SKU: HL.48180238

UPC: 888680794699. 9x12 inches.

This version of Cortege and Litanie by Marcel Dupré was written for organ. For upper intermediate players, this 8 page composition is written with 4 sharps and includes the use of the pedals. The piece, initially written for a small orchestra in 1922, was created for a play. Dupré integrated it into one of his piano recitals and was later asked to arrange it for other instruments. These scores therefore exist also arranged for piano, orchestra (in 4 and 16) and for the conductor. In terms of composition, the piece is divided into two: “Cortege,” which title describes a solemn procession, begins in E major and lasts twice as long as the introductory theme; and “Litanie,” which is describing the prayer sung during a procession and which follows the “Cortege” part to then be joined by it. Marcel Dupré is a French composer and virtuoso organist who won the Prix de Rome in 1914. He became famous when he played the work of Bach in its totality from memory in 1920. He later became the professor of many renowned students at the Paris Conservatoire such as Messiaen, Langlais and Cochereau among others.

SKU: HL.14037063

Double' organ does NOT mean it this is written for 2 organs. It means it was originally written for an organ that had at least 2 keyboards. The top keyboard was the 'double', the bottom one the 'single'. PTO This piece was written around 1620.

SKU: FZ.50510

ISBN 9790049505109. 24.00 x 33.00 cm inches.

This facsimile of an original by Michel Corrette is part of our French classical music collection. Pieces pour l'orgue dans un genre nouveau, a l'usage des Dames Religieuses et a ceux qui touchent l'orgue. Avec le melange des jeux et la maniere d'imiter le tonnerre. Edition : Paris, (s. d. = 1787). Presentation: Edition - Terminology - Registrations - Ornamentation. These organ pieces, largley written in late eighteenth century style, are technically quite easy. They are therefore ideal for young musicians studying the organ.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: BT.EMBZ14775

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen.This work, which is appearing in print now for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written while he was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammar school student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie wasprepared for publication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen. This work, now appearing in print for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written whilehe was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammarschool student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie was prepared forpublication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877-1960) komponierte die Fantasie in c-Moll 1892 im Alter von fünfzehn Jahren. Das Werk, welches nun erstmalig in Druck erscheint, ist ein echtes Kuriosum: Abgesehen von ein paar wenigen polyphonen Stilübungen aus der Musikakademie ist es das einzige Orgelwerk des Komponisten. Dieser erinnerte sich später folgendermaßen an das Kennenlernen des Instruments: Meine erste Begegnung mit dem Orgel reicht bis zur dritten Klasse im Gymnasium zurück. Ab dieser Klasse nahm ich sonntags die Funktion des Kantors in der Kirche der Schule ein. Das war mein erstes Geld, was ich mit Musik verdiente. Die Fantasie wurde von der bekannten Dohnányi-Forscherin Deborah Kiszelynach dem Originalmanuskript herausgegeben.

SKU: CA.5600300

ISBN 9790007188047.

The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini's organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into bass and soprano.Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy.

SKU: SU.80101467

Variations on a Theme of Haydn (2017) was written for organist Christoph Hintermuller who asked for a work based on the national anthem of Germany. The anthem's tune was written in 1797 by Joseph Haydn (1732-1809). (In English-speaking countries, Haydn's tune is sung as the hymn AUSTRIAN HYMN, usually with John Newton's text Glorious Things of Thee Are Spoken.) The music consists of five contrasting variations plus a recapitulation of the opening variation. The first variation is broad and festive; the second variation is pastoral in character; the third has a scherzando character; the fourth is marked hypnotic and atmospheric; and the fifth is a quasi-musette. The first variation returns as a finale before a brief coda. Instrumentation: Organ Duration: 8' Composed: 2017 Published by: Zimbel Press.

SKU: HL.49017447

9.25x12.25x0.185 inches.

The Bitter Earth (Horka hlina) cantata was written in 1960 and it was originally conceived for a mixed choir and organ. The composer soon found, however, that this instrumental accompaniment limited the performance possibilities of the piece to a certain extent and he therefore created a piano transcription of the organ part for a later edition which was printed in 1987.The composition sets to music the verses of Jaroslav Seifert from the collection Turn Out the Lights (Zhasnete svetla) which was written in the period of the nation's peril prior to the Second World War. The genuine and totally non-cliched patriotism expressed in these texts has long outgrown the historical connection to the moment of their inception and it continues to bear wtness to Seivert's fervent love for this country.

SKU: HL.48182046

UPC: 888680788254. 9.25x12.25 inches.

The Celestial Banquet, by Olivier Messiaen is one of his earliest compositions. Written for organ, this piece lasts 7 minutes because of its slow tempo that gives it a timeless feeling. This piece is quite challenging and would require an advanced technical level. Written in Octatonic mode, The Celestial Banquet used a theme that was transposed twice for less monotony. Olivier Messiaen (1908-1992) was a French organist and composer who was also passionate about ornithology. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its color and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm, color and ornithology' in 7 volumes.

SKU: MN.12-128

UPC: 688670121289.

The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.

SKU: SU.80101512

These four tientos (inspired by the Iberian baroque) were written between 2013 and 2019. They were written as four separate pieces and may be played as such or in any combination. Contains: Tiento de falsas, Tiento, Tiento mixoltico, and Tiento de batallaOrgan Duration: 17' Composed: 2013-22 Published by: Zimbel Press.

SKU: HL.49044333

ISBN 9790220133909. UPC: 888680056049. 9.0x12.0x0.084 inches.

Written for the magnificent organ of Saint Sulpice in Paris, this virtuosic work is both explorative and passionate. Watkins utilises the full tessitural and dynamic range of the instrument to create a work that is at times tentative and at others fantastically, openly declamatory.

SKU: HL.14005623

8.25x11.75x0.082 inches.

Introduction and Passacaglia In A Minor is written for solo Organ. It  is dedicated to David Willcocks, who at the time of composition was organist at Worcester Cathedral.

Craig Seller Lang (1891-1971) was a British composer, organist and musical pedagogue, who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ's Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books, but he also created prolific volumes of material in both sacred and secular choral genres.

SKU: HL.14022186

UPC: 884088840891. 9.0x12.0x0.207 inches. English.

Written for SATB choir, string quartet, percussion and organ. Percussion and string quartet parts. Full score is used for the organ part (item 14022188).

SKU: HL.48182450

UPC: 888680833015. 8.0x11.5x0.249 inches.

In this edition written in German, The Technique Of My Musical Language by Olivier Messiaen explains the full theory behind Messiaen?s compositions. Enabling a better understanding, this book will help advanced students and professionals for the interpretation of his work, and is a must-have for all composers. This book includes the scales of limited transpositions, well-known in Jazz, the rhythmic permutations, as well as other techniques. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the ''Bird Catalogue'' in 7 volumes and the ''Treatise on rhythm, colour and ornithology'' in 7 volumes..

SKU: SU.80101519

The five pieces in this collection were all originally written for churches/organs on Nantucket Island, Massachusetts. Nantucket and its landscape have been one of the most prominent themes across my entire musical output. Each of the two sets of sketches can be used on its own as a diptych for concert or service (prelude/postlude.) The first set is extremely easy; the second set moderately easy. Any of the four pieces may be played individually. If all four are used together it is suggested that they be kept in the given order. Old North Musings is a separate, slightly longer work. Contents: Two Nantucket Sketches (Idyll & Danza rustica); Two Nantucket Sketches (Set 2: Prelude & Shanty), and Old North Musings.Organ Duration: 18’ Composed: 2018/21 Published by: Zimbel Press.

SKU: SU.80101518

An eclogue is defined as a a pastoral or idyllic poem, usually in the form of a conversation or soliloquy. These seven musical eclogues were originally written as separate pieces. However, they can be played individually or in any combination as needed for recital or service use. Contains: Eclogue in C, Eclogue in D, Eclogue in E, Eclogue in F, Eclogue in G, Eclogue in A and Eclogue in BOrgan Duration: 30’ Composed: 2022 Published by: Zimbel Press.