(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio
Electronic Keyboard;
Keyboards; Organ
SKU:
HL.302741
E-Z Play
Today Book A. E-Z
Play Today. Instruction,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
(HL.302741).
ISBN
9781540065261. UPC:
888680967468.
9.0x12.0x0.182
inches.
Introducing
the E-Z way to reading
music notes, chords, and
learning musical terms!
Keyboards are among the
most versatile of all
musical instruments, and
many electronic keyboards
today have special
automatic features and
automatic rhythms. These
features make making
music even more fun and
versatile! If you've
always wanted to learn
how to play the keyboard,
this book is your first
step to success!
Beginnings Book A
provides
easy-to-understand
instructions with popular
songs and favorite tunes
so you can start playing
music you know and love
while learning to play!
In practically no time,
you'll be performing some
of your favorite
standards, including:
Aura Lee • Danny
Boy • He's Got the
Whole World in His Hands
• Kumbaya •
Lullaby (Cradle Song)
• On Top of Old
Smoky • Simple
Gifts • When the
Saints Go Marching In
• Yankee Doodle
• and more. This
book also includes access
to online recordings of
demonstration and backing
tracks, so you can listen
to the demos to hear how
the piece should sound,
then play along with the
backing tracks to sound
like a pro! Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Par...(+)
Keyboard and Organ Works
from Copied Sources
Partitas and Partita
Movements, Part 2. By
Froberger, Johann Jacob.
Edited by Rampe,
Siegbert. For Organ,
Piano, Harpsichord.
Johann Jacob Froberger:
Neue Ausgabe samtlicher
Werke,Bd.4.1. Playing
Score; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006488360.
Organ SKU: HL.14009590 Composed by Edwin H. Lemare. Music Sales America. ...(+)
Organ
SKU:
HL.14009590
Composed
by Edwin H. Lemare. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV950225.
Published by Music Sales
(HL.14009590).
Lemare's
compositions are uneven
in quality, but the best
are still active in the
repertoire. The Toccata
di Concerto is certainly
full of fireworks and has
the capacity to show the
abilities of a great
Organ. The upper parts
have plenty of French
toccata style, but the
theme in the pedals gives
the piece substance, as
does the romantic,
chromatic interlude in
the middle of the
work.Organ virtuoso and
composer Edwin Lemare was
the world's highest-paid
Organist at the height of
his career in the early
1900's, drawing bravos
from ctritics and the
crowds who queued around
the block to hear this
most famous of Organists.
After having served as a
church Organist for a
relativelyshort period,
he began the life of a
travelling recitalist,
beginning with a
hundred-recital tour of
the USA and Canada in
1900, a career that
continued until the stock
market crash of 1929.
Lemare was also virtuosic
in his ability to
transcribe great
Orchestral works for the
Organ, allowing audiences
in those less urban times
to hear works played live
that they might have
heard no other way.
Organ solo SKU: CA.1808200 Composed by Various. Edited by Armin Kircher. ...(+)
Organ solo
SKU:
CA.1808200
Composed
by Various. Edited by
Armin Kircher. This
edition: Paperbound.
Pastorale. Pastoralmusik
Fur Orgel Band 2. Free
organ music, Christmas.
Collection. 144 pages.
Carus Verlag #CV
18.082/00. Published by
Carus Verlag
(CA.1808200).
ISBN
9790007164003.
This
volume presents 64
Pastorale compositions
for organ
(harpsichord/pianoforte)
of the 18th century from
Germany, Bohemia, Austria
and South Tyrol. Charming
melodies shaped by
natural notes, bordoun
basses, a
lyrical-cheerful or
sensitive tone - these
are some of the common
characteristics of the
works in this collection.
Several of them are
connected to the custom
of the Kindlwiegen or
cradle song. Those in
search of new discoveries
will also find a number
of first editions here.
Almost all of the pieces
can be played manualiter
and range from easy to
moderate level of
difficulty. Together,
both Pastorale volumes
display an impressive
kaleidoscope of the
different national
characteristics of the
pastorale and offer a
rich repertoire for
organists, not only at
Christmas time.
Organ SKU: HL.48180908 Premier Volume. Composed by Gaston Litaize....(+)
Organ
SKU:
HL.48180908
Premier Volume.
Composed by Gaston
Litaize. Leduc.
Classical. Softcover. 36
pages. Alphonse Leduc
#AL19712. Published by
Alphonse Leduc
(HL.48180908).
UPC:
888680984274.
9.0x12.0x0.15
inches.
This first
volume of Twelve Pieces
by Gaston Litaize is a
set of six pieces for
organ. With a difficulty
that would fit the skills
of upper intermediate
players, these pieces
require the use of
pedals. This first tome
includes: 1. Prelude,
dedicated to Lauret
Bolli, his friend 2.
Double Fugue 3. Lied,
dedicated to Guy Lambert
4. Intermezzo Pastoral,
dedicated to Miss Line
Zilgien 5. Final,
dedicated to his
professor Marcel Dupre 6.
Lamento, dedicated to his
friend Maurice Dalphin.
And the second tome
consists of: 7. Scherzo
8. Toccata sur le veni
creator 9. Priere 10.
Jeux de rythmes 11.
Interlude 12. Variations
sur un Noel angevin. This
piece is quite famous
among Gaston Litaize's
compositions. Gaston
Litaize (1909-1991) was a
French organist and
composer, blind since his
youth. Considered as one
of the organ masters of
his times, he toured and
worked on many
recordings. He was also a
good professor, and
composed many pieces for
solo organ and for organ
with other
instruments.
Written for
upper-advanced organ
players, Three Preludes
and Fugues is a work by
Marcel Dupre. Dedicated
to Rene Vierne, this Op.
7 uses complex
figurations and pedals.
With such challenging
difficulty, the first and
third preludes were
pronounced?unplayable by
Charles-Marie Widor due
to their fast tempo,
their figurations and the
pedal chords. For a long
time, Dupre himself was
the only one able to play
them. Marcel Dupre is a
French organist who
reviewed some works by J.
S. Bach, including The
little Organ Book. He
composed numerous pieces
such as Lamento, Scherzo
and Titelooze Tombstone,
among others.
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuk...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School.
Book. 24
pages. Alfred Music #00-
47146. Published by
Alfred
Music (
Organ SKU: HL.14024513 Composed by Percy E. Fletcher. Music Sales America...(+)
Organ
SKU:
HL.14024513
Composed
by Percy E. Fletcher.
Music Sales America.
Post-1900. Book
[Softcover]. 12 pages.
Music Sales #NOV590043.
Published by Music Sales
(HL.14024513).
UPC:
884088488635.
9.0x12.0x0.049
inches.
The
Fountain Reverie features
soft, rippling arpeggios
with a contrasting middle
section. As with the
Festival Toccata,
published at the same
time, the brilliance of
Fountain Reverie
disguises the fact that
one does not need to be a
virtuoso to play it well
and effectively, and it
plays well on many
different Organs.Percy
Fletcher was an English
composer, conductor and
Orchestrator of
prodigious output who
made his career in the
lively world of the
London music theatre of
the years of the late
19th and early 20th
century. He was music
director at many
theatres, including His
Majesty's Theatre for the
last seventeen years of
his life. He was the
Orchestrator and
conductorfor the big
budget spectacular
theatre piece Chu Chin
Chow which ran for five
years, a record that
remained unbroken for
forty years. In addition
to his myriad works of
light music, Fletcher
also wrote a serious
church cantata, The
Passion of Christ, as
well as the delightful
children's work, The
Walrus and the
Carpenter.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ SKU: CA.1822000 17 new compositions for organ solo. Carus di...(+)
Organ
SKU:
CA.1822000
17 new
compositions for organ
solo. Carus digital:
Extra digital products.
Collection. Published by
Carus Verlag
(CA.1822000).
ISBN
9790007294441.
Edit
ed by the Deutscher
Musikrat (German Music
Council) with Richard
Mailander and Kord
Michaelis
Catholic
and Protestant churches
are familiar with the
tradition that in times
of crisis, new works are
composed to comfort the
faithful, and are
performed in worship.
Following in this
tradition, the project
Orgelmusik in Zeiten von
Corona (Organ Music in
Times of Corona) was
devised. 17 new
compositions were
commissioned which
reflect Corona times,
creatively confront the
past and the present, and
will enrich the
repertoire of organ music
in a lasting way. The
17 compositions depict a
wide range of styles
including avant-garde,
jazz and classical, and
some refer to music from
previous eras and church
music traditions. They
are conceived for
different levels of
difficulty, are for 2 or
3-manual organs, and last
between four and ten
minutes. They are
particularly suitable for
concerts, but can also be
played in church
services. * 17
thematic reflections on
the Corona pandemic: on
the horsemen of the
apocalypse, the Coeur
bleu, the thunder of
time, timelines, trust
and confidence, and many
more * compositions by
Timo Bocking, Kathrin A.
Denner, Barbara
Dennerlein, Dorothee
Hahne, Peter Michael
Hamel, Frank Heckel,
Dorothea Hofmann, Nicole
Johanntgen, Anna Korsun,
Roland Kunz, Eckhart
Kuper, Johannes M.
Michel, Iris Rieg,
Maximilian Schnaus,
Enjott Schneider, Dominik
Susteck, and Maximilian
Wallrath * stylistic
variety and breadth -
from
classically-influenced
compositions, through
jazz and pop, to
avant-garde and
experimental sounds *
different levels of
difficulty, for 2 or
3-manual organ, 4 to 10
minutes' duration *
suitable for concerts and
church services.
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arran...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. Baroque. Full
score. With Standard
notation. 112 pages.
Wiener Urtext/Vienna
Urtext #UT50147.
Published by Wiener
Urtext/Vienna Urtext
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Com...(+)
Composed by Gerald Near
(1942-). For organ.
Chant-Based. Catholic
Sequences, Complete Mass,
Pentecost, Trinity,
Communion. Medium.
Published by Aureole
Editions
Organ SKU: HL.49046414 Version for organ by Leif Thybo (1952) based on...(+)
Organ
SKU:
HL.49046414
Version for organ by
Leif Thybo (1952) based
on the original version
for chamber
orchestra. Composed
by Igor Stravinsky. Organ
Large Works. Classical.
Softcover. 52 pages.
Duration 900 seconds.
Schott Music #ED23092.
Published by Schott Music
(HL.49046414).
ISBN
9781540090522. UPC:
842819103974.
The
American musical patrons
Mildred and Robert Wood
Bliss were considering
which distinguished
composer to commission to
create a work in
celebration of their 30th
wedding anniversary in
1938. The couple had made
the acquaintance of Igor
Stravinsky in April the
preceding year at the
premiere of his ballet
Jeu de Cartes in New York
and had subsequently
invited the composer to
their country home
'Dumbarton Oaks' in
Washington D.C. to talk
about a new composition.
Stravinsky only just
managed to complete the
work in time for the
anniversary celebrations:
its date of completion
was also the date of its
first performance. For
his classically styled
three-movement work, he
selected the title
Concerto in E flat,
adding the subtitle
Dumbarton Oaks as a
dedication. The structure
of the work references
the concerto grosso: it
features a soloist
ensemble which unites in
the tutti sequences but
also plays in concertino
groups during the solo
episodes. Broken chordal
structures characterise
the central movement
whereas the outer
movements are
distinguished through
their use of fugato.
Dumbarton Oaks went on to
become one of Stravinskys
mostsuccessful works,
performed widely and
delighting Mildred Bliss
so much that she
immediately issued
another commission, for
the Symphony in C. Its
composer's very public
commitment to American
cultural life helped pave
the way for Stravinskys
emigration to the USA in
1945. As early as 1952
Leif Thybo created an
arrangement for organ
which Stravinsky probably
did not know at the time
of his life.
(Organ Music for Lent). Edited by G and Günter Kaluza. For Organ. De Hask...(+)
(Organ Music for Lent).
Edited by G and
Günter Kaluza. For
Organ. De Haske
Play-Along Book. Play
Along. Softcover. 64
pages. De Haske
Publications #991538.
Published by De Haske
Publications
Composed
by Carson Cooman. Sacred.
Lorenz Publishing Company
#70/2170L. Published by
Lorenz Publishing Company
(LO.70-2170L).
ISBN
9780787764074.
This
valuable collection of
ready-to-go preludes,
offertories, interludes,
and postludes is intended
especially for when
preparation time is short
or nonexistent. It
includes arrangements of
familiar hymns and
original pieces with only
modest pedaling demands.
Several of the pieces can
be grouped together to
form longer selections,
allowing organists to
fill time of variable
lengths.
Organ - advanced to difficult SKU: HL.49033297 Organ. Composed by ...(+)
Organ - advanced to
difficult
SKU:
HL.49033297
Organ. Composed by
Jean Guillou. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1974.
Op. 28. 40 pages.
Duration 16'. Schott
Music #ED 9799. Published
by Schott Music
(HL.49033297).
ISBN
9790001137751. UPC:
884088070496.
9.0x12.0x0.158
inches.
Though the
work bearing this title
is a portrait of
childhood, it is a
childhood quite different
from the purely
gameplaying and dreamlike
childhood that is
customarily represented.
The childhood described
here is carrying the
seed, in all its purity,
of all positive and
negative qualities to be
found the fully-grown
men: a childhood both
angelic and diabolical,
and indeed very close to
Henry James' The Turn of
the Screw which was the
direct inspiration for
this monodrama.Its growth
follows the innumerable
sudden changes, turns and
contrasts of the
unsophisticated spirit.
There is hardly any
development at all, as
each idea gives birth to
the next or rejects the
previons one, being
object to every impulse,
every tempest, every
flux, every fear and
delight. After a
dreamlike introduction,
in which two simple
melodies stand out, comes
a sudden awakening,
Allegro, stamped all over
with lavish and forever
regenerating dynamism. A
sudden halt leads a kind
of outburst from the most
simple folklore is
singing, in regular,
repeated notes. Again the
question mark leads us to
another melody,
Tranquillo, of a sweet
tempo, but brilliantly
decorated with
counter-point, its
cursive traits leading
this time to a kind of
roguish march
(Vigoroso).Yet soon there
emerges a melancholic
chant, Largo, in the
Cromorne's timbre, and
then, in the highest
register of the Trumpet
there reappears like a
metamorphosed memory, the
theme of the second
movement. Passing other
episodes, we come to
Tempo giusto, insistent
and glorious, interrupted
by other passionate
figures, cut off by
unsettling silent moments
and taken up again in
always accelerating
volleys.
Composed
by Carson Cooman. Sacred,
Christmas. Lorenz
Publishing Company
#70/2315L. Published by
Lorenz Publishing Company
(LO.70-2315L).
ISBN
9780787773007.
This
valuable collection
contains many ready-to-go
preludes, offertories,
and interludes and
postludes that are
intended for occasions
when preparation time is
short or nonexistent.
Following a general
volume (70/2170L), this
collection covers the
fall/autumn and winter
months, taking us from
Labor Day through
Christmas.
Composed
by Carson Cooman. Sacred,
Eastertide, General, Holy
Week, Lent, Pentecost,
Palm/Palm-Passion Sunday,
Trinity Sunday. Lorenz
Publishing Company
#70/2452L. Published by
Lorenz Publishing Company
(LO.70-2452L).
ISBN
9780787779115.
This
valuable collection
offers a generous
selection of
ready-to-goâ?
preludes, offertories,
interludes, and
postludes, designed
especially for busy
organists facing limited
preparation time.
Included are original
compositions as well as
organ arrangements of
familiar hymns with
modest pedaling demands.
This volume focuses on
seasonal repertoire for
the spring and
summer.
