pages. Published by
Santorella Publications
Little Chorale Arrangements for Organ op. 8, no. 3 and individually transmitted ...(+)
Little Chorale
Arrangements for Organ
op. 8, no. 3 and
individually transmitted
Chorale Arrangements. By
Hugo Distler. Edited by
Armin Schoof. For Organ.
This edition: Urtext
Edition; Paperbound. Neue
Ausgabe samtlicher
Orgelwerke, Band II.
Score. 45 pages.
Published by Baerenreiter
Verlag (German import).
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.
Organ SKU: SU.80101410 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101410
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101410.
Published by Zimbel Press
(SU.80101410).
Fantasy-Variati
ons on Two Themes (2017)
for organ was written for
Heinrich Christensen in
celebration of his
significant 2017
birthday. The musical
material for the work
comprises two different
themes. The first is a
short melody by the
Danish composer Carl
Nielsen (1865-1931). (It
was a sketch originally
intended for inclusion
in, but ultimately left
out of, Nielsen's late
organ work 29 Little
Preludes.) This theme
represents Heinrich's
native Denmark. The
second theme is the
American folk-gospel hymn
Angel Band. This theme
represents Heinrich's
adopted American
homeland. It serves also
as a remembrance of our
dear mutual friend Harry
Lyn Huff (1952-2016), for
whom the tune was a
particular favorite. Both
these themes are
developed freely in a set
of alternating
fantasy-variations. The
opening variation begins
with a dramatic pedal
solo before quoting both
themes. The second
variation is a lyric
setting based on the
Nielsen melody. The third
is a jubilant hornpipe on
Angel Band. The fourth is
an aria on a
transformation of the
Nielsen melody. The fifth
is a gigue-toccata on
Angel Band. The sixth is
an atmospheric
contemplation: lush
chords in the manuals
move slowly and hint at
Angel Band while the
Nielsen melody is heard
for the first time in its
complete original form on
a high pedal stop. The
seventh and final
variation begins with a
brief evocation of the
harmonies of the late
Daniel Pinkham (a mentor
to both Heinrich and me)
before going on to return
dramatically and
jubilantly to the opening
music, bringing together
both themes again in a
bold conclusion.
Instrumentation: Organ
Duration: 15' Composed:
2017 Published by: Zimbel
Press.
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Organ SKU: CA.1817900 Composed by Charles Marie Widor. Edited by Georg Ko...(+)
Organ
SKU:
CA.1817900
Composed
by Charles Marie Widor.
Edited by Georg Koch.
Free organ music. Full
score. Op. 42,1. 80
pages. Duration 35
minutes. Carus Verlag #CV
18.179/00. Published by
Carus Verlag
(CA.1817900).
ISBN
9790007188979. Language:
all languages.
It
is no coincidence that
the Toccata from Widor's
Vth Organ Symphony is his
best-known composition.
Who can resist its
thrilling verve? Not only
this, but also the other
movements of this unique
work of the organ
repertoire win you over
immediately - the first
with its march-like,
majestic, much-varied
theme; the second with
its wonderfully elegiac
oboe melody, flowing
along over staccato
sixteenth notes; and the
two slow movements, of
which the melancholy,
almost static Adagio
forms the greatest
contrast imaginable to
the following triumphal
Toccata. The Carus Urtext
edition is based on the
Paris edition of 1928/29,
the last one to be
published during Widor's
lifetime. The corrections
which the composer made
after the publication of
this edition have also
been taken into
consideration. As well as
this, earlier editions
have been consulted for
comparison to clarify
individual variant
readings. Editorial
suggestions on the
performance of individual
passages complete the new
edition. Great organ
works: Series A: -
Symphony II op. 13 no. 2
- Symphony IV op. 13 no.
4 - Symphony V op. 42 no.
1 - Symphony VI op. 42
no. 2 - Symphony Romane
op. 73 in preparation
Subscription offer for
Series A: 20% discount
off the retail price.
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Organ - intermediate SKU: HL.49045099 Rottenburg Toccata for Organ...(+)
Organ - intermediate
SKU: HL.49045099
Rottenburg Toccata for
Organ. Composed by
Naji Hakim. This edition:
Saddle stitching. Sheet
music. Organ Large Works.
Classical. Softcover. 16
pages. Duration 5'.
Schott Music #ED22524.
Published by Schott Music
(HL.49045099).
ISBN
9781495076619. UPC:
841886028180.
9.0x12.0x0.075
inches.
The
Rottenburg Toccata
develops the choral
melody of 'Sankt Martin,
dir ist anvertraut' in
the virtuosic style of
french romantic toccatas.
The work is articulated
in three sections with
contrasted textures:
opening variation of the
melody with sextuplet
figurations, middle
variation with a peasant
rhythmicalcharacter in
the minor mode and
conclusion presenting the
choral melody on the
pedal.
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong....(+)
Organ - Level 3
SKU:
BA.BA11264
Composed
by Margaretha Christina
de Jong. Stapled.
Performance score. Opus
109. Baerenreiter Verlag
#BA11264_00. Published by
Baerenreiter Verlag
(BA.BA11264).
ISBN
9790006569724. 30 x 23 cm
inches. Preface: Clement,
Albert.
This
fantasia for organ was
composed in 2019. The
composition is based on a
melody attributed to the
French composer Louis
Bourgeois (approx.
1510–1560) which
is one of the most
well-known melodies in
the Christian musical
tradition. It has also
been sung to various
other texts, such as
Lutheran chorales. In
Bach’s work, the
melody appears in the
cantata “Lord God,
we praise Thee all of
us†BWV
130.
The composer
has retained the style of
French Romanticism. The
character of the work
corresponds to the
content of the text and
culminates in a festive
finale. This music is
suitable for many church
music occasions.
Chamber Music Solo Organ SKU: PR.113400460 Composed by Adolphus Hailstork...(+)
Chamber Music Solo Organ
SKU: PR.113400460
Composed by Adolphus
Hailstork. 16 pages.
Duration 11 minutes, 30
seconds. Theodore Presser
Company #113-40046.
Published by Theodore
Presser Company
(PR.113400460).
ISBN
9781491135082. UPC:
680160686308.
Sever
al powerful elements
combine to create this
striking 11½-minute
organ solo. In composing
for the AGO chapter of
Albany, NY, where
Hailstork was raised and
became a musician, the
composer selected the
hymn tune Albany, whose
text begins with
“Ancient of
days...â€
Hailstork’s
fantasy on this imposing
melody is built as a
chorale prelude,
following Bach’s
method of creating
concert works around
phrases from a known
sacred melody.
Organ (Organ) SKU: HL.48180057 [Concert Variations for Organ]. Com...(+)
Organ (Organ)
SKU:
HL.48180057
[Concert Variations
for Organ]. Composed
by Joseph Bonnet. Leduc.
Classical. Softcover. 11
pages. Alphonse Leduc
#AL14123. Published by
Alphonse Leduc
(HL.48180057).
UPC:
888680795702.
9.0x12.0x0.075
inches.
Composer
and organist, Joseph
Bonnet (1884-1944) is
considered one of the
most major French pipe
organ players. It is no
surprise, therefore, that
his Concert Variations
for Organ are very well
informed. Following his
studies at the Paris
Conservatoire, Bonnet
took over as concert
organist at the
institution. Concert
Variations for Organ was
compiled in 1906, soon
after his graduation. The
work begins with a
helpful index of the
organ registrations and
performance directions.
Concert Variations begins
with a virtuosic,
cadenza-like theme in E
minor. Following this,
four variations are
heard, all containing
contrast in organ sound,
tonality and exploited
melody and rhythm. For
all advanced, aspiring
organists, Bonnet's
Concert Variations is an
essential addition to the
repertoire.
Organ - advanced to difficult SKU: HL.49033297 Organ. Composed by ...(+)
Organ - advanced to
difficult
SKU:
HL.49033297
Organ. Composed by
Jean Guillou. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1974.
Op. 28. 40 pages.
Duration 16'. Schott
Music #ED 9799. Published
by Schott Music
(HL.49033297).
ISBN
9790001137751. UPC:
884088070496.
9.0x12.0x0.158
inches.
Though the
work bearing this title
is a portrait of
childhood, it is a
childhood quite different
from the purely
gameplaying and dreamlike
childhood that is
customarily represented.
The childhood described
here is carrying the
seed, in all its purity,
of all positive and
negative qualities to be
found the fully-grown
men: a childhood both
angelic and diabolical,
and indeed very close to
Henry James' The Turn of
the Screw which was the
direct inspiration for
this monodrama.Its growth
follows the innumerable
sudden changes, turns and
contrasts of the
unsophisticated spirit.
There is hardly any
development at all, as
each idea gives birth to
the next or rejects the
previons one, being
object to every impulse,
every tempest, every
flux, every fear and
delight. After a
dreamlike introduction,
in which two simple
melodies stand out, comes
a sudden awakening,
Allegro, stamped all over
with lavish and forever
regenerating dynamism. A
sudden halt leads a kind
of outburst from the most
simple folklore is
singing, in regular,
repeated notes. Again the
question mark leads us to
another melody,
Tranquillo, of a sweet
tempo, but brilliantly
decorated with
counter-point, its
cursive traits leading
this time to a kind of
roguish march
(Vigoroso).Yet soon there
emerges a melancholic
chant, Largo, in the
Cromorne's timbre, and
then, in the highest
register of the Trumpet
there reappears like a
metamorphosed memory, the
theme of the second
movement. Passing other
episodes, we come to
Tempo giusto, insistent
and glorious, interrupted
by other passionate
figures, cut off by
unsettling silent moments
and taken up again in
always accelerating
volleys.
Organ - Level 3 SKU: BA.BA05897-67 Chorale Setting. Composed by Ge...(+)
Organ - Level 3
SKU:
BA.BA05897-67
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 13 pages. Baerenreiter
Verlag #BA05897_67.
Published by Baerenreiter
Verlag (BA.BA05897-67).
ISBN 9790006563104.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through