Organ SKU: GI.G-002455 Children. Sacred. GIA Publications #002455. Publis...(+)
Organ
SKU:
GI.G-002455
Children.
Sacred. GIA Publications
#002455. Published by GIA
Publications
(GI.G-002455).
Ceremonial
Prelude and Salute! share
scoring for organ, brass,
and percussion while
Praeludium, composed for
Fred Tulan to play at
Westminster Abbey, is for
organ solo or with two
percussionists
(optional). These titles
may be programmed singly
or as a suite. Featured
on the CD
Transformations.
Organ - difficult SKU: HL.49017864 For organ. Composed by John Cas...(+)
Organ - difficult
SKU:
HL.49017864
For
organ. Composed by
John Casken. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Sacrificium ist ein
anspruchsvolles Werk, das
die Interpreten mit einer
Fulle von
kontrastierendem Material
fordert, aber
gleichzeitig Raum fur
individuelle
Interpretation lasst.
Composed 2009. 20 pages.
Duration 8'. Schott Music
#ED13260. Published by
Schott Music
(HL.49017864).
ISBN
9790220131288. UPC:
884088567637.
9.0x12.0x0.107
inches.
Sacrificium
was commissioned by the
St Albans International
Organ Festival for what
has become one of the
most influential organ
competitions in the
world. It is a demanding
8 minute work that will
challenge performers with
an abundance of
contrasting material
whilst still leaving
space for individual
interpretation. Casken
refers to the story of
Alban who sacrificed his
life to save another
Christian thereby
becoming the first
British Martyr in his
programme note and more
specifically the act of
exchanging cloaks and
deception which led to
Alban's execution. This
idea of taking on a new
appearance is apparent in
the music as recurring
themes undergo
transformations,
gradually becoming
absorbed into new musical
textures.
Organ SKU: GI.G-002456 Children. Sacred. GIA Publications #002456. Publis...(+)
Organ
SKU:
GI.G-002456
Children.
Sacred. GIA Publications
#002456. Published by GIA
Publications
(GI.G-002456).
Ceremonial
Prelude and Salute! share
scoring for organ, brass,
and percussion while
Praeludium, composed for
Fred Tulan to play at
Westminster Abbey, is for
organ solo or with two
percussionists
(optional). These titles
may be programmed singly
or as a suite. Featured
on the CD
Transformations.
Organ SKU: HL.14008939 Composed by Peter Dickinson. Music Sales America. ...(+)
Organ
SKU:
HL.14008939
Composed
by Peter Dickinson. Music
Sales America. 20th
Century. Book
[Softcover]. 32 pages.
Music Sales #NOV010237.
Published by Music Sales
(HL.14008939).
ISBN
9780853609551.
8.25x11.75x0.178
inches.
The Blue
Rose Variations is one of
several works in which
the composer has drawn on
ragtime and blues. The
organ work is based on
two transformations of
the popular piano piece
To A Wild Rose (Woodland
Sketches, Op.51 No.1) by
the American composer,
Edward MacDowell
(1860-1908). During the
course of the Variations,
To A Wild Rose appears as
a blues and also as a
classical rag, often as
both together. The
sections are Theme: a
quiet blues; Variation I:
a pedal solo in varied
metres based on the blues
in fast tempo; Variation
II: the first appearance
of the rag as a
background to the blues
as a 2' pedal solo;
Variation III: a version
of Variation I now
involving manuals too;
Variation IV: another
blues solo against the
rag; Variation V: another
version of Variation I
with the pedal solo
almost entirely
transferred to the
manuals; Variation VI: a
final confrontation
between the blues and the
rag, now much decorated.
First performed in New
York in April 1986.
Duration c.15 mins.
Organ SKU: GI.G-003009 Children. Sacred. GIA Publications #003009. Publis...(+)
Organ
SKU:
GI.G-003009
Children.
Sacred. GIA Publications
#003009. Published by GIA
Publications
(GI.G-003009).
Ceremonial
Prelude and Salute! share
scoring for organ, brass,
and percussion while
Praeludium, composed for
Fred Tulan to play at
Westminster Abbey, is for
organ solo or with two
percussionists
(optional). These titles
may be programmed singly
or as a suite. Featured
on the CD
Transformations.
Organ SKU: GI.G-003106 Composed by Alan Hommerding. Sacred. GIA Publicati...(+)
Organ
SKU:
GI.G-003106
Composed
by Alan Hommerding.
Sacred. GIA Publications
#003106. Published by GIA
Publications
(GI.G-003106).
Commissioned by
an organist for the
one-year anniversary of
the death of a loved one,
these two pieces are
based on contrasting
psalm verses: The Lord is
near to the
broken-hearted (Ps.34:18)
and I will praise the
Lord all my days, making
music while I live (Ps.
146.2). Composer Alan
Hommerding united these
pieces with a common
theme, and transforms it
as the mourner's spirit
is transformed by
faith.
Organ SKU: SU.80101410 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101410
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101410.
Published by Zimbel Press
(SU.80101410).
Fantasy-Variati
ons on Two Themes (2017)
for organ was written for
Heinrich Christensen in
celebration of his
significant 2017
birthday. The musical
material for the work
comprises two different
themes. The first is a
short melody by the
Danish composer Carl
Nielsen (1865-1931). (It
was a sketch originally
intended for inclusion
in, but ultimately left
out of, Nielsen's late
organ work 29 Little
Preludes.) This theme
represents Heinrich's
native Denmark. The
second theme is the
American folk-gospel hymn
Angel Band. This theme
represents Heinrich's
adopted American
homeland. It serves also
as a remembrance of our
dear mutual friend Harry
Lyn Huff (1952-2016), for
whom the tune was a
particular favorite. Both
these themes are
developed freely in a set
of alternating
fantasy-variations. The
opening variation begins
with a dramatic pedal
solo before quoting both
themes. The second
variation is a lyric
setting based on the
Nielsen melody. The third
is a jubilant hornpipe on
Angel Band. The fourth is
an aria on a
transformation of the
Nielsen melody. The fifth
is a gigue-toccata on
Angel Band. The sixth is
an atmospheric
contemplation: lush
chords in the manuals
move slowly and hint at
Angel Band while the
Nielsen melody is heard
for the first time in its
complete original form on
a high pedal stop. The
seventh and final
variation begins with a
brief evocation of the
harmonies of the late
Daniel Pinkham (a mentor
to both Heinrich and me)
before going on to return
dramatically and
jubilantly to the opening
music, bringing together
both themes again in a
bold conclusion.
Instrumentation: Organ
Duration: 15' Composed:
2017 Published by: Zimbel
Press.
Organ solo SKU: HH.HH304-SOL Composed by Timothy Raymond. Organ Solo. Pla...(+)
Organ solo
SKU:
HH.HH304-SOL
Composed
by Timothy Raymond. Organ
Solo. Playing score.
Duration 14 minutes.
Edition HH Music
Publishers #HH304-SOL.
Published by Edition HH
Music Publishers
(HH.HH304-SOL).
ISBN
9790708092537.
Tim
Raymond's dramatic and
inventive organ piece was
composed for the
instrument in St Bavo's
Cathedral in Ghent,
Belgium, and was inspired
by a plainchant melody
found in a manuscript
compiled there in 1481.
Atmospheric, mysterious
and fluid textures
alternate with energetic,
toccata like passages,
reflecting and
transforming the pitch
structures and temporal
proportions of the chant
a meditation on the
Trinity. A further
dimension connects and
resonates with the
colourful pantheism and
cosmic symbolism of the
Van Eyck brothers' famous
fifteenth century
altarpiece, The Adoration
of the Sacred Lamb,
created for, and housed
in, St Bavo's.
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Piano/Keyboards - Beginner/Advanced SKU: AD.ADG244 Composed by Andrew D. ...(+)
Piano/Keyboards -
Beginner/Advanced
SKU:
AD.ADG244
Composed by
Andrew D. Gordon. The
Blues Scale. Blues. Book
and digital audio. ADG
Productions #ADG244.
Published by ADG
Productions (AD.ADG244).
ISBN 9781958017333.
UPC: 663389124424. 9 x 12
inches.
The Blues
Scale for Organ is one of
a series by Andrew D.
Gordon is a comprehensive
collection of educational
books that explores the
intricacies, techniques,
and applications of the
blues scale in
contemporary music.
Designed for musicians of
all levels, this series
serves as an
indispensable resource
for guitarists, pianists,
saxophonists, and other
instrumentalists looking
to delve into the
expressive and soulful
world of blues music.
Andrew D. Gordon, an
accomplished musician and
renowned educator,
combines his vast
knowledge and experience
to provide a step-by-step
guide for mastering the
blues scale. Each book in
the series offers a
well-structured
curriculum, progressing
from fundamental concepts
to advanced improvisation
techniques, ensuring a
thorough understanding of
the blues scale's
potential. Through
detailed explanations,
musical examples,
exercises, and play-along
tracks, readers will
embark on a
transformative journey,
gaining fluency and
confidence in playing the
blues. The books cover
various styles showing
how the blues scale can
be used, including ,
jazz, funk , new age,
Latin, pop, gospel, acid
jazz and rock enabling
musicians to expand their
repertoire and adapt
their skills to different
musical contexts. The
Blues Scale series not
only equips musicians
with the technical
aspects of playing the
blues but also emphasizes
the importance of
creativity and personal
expression. Gordon
encourages readers to
develop their
improvisational skills,
providing tools and
strategies to create
unique solos and express
their musical personality
within the framework of
the blues scale. Whether
you are a beginner
seeking to explore the
foundations of the blues
scale or an advanced
player looking to refine
your improvisational
abilities, The Blues
Scale series by Andrew D.
Gordon offers a
comprehensive and
accessible approach to
learning and mastering
the blues. With its clear
instruction, engaging
exercises, and practical
examples, this series is
an invaluable resource
for musicians passionate
about incorporating the
soulful and timeless
sounds of the blues into
their playing.
Organ - intermediate to advanced SKU: HL.49045269 For Organ. Compo...(+)
Organ - intermediate to
advanced
SKU:
HL.49045269
For
Organ. Composed by
Stefan Heucke. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2015. Op. 78. 40
pages. Duration 21'.
Schott Music #ED 22689.
Published by Schott Music
(HL.49045269).
ISBN
9790001163132. UPC:
841886029835.
9.0x12.0x0.14
inches.
The sonata
premiered in 2016 is
based on the Luther
chorale Komm, Gott
Schopfer, Heiliger Geist
(Come, God Creator, Holy
Spirit) and consists of
three parts: 'The first
movement transforms the
first eight notes of the
chorale melody into a
virtuoso figurative
movement, the second
movement presents the
complete chorale in a
highly chromatic
harmonization. The
concluding fugue is
treated in three
development sections
becoming successively
more animated in rhythm
and dynamics.' (Stefan
Heucke).
Organ SKU: BR.EB-8041 Of the 'Musical Offering' by J.S. Bach. Comp...(+)
Organ
SKU:
BR.EB-8041
Of the
'Musical Offering' by
J.S. Bach. Composed
by Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Dusseldorf, May 20,
1978
Music post-1945.
Score. Composed 1977. 24
pages. Duration 13'.
Breitkopf and Haertel #EB
8041. Published by
Breitkopf and Haertel
(BR.EB-8041).
ISBN
9790004174401. 9 x 12
inches.
During the
intensive study of Johann
Sebastian Bach's Musical
Offering for the creation
of a commissioned
composition for wind
trio, I had the idea of
writing a larger organ
work on the Royal Theme
at the same time. This is
how the Three Ricercare
came into being. They are
multi-part fantasies for
organ, which - connected
by the frequently
transformed thematic
material of the Musical
Offering and the
manifoldly reshaped
B-A-C-H motif - alternate
between free, rapsodic
parts on the one hand and
strictly structured parts
on the other. For my 60th
birthday, W. E. v.
Lewinski wrote an
appreciation under the
title: Music in the span
between constraint and
freedom. This formulation
aptly characterizes the
new organ work. (Jurg
Baur) CD: Martin
Herchenroder CD Koch
3-1846-3 H1 Bibliography:
Semrau , Arno: Polpyhone
Orgelmusik von Johann
Sebastian Bach bis Jurg
Baur, Augsburg: Wissner
2001, darin besonders pp.
259-304 und 510-532.
Richter , Reinhold:
Zwischen Tradition und
Avantgarde zwischen
Zweifel und Hoffnung.
Einige Notizen zur Chor-
und Orgelmusik von Jurg
Baur anlasslich des 85.
Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, pp.
23-31.